Bold British Design sees the tastemakers at the epicenter of British interior design share their exclusive advice and inspiration for achieving a bold interior, inspiring you to create your own original, fearless home environment. Designers the world over are increasingly looking to British designers to combine heritage and history with wit and attitude. Interiors Editor Emilio Pimentel-Reid and photographer Sarah Hogan have gained exclusive access to the studios, homes, mood boards and archives of twenty top British creatives. With the interiors creating a visual conversation through the rooms of the houses, the authors reveal the history, craftsmanship, key elements, and inspiration necessary for creating a modern, personal, and stylish interior. Featuring the workspaces and relaxed family homes of artists including furniture designer Sebastian Cox, ceramicist Hitomi Hisono, the celebrated Mini Moderns team and antiques dealer Guy Tobin, Bold British Design shows how a new generation is breaking new ground in interior style and decor.

British Design brings together leading international scholars, designers and journalists to provide new perspectives on British design in the last sixty years, and how it at once looked back to the past with the continuation of traditions that spoke to Britain's design heritage, and looked forwards with the embrace of modernist and postmodernist style. The book responds to and develops new ways of understanding the recent history of design in Britain, with case studies on designed spaces and objects, including domestic interiors, retail spaces, schools and university buildings and transport. The contributors address significant moments and phenomena in the historical and social history of British design, from the rise and fall of the English Country House style and the Brutalist architectural boom of the 1960s to the modern shopping space, and consider the work of key contemporary designers ranging from Tommy Roberts to Thomas Heatherwick. British Design provides new criticism and analysis on how design, from the immediate post-war period to the present day, has developed and changed how we live and how we interact with the spaces in which we live. British Design is split into 13 chapters and is richly illustrated with 65 images, 16 of which are in full colour.

Catalog of the exhibition "British design 1948-2012: Innovation in the Modern Age" at the Victoria and Albert Museum, London, Mar. 31-Aug. 12, 2012.

Focusing on design ingenuity, Modern British Furniture pinpoints the most inventive British designers and companies from 1945 to the present - from early postwar pioneers such as Ernest Race, Robin Day and Robert Heritage, to iconoclastic figures such as Peter Murdoch, William Plunkett and Max Clendinning, to today's global superstars led by Tom Dixon, Ron Arad and Jasper Morrison. Exploring the free-spirited and resourceful character of British design, this is a story of entrepreneurs who spearheaded their own companies - Lucian Ercolani at Ercol, Terence Conran at Habitat and Rodney Kinsman at OMK, among others - and the creative alliances between impassioned individuals and enlightened manufacturers, such as Frank Guille at Kandya. The book also looks at collaborations with international companies and foreignborn designers, such as El Ultimo Grito, who have adopted the UK as their base and injected further variety and spice into British furniture design.--

In 1957 the UK Design Museum launched the first annual Designs of the Year Awards to identify and promote the very best of British design. For the next 30 years, the awards celebrated designed objects in all forms, from the domestic (cutlery, glassware, textiles, and furniture) to the communal (streetlights, signage, and public seating) and everything in between, including fitted kitchens, schooners, bicycles, and electronics. This beautifully designed book introduces and illustrates the quirky breadth of the awards. Iconic objects by Robin and Lucienne Day, Kenneth Grange, and David Mellor sit alongside retro classics.

With more than 300 photographs showcasing the work of over 130 designers -- each image accompanied by the artist's own notes -- this collection presents the best, most comprehensive overview of modern English theatrical style. These magnificent sketches, stage sets, and costumes come from drama, musicals, ballet, and opera. They include Alison Chitty's suspended, golden representation of the heavens for several Shakespeare plays; Patrick Robertson's and Rosemary Vercoe's modern-day conception of Rigoletto, and John Napier's elaborate, futuristic creation for Starlight Express.

Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s. The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde. Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. From this point forward, the poster and the artistic avant-garde have been inextricably linked. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. This synchronicity has established the poster as a particularly significant cultural object. Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture. In Britain, the graphic archive is dispersed amongst various institutions. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. As such Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century.