This collection challenges views of the Cold War as a purely bipolar affair, involving only the United States and the Soviet Union. It shows that Britain took a lead and continued to play an part in a drive to contain communism and that she tried to keep her own position as a great world power.

'From Stettin in the Baltic to Trieste in the Adriatic an iron curtain has descended across the Continent.' So said Winston Churchill in 1946. About to begin was Britain's most expensive and turbulent periods of military history. This is the story of Britain's Cold War, and it deals with all aspects of this chilling time when Britain could have been obliterated so easily by the unleashing of Russian Nuclear Weapons. The Cold War was like no other conflict yet experienced. It was more than a struggle between two superpowers, it was a war of ideologies, the Capitalistic West and the Communist East. The Cold War leached its way into every facet of British life to the extent it was not really considered a war at all. But a war it was. The period was punctuated by an arms race which pushed the world to the edge of destruction, as both East and West amassed arsenals of nuclear weapons far beyond what would be needed to destroy, quite literally, everything. So what part did Britain play in all this? Read on and find out!

This work sets out to examines the policy of the British Foreign Office towards Yugoslavia and the Tito Government, during and immediately following World War II. It looks at the relationship between Yugoslavia and the Soviet Union, and the effects on Soviet-Western relations.

Evocative images of Britain in the Cold War era from the 1940s to the 1990s

The cultural history of the Cold War has been characterized as an explosion of fear and paranoia, based on very little actual intelligence. Both the US and Soviet administrations have since remarked how far off the mark their predictions of the other's strengths and aims were. Yet so much of the cultural output of the period – in television, film, and literature – was concerned with the end of the world. Here, Nicholas Barnett looks at art and design, opinion polls, the Mass Observation movement, popular fiction and newspapers to show how exactly British people felt about the Soviet Union and the Cold War. In uncovering new primary source material, Barnett shows exactly how this seeped in to the art, literature, music and design of the period.

For the first time, Britain and the United States in Greece provides an in-depth analysis of Anglo-American diplomacy in Greece from 1946 to 1950. After Word War II, as Europe floundered economically, British Prime Minister Clement Attlee looked to disengage Britain from some of its broad international obligations and increase American support for its new foreign agenda. One place he sought to do so was in Greece. Spero Simeon Z. Paravantes reveals how the relationship between Britain and the US developed in this formative period, arguing that Britain used the fast-escalating tensions of the Cold War to direct US policy in Greece and encourage the Americans to take a more active role – effectively taking Britain's place – in the region. In the process, Paravantes sheds new light on how the American experience in Greece contributed to the formulation of the Truman Doctrine and the containment of communism, the structure of Greek institutions, and ultimately, the birth of the Cold War. Drawing on a wide range of sources from Britain, the US, Greece and the Balkans, this book is essential reading for all scholars looking to gain fresh insight into the complex origins of the Cold War, 20th-century Anglo-American relations, and the history of modern Greece.

During the Cold War, East-West tension, though dominated by the Superpowers, was often conditioned, and in its early stages accelerated, by Britain's continuing world wide interests and influence. Using records released in the 1980s, this text offers an interpretations of this influence.