Self-Control (1811) was a literary sensation, going into four editions in its first year. The first novelist to set her story against a strong Scottish background, Brunton set the scene for other writers such as Walter Scott. Jane Austen was also a fan, she read it at least twice, worrying that the work might foreshadow her own creations.

To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly. Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.

Cameron Mills was an American Icon. He had it all, a Family with money, a beautiful girl friend and a talent for Martial Arts that most Legends could only dream of. He was world renowned, idolized and feared by his enemies. He was a monarch, and someone that the masses respected, until one day, that all changed with the stroke of a knife. Now, Cameron Pony Boy Mills has been charged with the murder of his girl friend and another man whose lives were taken by a shadowy figure that is thought to be him. People loved him, idolized him and respected him. He was revered, and now amidst a media storm and the friendship of a Famous Mobster he has become known as The Anti Hero. There are no more hugs and adoring Fans, no more people begging for autographs, and a world that once loved him wants to see him receive the death penalty in Brighton Californias lethal injection chamber. ECLIPSE - WELCOME TO BRIGHTON CITY - THE PLACE WHERE THE WICKED COME TO PARTY. A Novel By David Dane Wallace Author of Urban Rain

This bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1810-1829. The main listings include 2,256 entries, all but forty of which are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library. This book also includes an extensive historical introduction by Peter Garside that offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.

Boom or bust? What was the truth of the great land booms that swept Australia in the 1880s and 1890s? How was it that some speculators amassed prodigious fortunes, while others went so spectacularly broke? Seventy years after the events, historian Michael Cannon began sifting through thousands of records and documents, long since filed and forgotten. He pieced together an incredible trail of corruption and roguery, rarely if ever equalled in any parliamentary democracy. When the bare bones of this expos were first published in 1966, it caused an immediate sensation as the forebears of many well-known families were involved. Never before had any Australian historian been able to document such unbridled greed and over-riding ambition. Extended and revised, The Land Boomers is generously illustrated with cartoons, photographs and etchings of the time, and includes an introduction by the author on how he came to research and write the book.

The Salvation Army is nowadays viewed with fondness, but William Booth's evangelical crusade of the 1880s and early 1890s sparked violent riots led by an opposition group, the Skeleton Army. These riots caused destruction to property, injury to many people and, on occasion, loss of life. Spreading across the South and West of England, the Skeleton Army's aim was to eject Salvationists from their towns. Rather than facing repercussions themselves, however, it was often the peaceful parading Salvationists who were imprisoned. In With God on Their Side, James Gardner follows the spread of violence in the context of the popular conservatism of late-Victorian England, with close study of particular towns creating a rich tapestry of historical narrative that will be of interest to scholars and enthusiasts alike. The motives and actions of both groups are considered, along with the subsequent shift in the Salvation Army's focus towards social welfare. It is this shift that enabled the organisation to grow into the treasured charity we know today, and helped transform William Booth from one of the most vilified men of the nineteenth century into its saint.