Before the Civil War, Coney Island boasted a beach, a dozen small hotels with ramshackle bathhouses, some chowder stands and a few saloons. After the war, it was taken over by powerful individuals who made its 0.7 square miles a domain of the wealthy. By 1905, with the population of New York City at four million, the city's amusement park builders designed an entertainment wonderland on the island that even the poor could enjoy, creating a "nickel empire," where visitors paid five cents for the subway, five cents for a Nathan's hot dog and five cents for a ride. In 1910, Coney Island saw 20 million visitors--more than Disneyland and Disney World combined could claim 70 years later, adjusted for population growth. Through the decades, the island has seen changes of fortune, floods and fires, cycles of decay and rehabilitation. Yet the ultimate power on the island was and is the government of the city of New York, which--for good or ill--has made Coney Island what it is today.

Includes its Report, 1896-19 .

This is a biography of an unconventional female journalist, editor, author, and lecturer in late nineteenth-century America who became involved in progressive women's causes, vegetarianism, and Theosophy.

Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings, through its many arrangements, to its impact on dance, literature, film, and music. Marche militaire is Franz Schubert's most recognizable and beloved instrumental work. Originally published for piano four hands in 1826, this tuneful march -- Schubert's first of three military marches -- was arranged, adapted, and incorporated into new incarnations over the next two centuries. Its success was due to its chameleonlike ability to cross the still-porous borders between canonic and popular repertories, creating a performance life thatmade deep inroads into dance, literature, and film, and inspired quotations or allusions in other music Marching to the Canon examines the history of Schubert's storied Marche militaire from its modest beginnings as aduet published for domestic consumption to its now-ubiquitous presence. After detailing the composition, publication, and reception of the original march, the book analyzes the impact of transcriptions and arrangements for solo piano, orchestra, band, and other settings. In addition, it considers the ways the march was used symbolically, even manipulated, during the Franco-Prussian War and the two world wars, as well as the diverse creative uses of the piece by significant figures as varied as Willa Cather, Isadora Duncan, Walt Disney, and Igor Stravinsky. This study of the reception and impact of the Marche militaire offers a unique narrative illuminating the world that enshrined this remarkable score as one of the most memorable musical works of the nineteenth century. Scott Messing is the Charles A. Dana Professor of Music at Alma College, and the author of two works available from theUniversity of Rochester Press: Neoclassicism in Music and the two-volume Schubert in the European Imagination.