This volume considers what it is to be a women in the context of the Korean-American church. Drawing on participant observation, interviews, and a review of historical documents, Jun Ha Kim focuses on four major issues: the role of religious institutions within ethnic communities, the role of Christian churches as patriarchal institutions, issues of status inconsistency and role conflict in marginalized communities, and the relative importance of gender and race-ethnicity in shaping the identities of women of color.

This groundbreaking book serves as a case study, delving into the unique challenges faced by the “global generation” as they navigate the complexities of their hybrid identities. Heesung Hwang, drawing from her extensive experience as both a minister and theologian, presents a compelling vision for religious education inspired by the traditional Korean concept of madang. In this open space, faith communities gather to engage in communal interaction, fostering generative environments where all members are valued and their contributions esteemed. Through the lens of madang, Hwang invites readers to reimagine religious education as a holistic experience that transcends traditional boundaries, encompassing storytelling, conversation, play, and relationship-building. This transformative work challenges religious educators to embrace innovative approaches that honor the diverse cultural and religious backgrounds of young people, ultimately paving the way for redemptive communities that empower the next generation to shape new cultural and religious expressions within society. Reframing Christian Education for a Global Generation promises to ignite important conversations and inspire meaningful change within faith communities worldwide.

This book studies Korean American girls between thirteen and nineteen and their formation with regard to self, gender, and God in the context of Korean American protestant congregational life. It develops a hybrid methodology of de-colonial aims and indigenous research methods, aiming to facilitate transformative life in faith communities.

This book presents personal narratives and collective ethnography of the emergence and development of Asian and Asian American women’s scholarship in theology and religious studies. It demonstrates how the authors’ religious scholarship is based on an embodied epistemology influenced by their social locations. Contributors reflect on their understanding of their identity and how this changed over time, the contribution of Asian and Asian American women to the scholarship work that they do, and their hopes for the future of their fields of study. The volume is multireligious and intergenerational, and is divided into four parts: identities and intellectual journeys, expanding knowledge, integrating knowledge and practice, and dialogue across generations.

Challenging Western notions of Buddhism as a self-effacing path to rebirth and enlightenment, Sharon Suh shows how first-generation Korean Americans at Sa Chal Temple in Los Angeles have applied Buddhist doctrines to the project of finding and knowing the self in everyday life. Buddhism, for these Buddhists, serves as a source of empowerment and as a wellspring of practical and spiritual relief from myriad everyday troubles. Painful life events and circumstances--psychological stresses, marital discord, adjustments to immigrant life, racial and religious minority status--prompt a turning toward religion in an effort to build self-esteem. The process of coming to find and know the self initiates a transformation that, far from taking future rebirths as its focus, enables the self to enact change in the present. Oral histories from twenty-five men and twenty-five women also offer unexpected insights into distinctly male and female forms of Buddhist worship. As a commentary on ethnicity, Being Buddhist in a Christian World challenges much of the existing literature in Asian American studies by placing religion at the center and illustrating its importance for shaping ethnic identity. Not only does Suh ask how Korean American identity might be grounded in religion, she goes on to examine the implications of this grounding when the religious tradition is considered to be socially marginal.

Religion and Spirituality in Korean America examines the ambivalent identities of predominantly Protestant Korean Americans in Judeo-Christian American culture. Focusing largely on the migration of Koreans to the United States since 1965, this interdisciplinary collection investigates campus faith groups and adoptees. The authors probe factors such as race, the concept of diaspora, and the ways the improvised creation of sacred spaces shape Korean American religious identity and experience. In calling attention to important trends in Korean American spirituality, the essays highlight a high rate of religious involvement in urban places and participation in a transnational religious community. Contributors: Ruth H. Chung, Jae Ran Kim, Jung Ha Kim, Rebecca Kim, Sharon Kim, Okyun Kwon, Sang Hyun Lee, Anselm Kyongsuk Min, Sharon A. Suh, Sung Hyun Um, and David K. Yoo

The Grace of Sophia reaches out to Korean North American women, including former victims of severe religious and cultural suffering in Korea and current casualties of racism, classism, and sexism in North America. By sharing her own views on racism, the patriarchal Korean society, and multifaith understandings of wisdom, author Grace Ji-Sun Kim offers strength for the journey to empowerment and hope in the search for a liberative Korean North American women's Christology.

The Reformation was one of the defining cultural turning points in Western history, even if there is a longstanding stereotype that Protestants did away with art and material culture. Rather than reject art and aestheticism, Protestants developed their own aesthetic values, which Protestant Aesthetics and the Arts addresses as it identifies and explains the link between theological aesthetics and the arts within a Protestant framework across five-hundred years of history. Featuring essays from an international gathering of leading experts working across a diverse set of disciplines, Protestant Aesthetics and the Arts is the first study of its kind, containing essays that address Protestantism and the fine arts (visual art, music, literature, and architecture), and historical and contemporary Protestant theological perspectives on the subject of beauty and imagination. Contributors challenge accepted preconceptions relating to the boundaries of theological aesthetics and religiously determined art; disrupt traditional understandings of periodization and disciplinarity; and seek to open rich avenues for new fields of research. Building on renewed interest in Protestantism in the study of religion and modernity and the return to aesthetics in Christian theological inquiry, this volume will be of significant interest to scholars of Theology, Aesthetics, Art and Architectural History, Literary Criticism, and Religious History.

In Invisible, Grace Ji-Sun Kim examines racism, sexism, and xenophobia as she works toward ending Asian American women's invisibility. She proclaims that the histories, experiences, and voices of Asian American women must be rescued from obscurity. Speaking with the weight of a theologian, she powerfully paves the way for a theology of visibility.