Born four months apart, Bruce Springsteen and Billy Joel both released their debut albums in the early 1970s, quickly becoming two of the most successful rock stars of their generation. While their critical receptions have been very different, surprising parallels emerge when we look at the arcs of their careers and the musical influences that have inspired them. Bridge and Tunnel Boys compares the life and work of Long Islander Joel and Asbury Park, New Jersey, native Springsteen, considering how each man forged a distinctive sound that derived from his unique position on the periphery of the Big Apple. Locating their music within a longer tradition of the New York metropolitan sound, dating back to the early 1900s, cultural historian Jim Cullen explores how each man drew from the city’s diverse racial and ethnic influences. His study explains how, despite frequently releasing songs that questioned the American dream, Springsteen and Joel were able to appeal to wide audiences during both the national uncertainty of the 1970s and the triumphalism of the Reagan era. By placing these two New York–area icons in a new context, Bridge and Tunnel Boys allows us to hear their most beloved songs with new appreciation.

Exploring the surprising parallels between Long Islander Billy Joel and Asbury Park, NJ native Bruce Springsteen, cultural historian Jim Cullen places their music within a longer tradition of the New York metropolitan sound. By recombining classic influences in unique ways, each man created music that appealed to wide audiences in a rapidly changing America.

A groundbreaking, candid, well-sourced--but definitely unauthorized--biography of the celebrity chef and TV star Anthony Bourdain, based on extensive interviews with those who knew him intimately. Anthony Bourdain's death by suicide in June, 2018 shocked people around the world. Bourdain seemed to have it all: an irresistible personality, a dream job, a beautiful family, and international fame. The reality, though, was more complicated than it seemed. Bourdain became a celebrity with his bestselling book Kitchen Confidential. He parlayed it into a series of hit television shows, including the Food Channel's Anthony Bourdain: No Reservations and CNN's Parts Unknown. But his charisma belied a troubled spirit. Addiction and an obsession with perfection and personal integrity ruined two marriages and turned him into a boss from hell, even as millions became intrigued by the ever-curious and genuinely empathetic traveler they saw on TV. Bourdain was already running out of steam, physically and emotionally, when he fell hard for an Italian actress who could be even colder to him than he sometimes was to others, and who effectively drove a wedge between him and his young daughter. Down and Out in Paradise is the first book to tell the true and full Bourdain story, relating the highs and lows of an extraordinary life. Leerhsen shows how Bourdain's never-before-reported childhood traumas fueled both his creativity and the insecurities that would lead him to a place of despair.

From Saturday Night Fever to Jersey Shore, Italian American youth in New York City have appropriated—and been appropriated by—popular American culture. Here, Donald Tricarico investigates how Italian ethnicity has been used to fashion Guido as a distinct youth style that signals inclusion in popular American culture and, simultaneously, the making of a new ethnic subject. Emerging from a wave of Italian immigration after World War II in outer borough neighborhoods such as Bensonhurst, the story of the Guido is an Italian American story, symbolizing the negotiation of a negatively privileged ethnicity within American society. Tricarico takes up questions about the definition of Guido, the role of disco, and the identity politics of Jersey Shore in order to reconsider the significance of Guido for the study of Italian American ethnicity.

Emma's fearlessness is put to the ultimate test when she and her friends investigate the abandoned orphanage - and the bridge rumored to haunt anyone who visits.

Pioneering the field of Springsteen scholarship when it first appeared in 1997, Born in the U.S.A. remains one of the definitive studies of Springsteen’s work and its impact on American culture. Moving beyond journalistic and biographical approaches, Jim Cullen situates the artist in a wider historical canvas that stretches from the Puritans to Barack Obama, showing how he has absorbed, refracted, and revitalized American mythology, including the American Dream, the work ethic, and the long quest for racial justice. Exploring difficult questions about Springsteen’s politics, he finds a man committed to both democratic and republican principles, as well as a patriot dedicated to revealing the lapses of a country he loves. This third edition of Born in the U.S.A. is fully revised and updated, incorporating discussion of Springsteen’s wide output in the 21st century. While addressing Springsteen’s responses to events like 9/11, it also considers the evolution of his attitudes towards religion, masculinity, and his relationship with his audience. Whether a serious Springsteen fan or simply an observer of American popular culture, Born in the U.S.A. will give you a new appreciation for The Boss.

We Take Care of Our Own traces the evolution of Bruce Springsteen’s beliefs, beginning with his New Jersey childhood and ending with his most recent works from Springsteen on Broadway to Letter to You. The author follows the singer’s life, examining his albums and a variety of influences (both musical and nonmusical), especially his Catholic upbringing and his family life, to show how he became an outspoken icon for working-class America—indeed for working-class life throughout the world. In this way, the author emphasizes the universality of Springsteen’s canon and depicts how a working-class sensibility can apply to anyone anywhere who believes in fairness and respect. In addition, the author places Springsteen in the historical context not only of literature (especially John Steinbeck) but also of the art world (specifically the work of Thomas Hart Benton and Edward Hopper). Among the themes explored in the book include community, a sense of place, America as the Promised Land, the myth of the West, and, ultimately, mortality.

Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.

History teacher Kevin Lee is retiring from Seneca Falls High School, where he has worked for the past forty years. He decides to use the freedom of his pending exit to toss the state curriculum and teach the U.S. survey as the story of the alluring, inspiring, murderous concept we know as the American Dream—which, he understands, his students regard with justified, if instinctive, skepticism. Lee discusses the rise, fall, and legacy of the Dream with these smart, funny, and irreverent eleventh graders, in a narrative peppered with memos, email exchanges, text messages, student journalism, and other documents from beyond the walls of his classroom. The result is the best history class you never had. A chronological history of the United States, this compelling novel also offers a snapshot of American education, written by a veteran teacher who slices through the arid literature of pedagogy to vividly depict the life of the classroom. Finally, it offers a deeply affectionate and patriotic vision of American life—one fully aware of the nation’s limits and failures while honoring the longings so many of us have to believe in our country, even as we harbor deepening doubts about our nation.