In this “entertaining gothic tale” (Chicago Sun-Times) that “reads like Wuthering Heights on steroids” (Publishers Weekly), amateur sleuth Ellie Haskell gets caught up in the drama of a trio of ancient spinsters—and the ghosts of murder past. “Rosemary, Thora, and Jane lived at the end of the lane, one was thin, one was fat, and one was very plain.” This is how Ellie Haskell remembers her grandmother’s three childhood friends, known collectively as “the bridesmaids.” Ellie once asked her mother where the nickname came from and her mother replied, “It’s a long story, best forgotten.” After all, every family has its secrets. Now, thirty years later, a letter from the bridesmaids arrives informing Ellie that her grandmother, Sophia, wishes to make contact. This might have been heartwarming news but for one small detail: Sophia is dead. Ellie sets out to visit the bridesmaids, expecting to set the record straight. What she gets is a life-changing journey into the unknown, from a séance and a hidden diary to a mysterious death that took place more than fifty years ago. Praise for Bridesmaids Revisited “Witty . . . [Dorothy] Cannell fleshes out an entertaining gothic tale, old-fashioned in structure, sprinkled with . . . wacky humor.”—Chicago Sun-Times “The tale sometimes reads like Wuthering Heights on steroids. . . . Cannell’s smooth narration and her appealing, smart-mouthed characters charm you into suspending disbelief. The result is a thoroughly delightful puzzle.”—Publishers Weekly “Full of gothic touches and the ineffable sweetness of memory, this is clearly Cannell’s best so far.”—Booklist Praise for Dorothy Cannell and the Ellie Haskell series “A thoroughly entertaining series.”—Cosmopolitan “It is the absurd predicaments of her central characters that readers find themselves recalling, and Cannell is cunning at devising outlandish situations for them.”—Chicago Sun-Times “Cannell is a master of subtle wit and humorous asides that lift her cozies to great heights. Before the influx of writers trying to out-humor Janet Evanovich, there was Dorothy Cannell. Long may she write!”—Library Journal

Selected by Modern Library as one of the 100 best novels of the century and called "Evelyn Waugh's finest achievement" by the New York Times, Brideshead Revisited is a stunning exploration of desire, duty, and memory. The wellsprings of desire and the impediments to love come brilliantly into focus in Evelyn Waugh's masterpiece -- a novel that immerses us in the glittering and seductive world of English aristocracy in the waning days of the empire. Through the story of Charles Ryder's entanglement with the Flytes, a great Catholic family, Evelyn Waugh charts the passing of the privileged world he knew in his own youth and vividly recalls the sensuous pleasures denied him by wartime austerities. At once romantic, sensuous, comic, and somber, Brideshead Revisited transcends Waugh's early satiric explorations and reveals him to be an elegiac, lyrical novelist of the utmost feeling and lucidity. "A genuine literary masterpiece." --Time "Heartbreakingly beautiful...The twentieth century's finest English novel." --Los Angeles Times

Ellie Haskell goes back to school in the “thoroughly entertaining series” (Cosmopolitan) that began with The Thin Woman. From Agatha Award nominee Dorothy Cannell, this delightful mystery is an education . . . in murder. “Ellie, the headmistress wants to see you.” Words to strike terror in the heart of any inmate of St. Roberta’s boarding school. Fortunately for Ellie Haskell, she is no longer a pudgy, wayward pupil but a happily married mother and interior designer with a beautiful home by the sea. Rather, Ellie has been summoned thanks to her reputation as an amateur sleuth. The headmistress, Mrs. Battle, has requested Ellie’s help in the investigation into the disappearance of a coveted lacrosse trophy. Unless the prize is found, someone will succeed in dealing the school a great deal of embarrassment. So, despite her less-than-rosy memories of her alma mater, Ellie begins snooping around St. Roberta’s—only to have her homecoming spoiled by the suspicious death of the recently retired games mistress, Ms. Chips. Now, with a killer possibly stalking the halls, Ellie must act fast to have a sporting chance at justice. Praise for Goodbye, Ms. Chips “Engaging Ellie provides a peak at boarding-school charms and horrors while solving one of her more intriguing cases.”—Kirkus Reviews “This humorous cozy is filled with sympathetic characters and an inside look at an English boarding school.”—Booklist Praise for Dorothy Cannell and the Ellie Haskell series “It is the absurd predicaments of her central characters that readers find themselves recalling, and Cannell is cunning at devising outlandish situations for them.”—Chicago Sun-Times “Cannell is a master of subtle wit and humorous asides that lift her cozies to great heights. Before the influx of writers trying to out-humor Janet Evanovich, there was Dorothy Cannell. Long may she write!”—Library Journal

More information to be announced soon on this forthcoming title from Penguin USA.

Bringing together seventeen original essays by scholars from around the world, Screwball Television offers a variety of international perspectives on Gilmore Girls. Adored by fans and celebrated by critics for its sophisticated wordplay and compelling portrayal of a mother-daughter relationship, this contemporary American TV program finally gets its due as a cultural production unlike any other, one that is beholden to Hollywood’s screwball comedies of the 1930s, steeped in intertextual references, and framed as a "kinder, gentler kind of cult television series" in this tightly focused yet wide-ranging collection. This volume makes a significant contribution to television studies, genre studies, and women’s studies. Screwball Television seeks to bring Gilmore Girls more fully into academic discourse not only as a topic worthy of critical scrutiny but also as an infinitely rewarding text capable of stimulating the imagination of students beyond the classroom.

Matt is at Kit's aunt's fianc'̌s bachelor party on a remote ranch when he finds the dead body of a naked woman.

From one of the most consistently astute and engaging social commentators of our day comes another look at the tough and tender women of New York City -- this time, through the lens of where they live. One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

After her divorce, a woman moves to coastal Maine and forms some new attachments in this “thoroughly enjoyable and cozy tale” (Library Journal). Recovering from a painful divorce, Sarah Draycott has moved to the picture-postcard village of Sea Glass on the Maine coast, and is soon caught up in the lives of its inhabitants. As she helps elegant but troubled widow Gwen cope with her desperately ill son, and assists nine-year-old orphan Oliver in uncovering the secrets surrounding the mysterious Cully Mansion, Sarah’s broken heart begins to heal. She isn’t looking for new romance—but love finds a way of seeking someone out just when they least expect it… From the “deft and talented” (Richmond Times-Dispatch), Agatha Award-winning author of the Ellie Haskell series, this “sweet contemporary romance” (Publishers Weekly) comes complete with a gloriously atmospheric setting, a generous dollop of mystery and suspense, and a cast of unforgettable characters.

Can you fall in love like they do in the movies? It's Evie Summers's job to find out. Because if she can't convince her film agency's biggest client, Ezra Chester, to write the romantic-comedy screenplay he owes producers, her career will be over. The catch? He thinks rom-coms are unrealistic--and he'll only put pen to paper if Evie shows him that it's possible to meet a man in real life the way it happens on the big screen. Cynical Evie might not believe in happily ever after, but she'll do what it takes to save the job that's been her lifeline . . . even if it means reenacting iconic rom-com scenes in public. Spilling orange juice on a cute stranger? No problem. Leaving her number in books all over London to see who calls? Done. With a little help from her well-meaning friends--and Ben and Anette, the adorable father-daughter duo who keep witnessing her humiliations--Evie is determined to prove she can meet a man the way Sally met Harry. But can a workaholic who's given up on love find a meet-cute of her very own?