The first English translation of an early and important work by Vilhem Moberg. For centuries, people have celebrated every Midsummer’s Eve at an ancient spring near a small Swedish village. On that special night, when unmarried men and women dance and some unusual activities are permitted, the Bridal Spring has special powers. Vilhelm Moberg introduces four musicians on the last day that each one will ever know: a curmudgeonly fiddler from the 1930s, a sad and conscientious key-harp player from the plague era of 1711, a ne’er-do-well who plays the flute in 1545, and a goat-horn blower from prehistoric times who, like the others, only seeks happiness with a woman. Binding their stories together is the voice of the Bridal Spring itself, tart and grudgingly compassionate—and slow to reveal its secret. Each progression backward in time reflects Moberg’s rich knowledge of folklore and shows the changes in everyday life in Sweden’s past. First published in 1946, before the Emigrants novels, The Brides of Midsummer is a complex, compelling journey through the arc of human life.

Steal a bride. Save the library. Try not to die. Basil, a rather scholarly fae, works as an assistant librarian at the Great Library of the Court of Knowledge. Lonely and unwilling to join the yearly Midsummer Revel to find a mate, Basil takes the advice of his talking horse companion and decides to steal a human bride instead. But Basil never expected to find a human girl waiting for him, wanting to get snatched. Nor had he expected a girl like Meg, an illiterate farmgirl who has no use for books. With the barrier with the Realm of Monsters wearing thin and the chaos of Midsummer Night about to descend, will this unlikely pair put aside their differences long enough to save the Great Library from destruction? And maybe find a spark of love along the way. This is the third installment of STOLEN BRIDES OF THE FAE, a series of stand-alone short novels written by various romantic fantasy authors who share a passion for fantastical love stories.

National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.

Heiress Harriet Redgrave resists her grandfather's intentions to marry her off to a lord until she meets Duncan Maclachlan, Earl of Thornton, who worries that her wild American upbringing has ill-prepared her for English high society.

The course of true love never did run smooth!

Midsummer--or the summer solstice--occurs when the sun is at the height of its power, the faeries are most active, and the future can be uncovered with ease. Shakespeare even captured the mischief of the occasion in his play, "A Midsummer Night's Dream." This book explores Midsummer customs and bears witness to their power today.

First in the Magic Trilogy. A clever, beautiful woman disguises herself as a mousy Scottish lass to keep the notoriously rakish Earl of Rothermere from marrying her, only to find she was chosen for that very reason. After the earl discards her, she sheds her dowdy facade to become London society's brightest star—rousing the ire and igniting the passions of her faithless husband.

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This adventurous duke... The Duke of Marchford requires a suitable bride, but catching spies for the Foreign Office takes up most of his time. Not wanting to face another London season as an eligible man, he employs the notorious Madame X to find him a match. Has met his match Miss Penelope Rose knows the rules of marriage among members of the ton better than most. Her own unsuccessful attempts at matrimony did not stop her from becoming London's most exclusive matchmaker. Marchford proves to be a difficult client, but as he draws on her social expertise to help him flush out a dangerous traitor, they find that falling in love may be the riskiest adventure of all.

(Harp). Felix Mendelssohn composed the "Wedding March" in 1842 as a part of his suite for Shakespeare's play A Midsummer Night's Dream . It is most commonly played as a wedding recessional. This sheet music includes two harp arrangements. The first is for intermediate to advanced lever harp players, or pedal harpists. The second is a bit easier. It can be played on small harps with 22 or more strings, from C to C.