Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.

War is coming to Ruthnia. As ancient, inhuman powers move against one another, Rel Kressind finds himself in the company of the fabled modalmen – giants who regard themselves as the true keepers of humanity’s legacy. Far out in the blasted, magical wastelands of the Black Sands where no man of the Hundred has ever set foot before, Rel comes face to face with the modalman’s deity, the Brass God. What Rel learns in the Brass God’s broken halls will shake his understanding of reality forever. Magic and technology combine in an epic fantasy like no other, where lost science, giant tides and jealous gods shape the fate of two worlds, and the actions of six siblings may save a universe, or damn it.

This book is the first study of the men who work in the brass bands that accompany wedding and devotional processions and the tradition that has become a core of Indian popular culture.

Brass Man is the third novel in Neal Asher's popular Agent Cormac series. On the primitive world Cull, a knight errant called Anderson hunts a dragon, not knowing that elsewhere is a resurrected brass killing machine, Mr Crane, assisting in a similar hunt. Learning that this old enemy still lives, agent Cormac pursues, while scientist Mika begins discovering the horrifying truth about an ancient alien technology. Each day is a survival struggle for the people of Cull. Ferocious insectile monsters roam their planet, as they try to escape to their forefathers’ starship still orbiting far above them. But an entity with questionable motives, calling itself Dragon, assists them with genetic by-blows created out of humans and the hideous local monsters. And now the supposedly geologically inactive planet itself is increasingly suffering earthquakes . . .

Violet McNeal ran away from her family’s rural Minnesota farm in the late 1880s and fell under the spell of conman and patent medicine “doctor” Will Archimbauld who hooked her on opium and promises of fame and fortune. Violet soon learned to become Princess Lotus Blossom and was the best pitchman, nostrum seller, and conwoman to roam the west in a torch-lit wagon. Four White Horses and a Brass Band is Violet’s story of life on the road with the medicine show and reveal the secrets of conman’s trade. Sick and nearly dead with addiction by age 30, she submits to the tortures of withdrawal and the “cure” to create a new life. First published in 1947, the Feral House edition features an extensive afterword on the history of the patent medicine trade and evolution of the lure of miracle cures and healers. Also included are a glossary of the grifter’s cant and samples of scripts used by Violet and other infamous “doctors”.

The Orrery is a fully functional, life-size clockwork solar system, a clutch of planets orbiting a vast Brass Sun via immense metal spars. But the once-unified collection of worlds has regressed into eccentric fiefdoms, andice is encroaching on the outer planets as the sun is dying. Wren and Eptimus must find the key to restart the sun, but first must escape the world known as The Keep.