Milner's final text, Bothered by Alligators, came about when, in her nineties, she unexpectedly came across a diary she had kept during the early years of her son's life, recording his conversations and play between the ages of two and nine. With it was a storybook written and illustrated by him when he was about seven years old. Whilst working on the material, Milner gradually realised that both diary and storybook were provoking questions she realised had scarcely been asked, let alone answered in her own analysis. Through her memories, her notebooks and by interpreting her own previously discarded drawings and paintings, she reaches a point of awareness that they were depicting things she did not know in herself, addressing her relationships not only with her son but also with her husband, her father, and in particular, her mother. Like many of Milner's earlier books there is a deeply personal quality to Bothered by Alligators, but it is a quality that transcends the personal and reveals insights and conclusions that will be both interesting and useful to clinicians; and fascinating to readers from a psychological, a literary, an artistic or an educational background, and, in particular, those with an interest in psychoanalysis and autobiography and in Milner's work.

Have you ever wondered what left behind those prints and tracks on the seashore, or what made those marks or dug those holes in the dunes? Life Traces of the Georgia Coast is an up-close look at these traces of life and the animals and plants that made them. It tells about how the tracemakers lived and how they interacted with their environments. This is a book about ichnology (the study of such traces) and a wonderful way to learn about the behavior of organisms, living and long extinct. Life Traces presents an overview of the traces left by modern animals and plants in this biologically rich region; shows how life traces relate to the environments, natural history, and behaviors of their tracemakers; and applies that knowledge toward a better understanding of the fossilized traces that ancient life left in the geologic record. Augmented by illustrations of traces made by both ancient and modern organisms, the book shows how ancient trace fossils directly relate to modern traces and tracemakers, among them, insects, grasses, crabs, shorebirds, alligators, and sea turtles. The result is an aesthetically appealing and scientifically grounded book that will serve as source both for scientists and for anyone interested in the natural history of the Georgia coast.

This book traces the development of British psychoanalyst Marion Milner’s (1900–98) autobiographical acts throughout her lifetime, proposing that Milner is a thinker to whom we can turn to explore the therapeutic potentialities of autobiographical and creative self-expression. Milner’s experimentation with aesthetic, self-expressive techniques are a means to therapeutic ends, forming what Emilia Halton-Hernandez calls her "autobiographical cure." This book considers whether Milner’s work champions this site for therapeutic work over that of the relationship between patient and analyst in the psychoanalytic setting. This book brings to light a theory and practice which is latent and sometimes hidden, but which is central to understanding what drives Milner’s autobiographical work. It is by doing this work of elucidation and organisation that Halton-Hernandez finds Milner to be a thinker with a unique take on psychoanalysis, object relations theory, creativity, and autobiography, working at the interstices of each. Divided into two fascinating sections exploring Milner’s distinctive method and the legacy and influence of her work, this book will appeal to psychoanalysts, art therapists, philosophers, and art and literary researchers alike. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

For the past half-century, C. Peter Wagner has been at the leading edge of the key spiritual paradigm shifts that have been accompanied by major moves of the Holy Spirit. In the 1960s the missionary movement in South America was at its peak--and Dr. Wagner was there. In the 1970s he was a recognized authority in the church-growth movement. In the 1980s he taught a popular course at Fuller Seminary with Vineyard movement leader John Wimber that advocated praying healing for the sick, spiritual mapping, identificational repentance and spiritual warfare. Dr. Wagner coined the phrase Third Wave to describe this fresh move of the Holy Spirit--the impact of which is still being felt today. In the 1990s he became a leader of the New Apostolic Reformation, and in the new millennium he has championed the Dominion Mandate, adopting the Seven Mountain (or 7M) template for reclaiming the culture for God's kingdom. For five decades, Dr. Wagner has led the church from one great move of God to the next, riding the wave of the Spirit through changes he never imagined when he first answered God's call to ministry. In Wrestling with Alligators, Prophets, and Theologians, Wagner tells, for the first time, his personal story of ongoing transformation. Readers will get a close-up view of the seismic shifts in the church's recent history, through the eyes of one of the only people to have seen it all unfold.

The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.

In Alligator and Other Stories, Dima Alzayat captures luminously the many ways of feeling displaced: as a Syrian, as an Arab, as an immigrant, as a woman. Often told through the lens everyday scenarios, her stories are rich, relatable, and full of nuance. Each story is a snapshot of those moments when unusual circumstances suddenly distinguish us from our neighbours, throw into relief the fact that we are ‘other’. There are ‘dangerous’ women transgressing in ‘Daughters of Manat’, and ‘A Girl in Three Acts’; In ‘Only Those Who Struggle Succeed’ a young woman will let nothing stand in the way of career success, only to discover the boulder that others have placed in her path; in ‘Ghusl’, a young woman carefully washes her brother’s body as she prepares him for burial and looks back on their childhood together; ‘Disappearance’ loosens the boundaries of diaspora or immigrant stories, and features protagonists whose ethnicity is neither central nor vital; and ‘Alligator’, the centrepiece that connects the thematic threads running throughout this book, is an incredible work: a compilation of first-person accounts, newspaper clippings, letters, real and fictionalized historical and legal documents, scripts and social-media posts, which tell the story of a Syrian-American couple killed by their town’s police department and a vigilante lynch mob. Each of these stories is startling and real, but delivers an emotional punch that lingers long after reading.

The first book-length study of the psychoanalytic memoir, this book examines key examples of the genre, including Sigmund Freud's mistitled An Autobiographical Study, Helene Deutsch's Confrontations with Myself: An Epilogue, Wilfred Bion's War Memoirs 1917-1919, Masud Khan's The Long Wait, Sophie Freud's Living in the Shadow of the Freud Family, and Irvin D. Yalom and Marilyn Yalom's A Matter of Death and Life. Offering in each chapter a brief character sketch of the memoirist, the book shows how personal writing fits into their other work, often demonstrating the continuities and discontinuities in an author's life as well as discussing each author's contributions to psychoanalysis, whether positive or negative.

The Marion Milner Tradition provides a comprehensive overview of Milner’s eight-volume oeuvre for the first time, and celebrates her pioneering achievements both in psychoanalytic world and in creative and scientific disciplines such as clinical and organisational psychology, philosophy, mindfulness and spirituality, management theory, art therapy, as well as art appreciation/criticism. This volume considers Marion Blackett Milner through the prism of her innovative engagement with people, art, and human experience, as well as her extraordinary contribution as an original thinker and researcher within the Independent Group of the British Psychoanalytical Society. The co-editors’ exploratory approach to her legacy is as open as the spirit of Milnerean ‘discovery research’ in defining its distinctive features. An assembly of fifty contributors were invited to interrogate the evolution of what is becoming known as the Milner Tradition, demarcating her influence on theory and clinical practice over the many decades of her life and since her death. They draw upon their professional interviews or friendship with Marion Blackett Milner, or intimate experience of her as an analyst, supervisor, or relative. Similarly, participants in global reading groups in Australia, England, Greece, Northern Ireland, the Republic of Ireland, and South Africa recount personal responses to their own exercise in action research. The plethora of riches in this book will be of interest to both new and veteran readers of Milner’s opus, as well as students and practitioners from a variety of therapeutic and other disciplines.

A political strategist for the Clinton administration shares insider information on how key Democratic initiatives unfolded behind the scenes, from the Carter-Kennedy primary contest in 1980 to Clinton's health-care reform plan of 1993.