The untold story about the struggles and achievements of the first Black person to hold public office in Brooklyn, New York. Bertram L. Baker immigrated to the United States from the Caribbean island of Nevis in 1915. Three decades later, he was elected to the New York state legislature, representing the Bedford Stuyvesant section. A pioneer and a giant, Baker has a story that is finally revealed in intimate and honest detail by his grandson Ron Howell. Boss of Black Brooklyn begins with the tale of Baker’s rise to prominence in a fascinating era of Black American history, a time when thousands of West Indian families began leaving their native islands in the Caribbean and settling in New York City. In 1948, Bert Baker was elected to the New York state assembly, representing the growing central Brooklyn neighborhood of Bedford Stuyvesant. Baker loved telling his fellow legislators that only one other Nevisian had ever served in the state assembly. That was Alexander Hamilton, the founding father. Making his own mark on modern history, Baker pushed through one of the nation’s first bills outlawing discrimination in the sale or rental of housing. Also, for thirty years, from 1936 to 1966, he led the all-Black American Tennis Association, as its executive secretary. In that capacity he successfully negotiated with white tennis administrators, getting them to accept Althea Gibson into their competitions. Gibson then made history as the first black champion of professional tennis. Baker represents a remarkable turning point in the evolution of modern New York City. In the 1940s, when he won his seat in the New York state assembly, Blacks made up only four percent of the population of Brooklyn. Today they make up a third of the population, and there are scores of Black elected officials. Yet Brooklyn, often called the capital of the Black Diaspora, is a capital under siege. Developers and realtors seeking to gentrify the borough are all but conspiring to push Blacks out of the city. Boss of Black Brooklyn not only explores Black politics and Black organizations but also penetrates Baker’s inner life and reveals themes that resonate today: Black fatherhood, relations between Black men and black women, faithfulness to place and ancestry. Bertram L. Baker’s story has receded into the shadows of time, but Boss of Black Brooklyn recaptures it and inspires us to learn from it. Praise for Boss of Black Brooklyn “[A] valuable addition to New York history . . . . This shines a necessary light on an all-but-forgotten black politician from the pre–civil rights era.” —Publishers Weekly “A potent reminder that history isn’t very old . . . What makes this biography all the more powerful is that as Baker’s grandson, the author Ron Howell . . . offers a personal prism on a transplanted West Indian family and political ascension.” —The New York Times

A celebration of Brooklyn features more than one hundred original articles that tap into the life of "America's Hometown."

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist. "A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel's colleagues lands in jail, the other two vie for his position, and the victim's widow skips town. Lionel's world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

"In 1959, Bruce Davidson read about the teenage gangs of New York City. Connecting with a social worker to make initial contact with a gang in Brooklyn called The Jokers, Davidson became a daily observer and photographer of this alienated youth culture. The Fifties are often considered passive and pale by our standards of urban reality, but Davidson's photographs prove otherwise. Nearly 70 sheet-fed gravure plates show images of tough people, tough lives, tough lovers, all trying to be cool. They are followed by a short recollection by the photographer and a lengthier interview with Bengie, a surviving gang member, who is now a drug counselor."--Magnum Photo.

He was told that the color of his skin would keep him out of the big leagues, but Joe Black worked his way up through the Negro Leagues and the Cuban Winter League. He burst into the Majors in 1952 when he signed with the Brooklyn Dodgers. In the face of segregation, verbal harassment, and even death threats, Joe Black rose to the top of his game; he earned National League Rookie of the Year and became the first African American pitcher to win a World Series game. With the same tenacity he showed in his baseball career, Black became the first African American vice president of a transportation corporation when he went to work for Greyhound. In this first-ever biography of Joe Black, his daughter Martha Jo Black tells the story not only of a baseball great who broke through the color line, but also of the father she knew and loved.

"Groomed to take over a powerful family organization, a young man harboring a secret wish to be a professional chef replaces his dream with a growing obsession to exact justice on the person responsible for his father's murder."--

Bestselling author Douglas Century reveals the untold story of the epic rise and fall of Boris Nayfeld, also known as Biba, one of the most notorious Russian mob bosses of our era. Boris Nayfeld, a.k.a. “Biba,” is the last living boss of the old-school Russian mob in America, and he’s survived to tell it all. Filled with sex, drugs, and murder, Biba’s story is a mind-boggling journey that took him from petty street crime in the USSR to billion-dollar embezzlement in America. Born in Soviet-era Belarus, abandoned by his parents in infancy, Biba’s brutal upbringing left him hungry for more—more power, control, and money. Taking advantage of the rampant corruption in the Soviet Union, Biba’s teenage hooliganism quickly turned into bolder “black cash” rackets, making him, by Soviet standards, a very rich young man. When authorities took notice and threatened him with “the supreme measure”— execution by firing squad—he managed to get out of the USSR just in time. Within months of landing in America, his intimidating presence and street smarts quickly made him legendary in the Soviet émigré community of Brighton Beach, Brooklyn, and launched him to the top of New York’s Russian Jewish mob, one of the world’s most inventive, powerful and violent criminal organizations. After decades as a globe-trotting boss, and three stints in U.S. federal prisons he remains unbroken and unrepentant, even as his entire life has unraveled around him. Now seventy-four years old, Biba is a lion in winter. Douglas Century vividly brings the notorious gangster to life in these pages, telling not only his epic journey but also the history of the Russian mob in America.

NOW A NEW YORK TIMES, USA TODAY, AND PUBLISHER'S WEEKLY BESTSELLER "Dyson writes with the affection of a fan but the rigor of an academic. ... Using extensive passages from Jay-Z’s lyrics, 'Made in America' examines the rapper’s role as a poet, an aesthete, an advocate for racial justice and a business, man, but devotes much of its energy to Hova the Hustler." —Allison Stewart, The Washington Post "Dyson's incisive analysis of JAY-Z's brilliance not only offers a brief history of hip-hop's critical place in American culture, but also hints at how we can best move forward." —Questlove JAY-Z: Made in America is the fruit of Michael Eric Dyson’s decade of teaching the work of one of the greatest poets this nation has produced, as gifted a wordsmith as Walt Whitman, Robert Frost and Rita Dove. But as a rapper, he’s sometimes not given the credit he deserves for just how great an artist he’s been for so long. This book wrestles with the biggest themes of JAY-Z's career, including hustling, and it recognizes the way that he’s always weaved politics into his music, making important statements about race, criminal justice, black wealth and social injustice. As he enters his fifties, and to mark his thirty years as a recording artist, this is the perfect time to take a look at JAY-Z’s career and his role in making this nation what it is today. In many ways, this is JAY-Z’s America as much as it’s Pelosi’s America, or Trump’s America, or Martin Luther King’s America. JAY-Z has given this country a language to think with and words to live by. Featuring a Foreword by Pharrell