"Originally published in slightly different form in Death and candy #2-4"--T.p. verso.

Ein Comicfestival führt Max Andersson und Lars Sjunnesson nach Ljubljana. Dort erhalten sie einen Telefonanruf von Skledar, einem alten Bekannten, der ihnen seine Kriegstagebücher aus Bosnien anbietet. Ihre Suche nach Skledar und dessen Tagebüchern führt sie nach Sarajevo, vorbei an Eisbomben, Handgranaten aus dem Souvenir-Shop in Sarajevo und einem Kühlschrank mit der gefrorenen Mumie von Tito. Max Andersson ("Container", "Pixi") und Lars Sjunnesson ist mit "Bosnian Flat Dog" ein wunderbar wilder und unterhaltsamer Mix aus Facts und Fiction gelungen, der nicht kurzweiliger hätte ausfallen können.

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

Based on the author’s dreams, this German Expressionist-influenced graphic novel is about a couple who go to an underground site to visit his family, and surreal events ensue. Drawn in a slashing pen-and-ink style with raw crosshatching and heavy blacks, the author’s visual approach adds to the intense, claustrophobic feel of the graphic novel, while its surreal verisimilitude recalls cult films like Eraserhead and The Forbidden Zone.

This study of the graphic novel and its growth in the library helps librarians utilize and develop this extraordinarily popular format in their library collections. What does the surge of popularity in graphic novels mean for libraries? Graphic Novels Beyond the Basics: Insights and Issues for Libraries goes deeper into this subject than any other volume previously published, bringing together a distinguished panel of experts to examine questions librarians may encounter as they work to enhance their graphic novel holdings. Graphic Novels Beyond the Basics begins by introducing librarians to the world of the graphic novel: popular and critically acclaimed fiction and nonfiction titles; a wide range of genres including Japanese manga and other international favorites; recurring story and character archetypes; and titles created for specific cultural audiences and female readers. The book then offers a series of chapters on key issues librarians will face with graphic novels on the shelves, including processing and retention questions, preservation and retention, collecting related media such as Japanese anime films and video games, potential grounds for patron or parental complaints, the future of graphic novels, and more.

Alka Seltzer and Angina Pectoris have all the luck — bad, that is.

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.