Pioneering North Woods doctor Kate Pelham Newcomb comes to life in this addition to the Badger Biographies series for young readers. Born in 1885, Kate Pelham was suppose to grow up to be a proper young lady in Boston, but despite her father's wishes she was determined to be a doctor. After medical school, her husband's health brought them to the clean air of northern Wisconsin and before long Kate knew every back road and cabin in the North Woods. She visited patients by snowmobile, by canoe, and by snowshoe and never sent a bill. Instead she was paid in firewood and vegtables. But what Kate dreamed of more than anything for her patients was a hospital. And that's when the kids of the community got involved. They set out to collect a million pennies - $10,000 - to help Dr. Kate build a hospital. As the news spread, coins poured in from countries across the globe. Students carted bushels of pennies, and Dr. Kate read thousands of letters cheering on her effort. Her dream came true in 1954 when the Lakeland Memorial Hospital opened its doors. Young readers will warm to Kate's spirit of compassion and never-say-never attitude.

The oceans stopped working before Willo was born, so the world of ice and snow is all he's ever known. He lives with his family deep in the wilderness, far from the government's controlling grasp. Willo's survival skills are put to the test when he arrives home one day to find his family gone. It could be the government; it could be scavengers--all Willo knows is he has to find refuge and his family. It is a journey that will take him into the city he's always avoided, with a girl who needs his help more than he knows. S.D. Crockett on narrative voice and an especially cold winter: What was your inspiration for After the Snow? Well, apart from the unbelievably cold winter during which I was writing—in an unheated house, chopping logs and digging my car out of the snow; I think much of the inspiration for the settings in After the Snow came from my various travels. In my twenties I worked as a timber buyer in the Caucasus Mountains of southern Russia, and that work led to travels in Eastern Europe and Armenia. As soon as I step off the plane in those places it smells like home. It may sound strange to say, when After the Snow is set in Wales, but really the practical dilemmas in the book come directly from places I've been, people I've lived with, and the hardships I've seen endured with grace and capability. I was in Russia not long after the Soviet Union collapsed and I've seen society in freefall. Without realizing it at the time I think those experiences led me to dive into After the Snow with real passion. What would western civilization look like with a few tumbles under its belt? What would happen if the things we took for granted disappeared? I wanted to write a gripping story about that scenario, but hardly felt that I was straying into fantasy in the detail. What do you want readers to most remember about After the Snow? We all have the capacity to survive, but in what manner? What do we turn to in those times of trouble? Those are the questions I would like people to contemplate after reading After the Snow. How did Willo's unique voice come to you? Willo's voice appeared in those crucial first few paragraphs. After that it just grew along with his world and the terrible situations that arise. I think his voice is in all of us. We don't understand, we try to make good—maybe we find ourselves. How did you stay warm while writing this novel? I banked up the fire—and was warmed by hopes of spring.

Seventeen-year-old Moses was ready for an adventure. In 1844, he joined a wagon train traveling from Iowa to California. But as winter approached, the wagon train ran into trouble. Oxen started dying and supplies were running low. Some people went ahead for help. Moses stayed behind with the belongings. Can he find a way to survive on his own in the mountains during the long, cold winter?

A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.

The Artist’s Field Guide to Yellowstone introduces readers to the wildlife of the Greater Yellowstone Ecosystem through the works of fifty of the region’s distinguished writers and artists. This robust anthology of eclectic artwork and inspiring storytelling offers an enlivened take on the traditional field guide and argues for the intrinsic value of this world-renowned ecosystem. Yellowstone naturalist and artist Katie Shepherd Christiansen has compiled this sensible field guide and elegant art book to highlight the unique biodiversity of the Greater Yellowstone Ecosystem, organized across four habitat strata: sky, earth, soil, and water. Writers and artists pair up to reveal new ways of understanding key species through prose, poetry, and artwork. The addition of scientific descriptions provides a natural history frame, and Christiansen’s illustrations of ecologically connected species bring life to every page. Contributors hail from the Greater Yellowstone area. Writers are Elise Atchison, Rick Bass, Todd Burritt, Tom Campbell, Lyn Dalebout, Matt Daly, Joanne Dornan, Gary Ferguson, Matt Hart, Geneen Marie Haugen, Susan Marsh, Craig Mathews, Arthur Middleton, Doug Peacock, Karen Reinhart, Kelsey Sather, Jack Turner, Rebecca Watters, Tina Welling, Marylee White, Connie Wieneke, Todd Wilkinson, and Terry Tempest Williams. Artists are Kalon Baughan, Tamara Callens, Meredith Campbell, Sue Cedarholm, Derek DeYoung, Loretta Domaszewski, Katy Ann Fox, Dave Hall, Dwayne Harty, Laney Hicks, DG House, Will Hunter, S. J. Karikó, Laney, Jennifer Lowe-Anker, Mimi Matsuda, James Prosek, Robert Schlenker, Jocelyn Slack, Tucker Smith, Kay Stratman, Kara Tripp, Shannon Troxler, Kathryn Mapes Turner, John Wasson, Carrie Wild, and Monte Yellow Bird Sr.

Award-winning trail guide to Colorado's hottest winter sport revised and updated!

Do snowshoes come in different sizes? What type of snowshoes are best for me? What kind of gear do I need for the backcountry? Claire Walter provides expert answers to a variety of common snowshoeing questions so people of every age and fitness level can start enjoying this easy, low-impact wintertime activity. You’ll learn techniques for traversing slopes, tips for maneuvering in deep snow, basic safety precautions, and even trail etiquette. Walter’s passion and encouragement will inspire even beginners to explore the joys of snowshoeing. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

Young Claire Fejes was a promising sculptor and painter in New York City when her husband gave in to "gold fever." She held the unconventional view that her career was as important as his. But in those days, a woman followed her husband, so Claire did--to Fairbanks, last stop on the Alaska Railroad, in the heart of the immense northern territory, where Joe Fejes intended to mine for gold. In a refreshingly candid memoir, Claire describes a remote outpost where the young couple joins a hard breed of Alaskans who transform loneliness into powerful friendships and where the artist overcomes soul-aching cultural isolation. Fairbanks is populated by characters such as the happy Finnish couple who adopt Claire and Joe; the lively Eva McGown, a one-woman social services agency who wears a potent violet perfume and speaks with a sweet Irish brogue; and Fabian Carey, the trapper who loves the wilderness as much as he does opera, literate, and art. Written from the heart, this memoir of post-war Alaska has become a classic with its nostalgic reflections of a simpler time.