The figure of the mother in literature and the arts has been the subject of much recent critical attention. Whereas many studies have focused on women writers and the maternal, Laura Doyle significantly broadens the field by tracing the racial logic internal to Western representations of maternality at least since Romanticism. She formulates a theory of "racial patriarchy" in which the circumscription of reproduction within racial borders engenders what she calls the "race mother" in literary and cultural narratives. Pairing literary movements not often considered together--Modernism and the Harlem Renaissance--Doyle reveals that this figure haunts the openings of diverse modern novels and initiates their experimental narrative trajectories. Figures such as the slave mother in Invisible Man, Lena Grove in Light in August, Mrs. Dedalus in Ulysses, and Sethe in Beloved, Doyle shows, embody racial, sexual, and metaphysical anxieties which modern authors expose reconfigure, and attempt to surpass. Making use of heterogeneous materials, including kinship studies, phenomenology, and histories of slavery, Bordering on the Body traces the symbolic operations of the "race mother" from Romanticism and nineteenth-century biology to eugenics and twentieth-century fiction. A breakthrough in race and gender theory, a racial reconfiguration of modernism, and a reinterpretation of discourses of nature since Romanticism, the book will engage a wide spectrum of readers in literary and cultural studies.

The Border and Its Bodies examines the impact of migration from Central America and México to the United States on the most basic social unit possible: the human body. It explores the terrible toll migration takes on the bodies of migrants—those who cross the border and those who die along the way—and discusses the treatment of those bodies after their remains are discovered in the desert. The increasingly militarized U.S.-México border is an intensely physical place, affecting the bodies of all who encounter it. The essays in this volume explore how crossing becomes embodied in individuals, how that embodiment transcends the crossing of the line, and how it varies depending on subject positions and identity categories, especially race, class, and citizenship. Timely and wide-ranging, this book brings into focus the traumatic and real impact the border can have on those who attempt to cross it, and it offers new perspectives on the effects for rural communities and ranchers. An intimate and profoundly human look at migration, The Border and Its Bodies reminds us of the elemental fact that the border touches us all.

In this study of sex, gender, sexual violence, and power along the border, Bernadine Marie Hernandez brings to light under-heard stories of women who lived in a critical era of American history. Elaborating on the concept of sexual capital, she uses little-known newspapers and periodicals, letters, testimonios, court cases, short stories, and photographs to reveal how sex, violence, and capital conspired to govern not only women's bodies but their role in the changing American Southwest. Hernandez focuses on a time when the borderlands saw a rapid influx of white settlers who encountered elite landholding Californios, Hispanos, and Tejanos. Sex was inseparable from power in the borderlands, and women were integral to the stabilization of that power. In drawing these stories from the archive, Hernandez illuminates contemporary ideas of sexuality through the lens of the borderland's history of expansionist, violent, and gendered conquest. By extension, Hernandez argues that Mexicana, Nuevomexicana, Californiana, and Tejana women were key actors in the formation of the western United States, even as they are too often erased from the region's story.

A collection of 15 short stories by female, Latin American writers, including Isabel Allende and Luisa Valenzuela. Ranging across boundaries of geography and gender, the work covers such topics as incest, race, politics, sexual needs, love, old age, and child abuse.

Winner of The Restless Books Prize for New Immigrant Writing “Grace Talusan writes eloquently about the most unsayable things: the deep gravitational pull of family, the complexity of navigating identity as an immigrant, and the ways we move forward even as we carry our traumas with us. Equal parts compassion and confession, The Body Papers is a stunning work by a powerful new writer who—like the best memoirists—transcends the personal to speak on a universal level.” —Celeste Ng, author of Everything I Never Told You and Little Fires Everywhere Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns to build a protective wall of silence that maps onto the larger silence practiced by her Catholic Filipino family. Talusan learns as a teenager that her family’s legal status in the country has always hung by a thread—for a time, they were “illegal.” Family, she’s told, must be put first. The abuse and trauma Talusan suffers as a child affects all her relationships, her mental health, and her relationship with her own body. Later, she learns that her family history is threaded with violence and abuse. And she discovers another devastating family thread: cancer. In her thirties, Talusan must decide whether to undergo preventive surgeries to remove her breasts and ovaries. Despite all this, she finds love, and success as a teacher. On a fellowship, Talusan and her husband return to the Philippines, where she revisits her family’s ancestral home and tries to reclaim a lost piece of herself. Not every family legacy is destructive. From her parents, Talusan has learned to tell stories in order to continue. The generosity of spirit and literary acuity of this debut memoir are a testament to her determination and resilience. In excavating such abuse and trauma, and supplementing her story with government documents, medical records, and family photos, Talusan gives voice to unspeakable experience, and shines a light of hope into the darkness.

The border between the United States and Mexico, established in 1853, passes through the territory of the Tohono O'odham peoples. This revealing book sheds light on Native American history as well as conceptions of femininity, masculinity, and empire.

With the railroad's arrival in the late nineteenth century, immigrants of all colors rushed to the U.S.-Mexico borderlands, transforming the region into a booming international hub of economic and human activity. Following the stream of Mexican, Chinese, and African American migration, Julian Lim presents a fresh study of the multiracial intersections of the borderlands, where diverse peoples crossed multiple boundaries in search of new economic opportunities and social relations. However, as these migrants came together in ways that blurred and confounded elite expectations of racial order, both the United States and Mexico resorted to increasingly exclusionary immigration policies in order to make the multiracial populations of the borderlands less visible within the body politic, and to remove them from the boundaries of national identity altogether. Using a variety of English- and Spanish-language primary sources from both sides of the border, Lim reveals how a borderlands region that has traditionally been defined by Mexican-Anglo relations was in fact shaped by a diverse population that came together dynamically through work and play, in the streets and in homes, through war and marriage, and in the very act of crossing the border.

Create a healthier and happier life by treating yourself with compassion rather than shame. Imagine a graph with two lines. One indicates happiness, the other tracks how you feel about your body. If you’re like millions of people, the lines do not intersect. But what if they did? This practical, inspirational, and visually lively book shows you the way to a sense of well-being attained by understanding how to love, connect, and care for yourself—and that includes your mind as well as your body. Body Kindness is based on four principles. WHAT YOU DO: the choices you make about food, exercise, sleep, and more HOW YOU FEEL: befriending your emotions and standing up to the unhelpful voice in your head WHO YOU ARE: goal-setting based on your personal values WHERE YOU BELONG: body-loving support from people and communities that help you create a meaningful life With mind and body exercises to keep your energy spiraling up and prompts to help you identify what YOU really want and care about, Body Kindness helps you let go of things you can't control and embrace the things you can by finding the workable, daily steps that fit you best. It's the anti-diet book that leads to a more joyful and meaningful life.

Katherine is 17, living alone in the beautiful, desolate landscape of southern Arizona. Her mother is feckless, her father busy with his new family. Meeting Son, the scion of a local rancher, seems like deliverance. They marry and live as a family in his parents' venerable adobe house, but it soon becomes clear that Son is a man who, as his father says, has a "young heart near withered beneath the breastbone." Katherine must find her own way during a dangerous months-long drought, when everything seems to be disintegrating around her. Susan Froderberg's incantatory language -- and her deep knowledge of both the complexities of a small, deeply-rooted place and the human heart -- make Old Border Road soar.

Covering the Border War: How the News Media Create Crime, Race, Nation, and the USA-Mexico Divide examines the notion of the body politic in border newspaper coverage of the USA-Mexico divide and how the nation and immigration are racially imagined in crime news discourse, where whiteness is associated with order and brownness is associated with disorder in a variety of imaginative, nativist ways. By applying critical discourse analysis methodology to the Los Angeles Times, Arizona Republic, Albuquerque Journal, and Houston Chronicle during a peak epoch of border militarization policies (1993–2006), brownness emerges through a news crime frame that reflexively shows the values and meanings of whiteness and the nation. At the body scale, border crossings threaten the whiteness of the national body through suggestions of rape and disfigurement. Border news discourse feminizes the nation with nurturing resources and services under threat of immigrant “rape” as well as expresses racial anxiety about a “changing face” of the nation. Border news coverage constructs immigrants as home intruders at the house scale, both human and animal. Whiteness at this scale reflexively signifies a law-abiding, rightful owner of property protecting against criminal trespassing. Brown immigrants are also seen as wild animals, which constructs whiteness burdened with the task of animal management. Whiteness at the regional scale suggests a masculinized, militarized battleground or a settled region threatened by a brown, cataclysmic flood. Finally, the nation scale complements the body scale but in a more contemporary and scientific way. Whiteness reflects a body politic fighting the disease of cancer/immigration in two ways: with an imagined militaristic, immune system and with hi-tech, aggressive operations. This “diseased body politic” communicates whiteness and nativism about the border through discursive border symptoms and border operations that represent the intersection of immunology discourse, the racial construction of the body politic, and anxiety about postmodern economic transformation and its impact on national borders.