A best seller, now in its fourth edition, that tackles the "God problem" in terms that high school students can understand in their language and from the perspective of their culture.

A New York Times Notable Book Louise Erdrich, the New York Times bestselling, National Book Award-winning author of LaRose and The Round House, paints a startling portrait of a young woman fighting for her life and her unborn child against oppressive forces that manifest in the wake of a cataclysmic event. The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backwards, as woman after woman gives birth to infants that appear to be primitive species of humans. Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant. Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe living on the reservation, to understand both her and her baby’s origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity. There are rumors of martial law, of Congress confining pregnant women. Of a registry, and rewards for those who turn these wanted women in. Flickering through the chaos are signs of increasing repression: a shaken Cedar witnesses a family wrenched apart when police violently drag a mother from her husband and child in a parking lot. The streets of her neighborhood have been renamed with Bible verses. A stranger answers the phone when she calls her adoptive parents, who have vanished without a trace. It will take all Cedar has to avoid the prying eyes of potential informants and keep her baby safe. A chilling dystopian novel both provocative and prescient, Future Home of the Living God is a startlingly original work from one of our most acclaimed writers: a moving meditation on female agency, self-determination, biology, and natural rights that speaks to the troubling changes of our time.

Children of The Living God shows how the Spirit of sonship, Christian freedom, divine discipline, prayer, and the sacraments all contribute to our experience of the love the Father has for his children.

How does your personal faith journey relate to the big picture of the Bible? Christians often encounter various Bible passages through unrelated readings, studies, and sermons, making it difficult to grasp the progression of Scripture as a whole. Living God's Word surveys the entire Bible through broad themes that trace the progression of God's redemptive plan, focusing on how each portion of Scripture fits into the overarching narrative. Once you see the Bible as a Great Story, you'll begin to see how your own life fits into what God has done and is doing in the world. Each section of Living God's Word deals with a section of Scripture and includes: Reading and listening preparation An explanation A summary Observations about theological significance Connections to the Great Story Written assignments for further study Living God's Word is ideal for introductory college courses, adult Sunday school classes, small groups, or anyone who wants to understand how their life fits into the story of the Bible, enabling them to live faithfully in deep and important ways.

This is Ruth Burrow's autobiography - the account of a life empty of outward incident after her early years, but rich with her own spiritual growth. She writes of the Christian's relationship with others and with God, of prayer, of the life of the Spirit. She presents these ideals in no abstract way, but in the intimately personal terms of one individual's - her own - struggle to live them to the full--Back cover.

'Since the middle of the twentieth century,' writes Elizabeth Johnson, 'there has been a renaissance of new insights into God in the Christian tradition. On different continents, under pressure from historical events and social conditions, people of faith have glimpsed the living God in fresh ways. It is not that a wholly different God is discovered from the One believed in by previous generations. Christian faith does not believe in a new God but, finding itself in new situations, seeks the presence of God there. Aspects long-forgotten are brought into new relationships with current events, and the depths of divine compassion are appreciated in ways not previously imagined.' This book sets out the fruit of these discoveries. The first chapter describes Johnson's point of departure and the rules of engagement, with each succeeding chapter distilling a discrete idea of God. Featured are transcendental, political, liberation, feminist, black, Hispanic, interreligious, and ecological theologies, ending with the particular Christian idea of the one God as Trinity.

"[This is] a book about art (and writing about art), about emptiness, breathing, ordinary language, mysticism, the body, the sexes, childhood, parenting, impersonality, God, theory, exchange, change, tact, forms of inattention, belief, scepticism ..." Adam Phillips, from the new introduction.