Louisiana author and illustrator Johnette Downing captures charming holiday traditions in this counting book for emerging readers. From one to ten the images of holiday bonfires and Christmas practices along the levees fill the pages. The vibrant illustrations created in cut paper and foam collage enhance the text, offering little ones further engagement in this soon to be classic Christmas tale of waiting for Papa Noel along the levee.

Silent night, holy hell. Thaddeus and Sarasija are spending the holidays on the bayou, and while the vampire’s idea of Christmas cheer doesn't quite match his assistant’s, they’re working on a compromise. Before they can get the tree trimmed, they’re interrupted by the appearance of the feu follet. The ghostly lights appear in the swamp at random and lead even the locals astray. When the townsfolk link the phenomenon to the return of their most reclusive neighbor, suspicion falls on Thaddeus. These lights aren't bringing glad tidings, and if Thad and Sara can't find their source, the feu follet might herald a holiday tragedy for the whole town. ⚜This holiday story can be enjoyed alone or as Book 1.5 in the Hours of the Night Series.

A sweeping collection of observations and episodes penned by visitors to Louisiana from the sixteenth century to the 1990s, Louisiana Sojourns is—much like the state itself—a wonder to behold in its sum, and in its particulars, full of surprise and delight. The seventy-six pieces that Frank A. de Caro has selected give readers a vivid sense of how Louisiana's unique blend of Old World, South, the exotic, and quintessential America has exerted a pull and hold on travelers. Included are writings by well-known figures such as Mark Twain, Teddy Roosevelt, Kate Chopin, John Steinbeck, Frederick Law Olmsted, Walker Percy, William Faulkner, Simone de Beauvoir, Henry Miller, John James Audubon, Calvin Trillin, Zora Neale Hurston, A. J. Liebling, William Least Heat Moon, and Frederick Turner. Dozens of other wayfarers are represented as well.

Writer's Craft. James C. McDonald, a professor of English at the University of Louisiana at Lafayette, is the editor of The Allyn and Bacon Sourcebook for College Writing Teachers.

I got the idea to write this biography of my husband about 1 year after he died. I was awake in the middle of the night and the idea came to me out of the blue. I knew immediately that I wanted to tell others what a wonderful person I had the privilege to be married to for 40 years and how his illness and death affected our lives. Since he had become ill, I was with him and able to use my nursing skills from far back when i was in training at Charity Hospital School of Nursing. It was difficult but I was so glad that I could take care of him and not depend on others. I was well qualified as an RN to meet his needs and I did it with caring and love. I am a native Louisianan and have lived in a small rural town called Gramercy for all of my life. I love music and am an accomplished pianist, vocalist and songwriter., I have been active also in community theater and have had several lead roles, the best of which I think was Dolly Levi, in the title production of "Hello Dolly" I am also the choir director at my church and am the cantor and sometimes also the organist. Music holds a special place in my heart as it can express feelings that sometimes are unable to be spoken. In fact, I sang at my parents' funeral, and at Ray's funeral. It was my way to give closure to some of my grief. I plan to retire from nursing after 45 years and hope to be able to spend more time with my grandchildren, whom I love dearly, my daughter who lives with me and my two canine companions, Zoe, a 10 year old Maltipoo and Honeybunn, a 4 year old Bichon Frise. An added note about this book is that some of the proceeds will go to Mary Bird Perkins Cancer Center in Baton Rouge, La. where my mother and husband were patients and where I am now a patient.

Red beans and rice, trad jazz, and second lines are the Big Easy's calling cards, but beyond where the carriage rides take you is a city brimming with genre-defying music, transnational cuisine, and pockets of wild, artistic locals that challenge preconceived notions of what it means to be New Orleans. With a respectful nod to the traditional and a full embrace of the obscure, New Orleans: The Underground Guide is a resource for discovering the city as it really is -- as much brass bands and boas as it is bounce and bicycle tours. From a speakeasy in the Bywater neighborhood to the delightfully sketchy vibe of St. Roch Tavern, lead author Michael Patrick Welch uncovers an unexpected tableau of musicians, venues, and novel ways to pass the bon temps. Contents include but are not limited to: where to get naked, how to make the most of Mardi Gras according to banjo player Geoff Douville, what to order from the delicious Slavic menu at Siberia, where to find the New Orleans Giant Puppet Festival, how to catch a performance by the New Movement comedy troupe, where to rent a kayak, and how to get in on the "bed and beverage" experience at the Royal Street Inn.

Few thoroughfares offer as rich a history as Louisiana's River Road between New Orleans and Baton Rouge. In this third edition of her extremely popular guide, Along the River Road, Mary Ann Sternberg provides a revised introduction, new images, and updated information on sites and attractions as well as tales and local lore about favorite and overlooked destinations. Featuring background information about the area and a detailed guided tour -- upriver on the east bank and downriver along the west -- the book gives an overview of the River Road, serving as an accessible and definitive companion to exploring the corridor. Sternberg's abiding appreciation of the area's allure, garnered over twenty years, produces a must-have travel companion to a place that far exceeds its common reputation as only a parade of elegant antebellum mansions. In this new edition, she again encourages travelers to experience the many treasures of this wondrous byway for themselves, so they too can see how much it has changed over the past decade.

For many, December 26 is more than the day after Christmas. Boxing Day is one of the world’s most celebrated cultural holidays. As a legacy of British colonialism, Boxing Day is observed throughout Africa and parts of the African diaspora, but, unlike Trinidadian Carnival and Mardi Gras, fewer know of Bermuda’s Gombey dancers, Bahamian Junkanoo, Dangriga’s Jankunú and Charikanari, St. Croix’s Crucian Christmas Festival, and St. Kitts’s Sugar Mas. One Grand Noise: Boxing Day in the Anglicized Caribbean World delivers a highly detailed, thought-provoking examination of the use of spectacular vernacular to metaphorically dramatize such tropes as “one grand noise,” “foreday morning,” and from “back o’ town.” In cultural solidarity and an obvious critique of Western values and norms, revelers engage in celebratory sounds, often donning masks, cross-dressing, and dancing with abandon along thoroughfares usually deemed anathema to them. Folklorist Jerrilyn McGregory demonstrates how the cultural producers in various island locations ritualize Boxing Day as a part of their struggles over identity, class, and gender relations in accordance with time and space. Based on ethnographic study undertaken by McGregory, One Grand Noise explores Boxing Day as part of a creolization process from slavery into the twenty-first century. McGregory traces the holiday from its Egyptian origins to today and includes chapters on the Gombey dancers of Bermuda, the evolution of Junkanoo/Jankunú in The Bahamas and Belize, and J'ouvert traditions in St. Croix and St. Kitts. Through her exploration of the holiday, McGregory negotiates the ways in which Boxing Day has expanded from small communal traditions into a common history of colonialism that keeps alive a collective spirit of resistance.