When Tony Viramontes' work appeared in the late 1970s, his hard and direct style of drawing was a marked contrast to the prevailing soft-pastel school of fashion illustration. He scored immediate success, rapidly acquiring the kind of prestigious editorial commissions normally given to photographers, from Lei, Per Lui in Italy, Vogue in the USA, The Face in Britain, and Le Monde and Le Figaro in France. This beautiful hardback book brings together an extensive collection of his work, featuring striking images of smouldering and smoky-eyed men and women who vibrate with New Wave energy. Viramontes worked with some of the most celebrated names in fashion including Yves Saint Laurent, Valentino, Chanel, Claude Montana and Christian Dior. His images, from the portraits of Paloma Picasso and Isabella Rossellini to the album covers he conceived for Arcadia and Janet Jackson, perfectly capture the mood of the 1980s club and fashion scene.

When Tony Viramontes' work appeared in the late 1970s, his hard and direct style of drawing was a marked contrast to the prevailing soft-pastel school of fashion illustration. He scored immediate success, rapidly acquiring the kind of prestigious editorial commissions normally given to photographers, from Lei, Per Lui in Italy, Vogue in the USA, The Face in Britain, and Le Monde and Le Figaro in France. This beautiful hardback book brings together an extensive collection of his work, featuring striking images of smouldering and smoky-eyed men and women who vibrate with New Wave energy. Viramontes worked with some of the most celebrated names in fashion including Yves Saint Laurent, Valentino, Chanel, Claude Montana and Christian Dior. His images, from the portraits of Paloma Picasso and Isabella Rossellini to the album covers he conceived for Arcadia and Janet Jackson, perfectly capture the mood of the 1980s club and fashion scene.

"Time travel, UFOs, mysterious planets, stigmata, rock-throwing poltergeists, huge footprints, bizarre rains of fish and frogs-nearly a century after Charles Fort's Book of the Damned was originally published, the strange phenomenon presented in this book remains largely unexplained by modern science. Through painstaking research and a witty, sarcastic style, Fort captures the imagination while exposing the flaws of popular scientific explanations. Virtually all of his material was compiled and documented from reports published in reputable journals, newspapers and periodicals because he was an avid collector. Charles Fort was somewhat of a recluse who spent most of his spare time researching these strange events and collected these reports from publications sent to him from around the globe. This was the first of a series of books he created on unusual and unexplained events and to this day it remains the most popular. If you agree that truth is often stranger than fiction, then this book is for you"--Taken from Good Reads website.

A retrospective tribute to the work of the mid-twentieth-century illustrator and photographer features his portraits of such figures as Mick Jagger, James Dean, Audrey Hepburn, and a fifteen-year-old Jerry Hall, in a volume that discusses his contributions to the art world and his role as an inspiration to other artists. Original.

Cassian Court is the powerful, beautiful, sensual man who has changed Mishella Santelle’s life with the world’s most unconventional business contract—and captured her heart with a destiny neither of them can deny. But passion comes with a price. They’ve confronted demons, banished ghosts, faced fears, and dug to the deepest truths of their souls—but then fate delivers them a crushing new blow. When crisis strikes the Mediterranean island of Arcadia, Mishella is summoned back home. Things go from difficult to devastating when Arcadian court politics rev into high gear, setting up Cassian as the Judas responsible for the island’s devastation, and giving Mishella an ultimatum: her country or her lover? The choice is as agonizing as the truths it both exposes and tests—putting Cassian and Mishella through their most brutal crucible yet.

The product of many years of research, this unique book presents fascinating perspectives on contemporary lesbian life in India and unravels some of the history of lesbian desire from centuries past. Through detailed examination of mythology, cosmology, ancient art and artefacts and her exegesis of ancient Sanskrit texts, Thadani constructs a tapestry of feminine kinship, genealogy and sexual or erotic bonding between women (sakhiyani) in ancient India. The author offers an historical perspective on the effect of colonization upon lesbian identities in India, showing how women were viewed by Western imperialists either as soft victims or as sexually dangerous, possessing an overgrown clitoris and in need of heterosexual domestication. The second half of the book focuses on contemporary lesbian realities and issues, including lesbian marriages, suicide pacts, forging lesbian space, lesbian human rights, lesbophobia, sexual exile and the different construction of gender, family and possible kinship alliances.

Made in India examines seemingly disparate and high profile events in postcolonial India that captured national and transnational/diasporic interest since the 1990s: The emergence of the Indian homosexual, the new trans/national heterosexual woman, lesbian suicides, marriage and kinship contracts in small towns around India and the simultaneous evolution of the modern homophobia and lesbian NGOs. These events demonstrate the material, political, and cultural contexts within which postcolonial subjects negotiate their lived experiences within moments of decolonization and recolonization.

Publisher Description (unedited publisher data) Eleven specially-commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This is the only volume that offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work. Library of Congress subject headings for this publication: Fitzgerald, F, Scott (Francis Scott), 1896-1940 Criticism and interpretation Handbooks, manuals, etc.