This annotated bibliography uncovers the wealth of resources available to prospective researchers and supports emerging scholarship and inquiry into the life and music of this Czech composer. It includes all secondary sources on Martinu and his music, as well as chronology of his life and a complete list of works.

The first systematic assessment of the symphonic style of the Czech composer Bohuslav Martinu [1890-1959], tracing the evolution of his musical language and including detailed analyses of all six symphonies. Over the past few decades the music of the Czech composer Bohuslav Martinu (1890-1959) has enjoyed a slow but steady rise in popularity, and his six symphonies, written between 1942 and 1953, have now been recorded many times; concert performances are on the increase, too. But Martinu and the Symphony is not only the first book in English intended to help the music-lover to a deeper understanding of these glorious works - it is by far the most comprehensive work on the subject in any language. Each Symphony is examined in turn, the analyses revealing what makes each creation so individual yet also so clearly part of a close-knit family of works and identifying the elements of his melodic, harmonic and instrumental style which produce Martinu's very personal vibrant and organic symphonic manner. Martinu and the Symphony is illustrated with almost 200 musical examples, taken not only fromthe Symphonies but also from his other works for large orchestra. His path to symphonic mastery is examined in unprecedented detail: attention is at last paid to the early orchestral works which, although largely unperformed andunpublished even now, afford fascinating glimpses of the composer to come. A study of the late triptychs The Frescoes of Piero della Francesca and The Parables rounds out this appraisal of Martinus enthralling symphonic and orchestral legacy.

Bohemian composer Bohuslav Martinu (1890-1959) was exceptionally prolific, composing over 400 imaginative, well-crafted, and diverse pieces, including symphonies, operas, ballet scores, and other orchestral works. For 12 years (1941-1953), he lived in America, during which he enjoyed a brilliant reputation, and his works were played by nearly all the major orchestras. Yet today, his works are rarely performed. In Bohuslav Martinu: The Compulsion to Compose, F. James Rybka provides a documented explanation for Martinu's amazing output: he had Asperger syndrome. Indeed, Martinu is believed to be the first composer ever to be documented, albeit retrospectively, with an autistic spectrum disorder. In this unique biography, Rybka follows Martinu's life from his birth in Policka, Bohemia to his composition studies with Albert Roussel, his escape from Nazis, and his rise as an internationally recognized composer with premieres of his works in Boston, Prague, London, and Basel. As Rybka explains how the dynamics of Asperger Syndrome affected the composer's work, readers will more fully appreciate Martinu's accomplishments and legacy. Containing important letters and photographs, this book will inspire and inform those impacted by autism but will also be of interest to music scholars and students alike.

Kniha přibližuje tvůrčí vztah mezi skladatelem Bohuslavem Martinů a básníkem Miloslavem Burešem. Objasňuje jejich spolupráci ve druhé polovině 50. let, vznik kantát Otvírání studánek, Romance z Pampelišek, Legenda z dýmu bramborové nati a Mikeš z hor, ale také jejich nerealizované plány. Přináší nový pohled na dobový kontext. Publikace vychází v česko-anglické zrcadlové edici. The book describes the creative relationship between the composer Bohuslav Martinů and the poet Miloslav Bureš. It explains their cooperation in the second half of the 1950s, the creation of the cantatas Opening of the Springs, Romance of Dandelions, Legend of the Smoke of potato nati and Mikeš of the Mountains, but also their unrealized plans. It brings a new perspective on the context of the period. The publication is published in a Czech-English mirror edition.

The monograph consists of a set of correspondence with Miloš Šafránek, a Czech diplomat, music journalist, Martinů's biographer, and a promoter of his work. The volume contains the diplomatic transcriptions of 168 letters, six postcard, five postal cards, one telegram, and one lettercard from the period of 1928-1959. The vast majority of the correspondence is unilateral, addressed to Šafránek; only two of the items were sent by Šafránek. The method of diplomatic transcription, chosen by the authors of the edition, respects the peculiarities of Martinů's linguistic expression. Comprehensive annotations provide historical context and illustrate the political circumstances of the most tumultuous years of the twentieth century, but they also comment on the genesis of compositions.

Bohuslav Martinu (1890-1959)was one of the most prolific composers in the 20th century. Despite the fact that he lived for several years in the United States and had many of his works premiered in this country, he still stands as an enigma. This collection of essays by an international group of experts, is dedicated to the memory of Michael Henderson, who died in 1994 at the age of 47. Henderson was in the process of writing a biography of the composer. These essays include a range of new approaches to Martinu: Judy Mabary gives a concise history of Martinu's collaboration with choreographer Eric Hawkins, The Strangler; Ales Brezina looks penetratingly at the often tortured relationship between Martinu and the Czechoslovak government; and Michael Beckerman explores questions of construction in Martinu's Piano Concerto No. 2. Shorter pieces by Czech scholars Isa Popelka and Jaroslav Mihule are also included. In addition, there will be an essay by Michael Henderson on "Martinu's Mysterious Accident" which will shed light on one of the most harrowing events in the composer's life.

The composer's diaries, translated for the first time, with commentary on his distinctive musical aesthetics and his relationship to artistic cross-currents in Czechoslovakia, France, and America.

The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.