The Oprah Book Club selection for November 2000.

Based on the true-to-life experiences of the author growing up on the cotton plantations in Mississippi, this is the story of a young man whose dream was to play, sing and preach the blues.

With House of Sand and Fog, his National Book Award-nominated novel, Andre Dubus III demonstrated his mastery of the complexities of character and desire. In this earlier novel he captures a roiling time in American history and the coming-of-age of a boy who must decide between desire, ambition, and duty. In the summer of 1967, Leo Suther has one more year of high school to finish and a lot more to learn. He's in love with the beautiful Allie Donovan who introduces him to her father, Chick — a construction foreman and avowed Communist. Soon Leo finds himself in the midst of a consuming love affair and an intense testing of his political values. Chick's passionate views challenge Leo's perspective on the escalating Vietnam conflict and on just where he stands in relation to the new people in his life. Throughout his — and the nation's — unforgettable "summer of love," Leo is learning the language of the blues, which seem to speak to the mourning he feels for his dead mother, his occasionally distant father, and the youth which is fast giving way to manhood.

Now collected into one stunning hardcover! This story, structured like a traditional twelve bar blues song, with three sections each made of four chapters, follows blues musician Lem Taylor's harrowing journey across Arkansas of the late twenties, hunted for a crime he didn't commit.

A pivotal member of the hugely successful bluegrass band Flatt and Scruggs and the Foggy Mountain Boys, Dobro pioneer Josh Graves (1927-2006) was a living link between bluegrass music and the blues. In Bluegrass Bluesman, this influential performer shares the story of his lifelong career in music. In lively anecdotes, Graves describes his upbringing in East Tennessee and the climate in which bluegrass music emerged during the 1940s. Deeply influenced by the blues, he adapted Earl Scruggs's revolutionary banjo style to the Dobro resonator slide guitar and gave the Foggy Mountain Boys their distinctive sound. Graves' accounts of daily life on the road through the 1950s and 1960s reveal the band's dedication to musical excellence, Scruggs' leadership, and an often grueling life on the road. He also comments on his later career when he played in Lester Flatt's Nashville Grass and the Earl Scruggs Revue and collaborated with the likes of Boz Scaggs, Charlie McCoy, Kenny Baker, Eddie Adcock, Jesse McReynolds, Marty Stuart, Jerry Douglas, Alison Krauss, and his three musical sons. A colorful storyteller, Graves brings to life the world of an American troubadour and the mountain culture that he never left behind. Born in Tellico Plains, Tennessee, Josh Graves (1927-2006) is universally acknowledged as the father of the bluegrass Dobro. In 1997 he was inducted into the Bluegrass Hall of Fame.

* This novel was originally published as Mojo's Guitar. “Ran Walker's The Last Bluesman plays an authentic Blues song on the page, filled with all the sorrow, heartache, and beauty that entails. This layered, haunting book is worth listening to.” ~ Mat Johnson, author of Pym and Loving Day “Ran Walker brings the blues into the 21st century and shows us how we can never forget our roots as long as we keep the love in our hearts. Thank you, Ran, for picking up the guitar of fiction and fretting together characters of such warmth, depth, and humanity.” ~ Tyehimba Jess, Pulitzer Prize-winning author of Olio and Leadbelly “In The Last Bluesman, readers encounter a modern-day blues novel, complete with a forgotten musician and a historically disenfranchised past. Walker's clarity of style and smooth, mellifluous language render this effort one to be proud of. This work places him among the cadre of new black voices budding with fresh, ripe tales of a past and present yet to untold.” ~ Daniel Black, author of Perfect Peace and Twelve Gates to the City "The Last Bluesman is a Southern tale ripe with lust, regret, death. It epitomizes the blues. Read with a stiff drink in hand." ~ jewel bush, Founder of MelaNated Writers Collective (New Orleans, LA) “The Last Bluesman touches deep in the soul. The words jump off the page, and I feel like I'm right there with the characters of the story. And the Blues...it's ever so present and honest!” ~ Lamont Jack Pearley Talking Bout The Blues, NYC “The characters become so familiar, their conflicts so realistic, and their dilemmas and dreams so tangible, that as a reader you will feel as though you were in the Mississippi Delta along with them.” ~ Sabin Prentis, author of Compared to What and Better Left Unsaid A first-time novelist is assigned the task of interviewing a legendary bluesman for a magazine article. A fifteen-year-old boy struggles to make sense of his parents’ deaths by turning to blues music. An estranged son seeks answers for his father's absence. Discover how these lives are forever altered by their interactions with an all but forgotten bluesman named Morris “Mojo” Jones. With all of the color and flavor of the Mississippi Delta, The Last Bluesman is a rare glimpse into a world rarely explored in literary fiction.

For more than 30 years, Taj Mahal has delighted fans with his eclectic blending of musical guitar styles and forms. He has performed with the likes of Eric Clapton, Bob Dylan, John Lee Hooker, and The Rolling Stones, among others. In this autobiography, Taj Mahal conveys his personal honest and frank account of his life and legacy.

Earl "Lil' Choo-Choo" Johnson le home at the age of 10, with only his father's guitar, and stepped into the world of the Delta blues. A guitar prodigy, his music led him to play with blues legends like Robert Johnson, Charley Pa on, Son House, Howlin' Wolf, and Muddy Waters. Lil' Choo-Choo's story is a history of the blues, from sharecropper's shacks on Dockery's Planta on and whiskey-soaked juke joints in Depression-era Mississippi to the swinging clubs of post-war Memphis and Chicago. It encompasses the heyday of Delta blues, the birth of rock and roll, the Bri sh invasion, the blues revival of the 1960s, and beyond. Bryan Krull has been a history teacher for the past eight years at the high school and college level. He earned his Ph.D from the University of Wisconsin-Madison, as well as degrees from the University at Buffalo and the University at Albany (NY). He currently lives near Rochester, New York. Lil' Choo-Choo Johnson, Bluesman is his first novel.

"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--

Alcoholic. Epileptic. Technically challenged. Described as all this and worse, Jimmy Reed nevertheless overcame these roadblocks to become perhaps the most successful R&B/pop crossover artist of the '50s. In "Big Boss Man," musicians, family members, and those whose lives Reed touched offer revealing and heart-wrenching insights into this now-revered bluesman. Although Reed's alcoholism was no secret, its effect on his musicianship is less understood -- this and more is explored in this comprehensive biography of a classic bluesman.