Edited by Gerfried Stocker and Christine Schepf. Essays by Peter J. Bentley, Erkki Huhtamo, Friedrich Kittler and Pierre Levy.

From acclaimed filmmaker Ang Lee, a dark vision of the beast that lives inside the man . . . In a Berkeley lab, Bruce Banner, a young man haunted by his murky past and the parents he never knew, works intensely day and night. A bright scientist with repressed emotions and few social skills, Bruce and his colleague, the sharp and beautiful Betty Ross, experiment with the body’s ability to repair itself and fight disease. But their research draws unwanted attention. For the power of regeneration catches the eye of the military, which sees its potential on the battlefields of the future. But when Bruce is exposed to radiation in an accident that should have killed him, a ferocious truth about his past begins to emerge—along with something else, something deep inside his own body that is triggered when he is provoked . . . when he is pushed beyond reason . . . when anger takes over and he transforms into . . . THE HULK From the Paperback edition.

'Part-detective story, part-cultural snapshot . . . all bound by Gibson's pin-sharp prose' Arena -------------- THE FIRST NOVEL IN THE BLUE ANT TRILIOGY - READ ZERO HISTORY AND SPOOK COUNTRY FOR MORE Cayce Pollard has a new job. She's been offered a special project: track down the makers of an addictive online film that's lighting up the internet. Hunting the source will take her to Tokyo and Moscow and put her in the sights of Japanese hackers and Russian Mafia. She's up against those who want to control the film, to own it - who figure breaking the law is just another business strategy. The kind of people who relish turning the hunter into the hunted . . . A gripping spy thriller by William Gibson, bestselling author of Neuromancer. Part prophesy, part satire, Pattern Recognition skewers the absurdity of modern life with the lightest and most engaging of touches. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks won't be able to put this book down. -------------- 'Fast, witty and cleverly politicized' Guardian 'A big novel, full of bold ideas . . . races along like an expert thriller' GQ 'Dangerously hip. Its dialogue and characterization will amaze you. A wonderfully detailed, reckless journey of espionage and lies' USA Today 'A compelling, humane story with a sympathetic heroine searching for meaning and consolation in a post-everything world' Daily Telegraph 'Electric, profound. Gibson's descriptions of Tokyo, Russia and London are surreally spot-on' Financial Times

From writer Peter David (THE INCREDIBLE HULK, X-FACTOR) and artist Gary Frank (ACTION COMICS, JUSTICE LEAGUE) comes the start of the classic series that created a revolutionary new identity for the Maid of Might! WHO IS LINDA DANVERS? To her parents, Linda is a former good girl who now dabbles on the wrong side of the law. To her friends, she’s a struggling artist and the ultimate Supergirl fan. To her boyfriend, Buzz, she’s an eager accomplice as they try to harness dark forces more powerful than either of them can control. And after Buzz tries to use her to summon a demon, Linda Danvers is...dead? To save Linda’s life, Matrix, a protoplasmic version of Supergirl, uses her powers to fuse the two of them together. Now, sharing memories, sharing superpowers, the entity formerly known as Linda Danvers is something else entirely. Is Linda still a human with the same damaged soul? Or has Supergirl done the unthinkable and stolen a new life for herself? There are no easy answers, but Linda knows she must use her new powers to atone for her past sins. Because whatever else she may be, for now, she’s... SUPERGIRL! SUPERGIRL BOOK ONE collects SUPERGIRL #1-9, SUPERGIRL ANNUAL #1, SUPERGIRL PLUS #1 and a story from SHOWCASE ’96 #8.

* Treats LISP as a language for commercial applications, not a language for academic AI concerns. This could be considered to be a secondary text for the Lisp course that most schools teach . This would appeal to students who sat through a LISP course in college without quite getting it – so a "nostalgia" approach, as in "wow-lisp can be practical..." * Discusses the Lisp programming model and environment. Contains an introduction to the language and gives a thorough overview of all of Common Lisp’s main features. * Designed for experienced programmers no matter what languages they may be coming from and written for a modern audience—programmers who are familiar with languages like Java, Python, and Perl. * Includes several examples of working code that actually does something useful like Web programming and database access.

Enterprising Hazel Green tries to convince the city to allow children to march in the annual Frogg Day parade.

The annual budgeting process is a trap. Pressured by fixed targets and performance incentives, managers focus on making the numbers instead of making a difference, meeting set goals instead of maximizing potential. With their compensation at stake, managers often resort to deceitful-even unethical-behavior. In the end, everybody loses-the employee, the company, and ultimately the customer. Now, finance experts Jeremy Hope and Robin Fraser reveal the results of an intensive study aimed at fixing the broken budgeting process. They argue that companies must abandon traditional budgeting contracts in favor of a radical new model that links performance measurement to evolving competitive benchmarks-and shifts the firm's focus from controlling employee behavior to delivering customer value. The Beyond Budgeting model is built on the best practices of companies that have successfully revised their centralized planning and budgeting processes. It combines a leadership vision that devolves more authority to operating managers and a finance vision that enables fast decision making through appropriate tools and accessible information. Through vivid examples, Hope and Fraser illustrate how companies can implement these shared visions-and the long-term benefits that accrue from embracing them. Offering a compelling case for breaking free from the budgeting trap, this book paves the way toward making organizations better places to work for, invest in, and do business with.

This book calls for education to become an end in itself, as opposed to the means to an end, and for a place to be found in contemporary education for the spiritual, the aesthetic and the ethical.