1931. Bronzeville. Chicago. The mage, Frank Half Dead Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. This graphic novel chronicles three adventures with this tragic conjure man. Watch as Half Dead attempts to save his own soul, pay his debt, and help as many people as he can along the way. It's a hard-hitting Hoodoo Noir highball with just a splash of Southern Gothic. Smack-dab in the dark heart of the Windy City. Hold on tight! It's going to be a bumpy ride down Hard Times Road.

1931. Bronzeville. Chicago.The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. Half-Dead is visited by a demon from his past who wants him to take on a very dangerous demon today.

Presents the life of the acclaimed blues musician, known for songs whose topics ranged from his African American roots to space exploration, and focuses on his eccentric style of guitar playing and his lasting influences in music.

Mucho Mojo is the basis for the second season of the new Sundance TV series Hap and Leonard. Hap and Leonard return in this incredible, mad-dash thriller, loaded with crack addicts, a serial killer, and a body count. Leonard is still nursing the injuries he sustained in the duo's last wild undertaking when he learns that his Uncle Chester has passed. Hap is of course going to be there for his best friend, and when the two are cleaning up Uncle Chester's dilapidated house, they uncover a dark little secret beneath the house's rotting floor boards—a small skeleton buried in a trunk. Hap wants to call the police. Leonard, being a black man in east Texas, persuades him this is not a good idea, and together they set out to clear Chester's name on their own. The only things standing in their way is a houseful of felons, a vicious killer, and possibly themselves.

Orpheus played his lyre so beautifully that even the rivers and rocks were moved to do his bidding. In Mojo Hand, it is the blues singer Blacksnake Brown who casts a spell over Eunice Prideaux, a light-skinned black woman from San Francisco. Eunice?s fascination with the blues doesn?t always mean being the helpless victim of whatever created them. The life she has to lead is her own and no one else?s. The haunting language of Mojo Hand has no equivalent in twentieth-century fiction - it is matched only by the music that is its subject.

When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.

Collects X-Men: Blue #13-15, X-Men: Gold #13-15. Blue and Gold, together at last! Mojo, the demented creature obsessed with melding deadly TV shows with reality, has made Earth his focus — and it will take the combined might of two teams of X-Men to fight back! But when threats from their past are thrown at them, including Sentinels and the Brood, how will the squads react? Flooded by bad memories, can Kitty and Jean lead their X-Men to save Manhattan? Or will tricks like, oh, say, the Dark Phoenix be exactly what Mojo needs to finally deliver the ratings hit he’s longed for? The mighty mutants will have to take the fight to Mojoworld itself if they have any hope of stopping the absurd Mojo-fication of Midtown Manhattan!

Tracing the magical roots of "hoodoo" back to West Africa, the author provides a history of this nature-based healing tradition and offers practical advice on how to apply hoodoo magic to everyday life.

2021 Hugo Award Winner for Best Graphic Story or Comic The follow-up to #1 New York Times Bestseller Kindred: A Graphic Novel Adaptation, comes Octavia E. Butler’s groundbreaking dystopian novel In this graphic novel adaptation of Octavia E. Butler’s Parable of the Sower by Damian Duffy and John Jennings, the award-winning team behind Kindred: A Graphic Novel Adaptation, the author portrays a searing vision of America’s future. In the year 2024, the country is marred by unattended environmental and economic crises that lead to social chaos. Lauren Olamina, a preacher’s daughter living in Los Angeles, is protected from danger by the walls of her gated community. However, in a night of fire and death, what begins as a fight for survival soon leads to something much more: a startling vision of human destiny . . . and the birth of a new faith.