The Magic Key is a series of folktales retold by India's third president Dr Zakir Husain. "For all children," he wrote, "the first books they read are the key to the magic of the world." Translated into English by the author's great-granddaughter, Samina Mishra, these books will delight anyone learning to read for the first time, and are perfect for parents and teachers to read aloud. With colourful illustrations and simple text, they can unlock the wonderful world of a child's imagination...

In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled—often both—but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now. In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.

A summertime slaying sets a suburban housewife on the hunt for a killer On a scorching summer afternoon, Nancy Howell bakes in the sun, hoping her neighbor will invite her inside. Lila has central air conditioning—a priceless luxury this time of year—and while Nancy doesn’t think much of her notoriously promiscuous neighbor, she would do anything to cool down. Sadly, Lila doesn’t step outside. She never will again. After more than a day without seeing her neighbor, Nancy finally goes next door and finds Lila sprawled across her bed, a knife buried deep in her chest. When Lila’s cuckolded husband is also found dead, the police label it a tragic murder-suicide—but Nancy isn’t convinced. In this gin-soaked patch of suburbia, adultery is a way of life and jealousy isn’t reason enough for a husband to kill. As the mercury inevitably rises, so will the body count.

p.B. J. Whiting savors proverbial expressions and has devoted much of his lifetime to studying and collecting them; no one knows more about British and American proverbs than he. The present volume, based upon writings in British North America from the earliest settlements to approximately 1820, complements his and Archer Taylor's Dictionary of American Proverbs and Proverbial Phrases, 1820-1880. It differs from that work and from other standard collections, however, in that its sources are primarily not "literary" but instead workaday writings - letters, diaries, histories, travel books, political pamphlets, and the like. The authors represent a wide cross-section of the populace, from scholars and statesmen to farmers, shopkeepers, sailors, and hunters. Mr. Whiting has combed all the obvious sources and hundreds of out-of-the-way publications of local journals and historical societies. This body of material, "because it covers territory that has not been extracted and compiled in a scholarly way before, can justly be said to be the most valuable of all those that Whiting has brought together," according to Albert B. Friedman. "What makes the work important is Whiting's authority: a proverb or proverbial phrase is what BJW thinks is a proverb or proverbial phrase. There is no objective operative definition of any value, no divining rod; his tact, 'feel, ' experience, determine what's the real thing and what is spurious."

The rebellious life of a novelist, screenwriter and revolutionary activist Born in Poona, India, Farrukh Dhondy came to England in 1964 and immersed himself in radical politics and the counterculture. He kicked off a career in journalism interviewing Pink Floyd and Allen Ginsberg and covering the first meeting between the Beatles and Maharishi Mahesh Yogi. Dhondy was soon drawn into political activism. He joined the Indian Workers Association and the British Black Panther Movement. Within the radical activist collective Race Today, he worked alongside Darcus Howe and C. L. R. James. An award-winning writer, he co-wrote the ground-breaking sit-com Tandoori Nights. In 1984 he became Channel 4’s Commissioning Editor for multicultural programming and was a driving force behind Desmond’s, Salaam Bombay!, and the trailblazing Bandung File. In Fragments against My Ruin, Dhondy explores a life to salvage precious moments against the inevitable decay of age. The result is a fascinating social and historical document of the late twentieth century, addressing politics, culture, friendship, and the determination to break down boundaries. It is an autobiography packed with compelling anecdotes, such as an insightful take on Jeffrey Archer’s conviction, as well as portraits of Richard Attenborough, Arundhati Roy, V. S. Naipaul, Charles Sobhraj, and many others.

A murder in a crowded Broadway theater presents a full house of suspects—the first in this classic mystery series starring Ellery Queen! Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it’s packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen. With the help of his son Ellery, a bibliophile and novelist whose imagination can solve any crime, the Inspector attacks this seemingly impenetrable mystery. Anyone in the theater could have killed the unscrupulous lawyer, and several had the motive. Only Ellery Queen, in his debut novel, can decipher the clue of the dead man’s missing top hat.