Willa seems to have a perfect life as a member of a loving blended family until the estranged father she barely remembers murders his wife and children, then heads toward Willa and her mother.

Blood can both wound and heal . . . Willa is lucky: She has a loving blended family that gets along. Not all families are so fortunate. But when a bloody crime takes place hundreds of miles away, it has an explosive effect on Willa’s peaceful life. The estranged father she hardly remembers has murdered his new wife and children, and is headed east toward Willa and her mother. Under police protection, Willa discovers that her mother has harbored secrets that are threatening to boil over. Has everything Willa believed about herself been a lie? But as Willa sets out to untangle the mysteries of her past, she also keeps her own secret—one that has the potential to tear apart all she holds dear.

Acclaimed author Gail Jarrow, recipient of a 2019 Robert F. Sibert Honor Award, explores the science and grisly history of U.S. Civil War medicine, using actual medical cases and first-person accounts by soldiers, doctors, and nurses. The Civil War took the lives of hundreds of thousands of Americans and left countless others with disabling wounds and chronic illnesses. Bullets and artillery shells shattered soldiers' bodies, while microbes and parasites killed twice as many men as did the battles. Yet from this tragic four-year conflict came innovations that enhanced medical care in the United States. With striking detail, this nonfiction book reveals battlefield rescues, surgical techniques, medicines, and patient care, celebrating the men and women of both the North and South who volunteered to save lives.

New updated edition first published with Cambridge University Press. This new edition includes 29 chapters on topics as diverse as pathophysiology of atherosclerosis, vascular haemodynamics, haemostasis, thrombophilia and post-amputation pain syndromes.

“[Ballingrud's] evocative and strangely beautiful.”—Publishers Weekly (starred review) “Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.”—Victor LaValle, award–winning author of The Changeling “Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back.”—Paul Tremblay, award-winning author of The Cabin at the End of the World and A Head Full of Ghosts “Nathan Ballingrud is one of my favorite short fiction writers.” —Jeff VanderMeer, New York Times bestselling author of Annihilation and Borne “Stretch[es] the boundaries of the genre by employing these grand, horrific worlds. “The Butcher’s Table” reminds me of the first time I read Clive Barker’s “In the Hills, the Cities.” It’s horrifying, but there’s beauty.” —The New York Times “In only two slender collections, Nathan Ballingrud has emerged as one of the field’s most accomplished short story writers.” —The Washington Post “Ballingrud’s work isn’t like any other.”—Cory Doctorow, Boing Boing “One of the most disquieting and memorable short story collections to come out this year.”—The New York Review of Books “Wounds: Six Stories from the Border of Hell is without a doubt one of the best, most accomplished horror collections in recent memory.”—Hellnotes “Wounds will no doubt be remembered as one of the most disquieting and memorable short story collections to come out this year.”—New York Journal of Books “There’s enough nightmare fuel here to inspire weeks of insomnia — all told with an even hand with a penchant for precise storytelling. How else do you chart the furthest reaches of the uncanny?”—Tobias Carroll, Vol. 1 Brooklyn A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge). In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

Care of Wounds addresses all aspects of holistic wound caremanagement. The third edition of this successful text continues toreflect current research and evidence based practice, whileincorporating the considerable developments which have occurred inwound care practice since the publication of the secondedition. The third edition includes new chapters on evidence-based woundcare and the organisation of wound management, together with newmaterial on nurse prescribing and the management of wounds in thecommunity; the development of nurse-led ulcer clinics andspecialist wound management centres; details of new technologiesand the use of pressure redistributing equipment. Althoughprincipally written for nurses, it is of value to all healthcareprofessionals working in the field of wound healing.

In 1983, when Evans came up with the vision for the first-ever memorial on the National Mall to honor women who’d worn a military uniform, she wouldn’t be deterred. She remembered not only her sister veterans, but also the hundreds of young wounded men she had cared for, as she expressed during a Congressional hearing in Washington, D.C.: “Women didn’t have to enter military service, but we stepped up to serve believing we belonged with our brothers-in-arms and now we belong with them at the Vietnam Veterans Memorial. If they belong there, we belong there. We were there for them then. We mattered.” In the end, those wounded soldiers who had survived proved to be there for their sisters-in-arms, joining their fight for honor in Evans’ journey of combating unforeseen bureaucratic obstacles and facing mean-spirited opposition. Her impassioned story of serving in Vietnam is a crucial backstory to her fight to honor the women she served beside. She details the gritty and high-intensity experience of being a nurse in the midst of combat and becomes an unlikely hero who ultimately serves her country again as a formidable force in her daunting quest for honor and justice.