A man lives through death and the terror of Golgotha, hell, the devil and the lake of fire and brimstone. Read how God saves him from these things and delivers him from the judgment seat of Christ. God then shows him His vision for the church, the bride of Christ. See the first sun rise of the new earth and witness the brides¿ marriage to the Lamb. Learn all the prophetic messages that proclaim; possess the vision.

Algernon James Pollock's classic volume is an exposition of "types" - people, places, objects, events, offices, activities and institutions - connected with the Tabernacle, the Priesthood, the Offerings and the Feasts (particularly as described in the first five books of the Old Testament) which foreshadow their corresponding New Testament "antitypes" - most particularly Christ Himself. The author wrote in a postscript to the first edition: "The reward of this modest volume will be if it whets the appetite of the reader, leading him to desire to know more of these wondrous subjects. The theme is delightful indeed as it leads the heart into contact with Christ, subduing it by a deepening sense of the meaning of the death of Christ, leading out at the same time the affections of the heart to Him to Whom the believer owes everything for time and eternity." Elsewhere he once wrote: "We appeal to our readers, especially young men and women, to give the Bible a fair trial. Read it, study it, and seek earnestly the truth." The publishers commend this book to you as an aid to such study, confident that as you read, your appreciation will grow of the wonder of the One who is indeed the Tabernacle's true Theme, and is Himself the Truth.

Andrew Murray is one of the most celebrated spiritual writers of his time. Many of his works have stood as spiritual standards for a hundred years.This book is a masterful illumination of the pages of the book of Hebrews. In every passage Murray sees the purpose of God in the New Covenant - to set His very Spirit within us.As one of Murray's earliest efforts, this book is something of a lost gem. It has been little published, and even less known. But the depth of heart and richness of spiritual revelation shine through these pages. Murray's keen insight brings us to the heart of God's intent in sending the Holy Spirit... to empower us for the "greater works" - and set within us the power to become the Bride of Christ in the earth!

In this 2006 text, Daniel M. Gurtner examines the meaning of the rending of the veil at the death of Jesus in Matthew 27:51a by considering the functions of the veil in the Old Testament and its symbolism in Second Temple and Rabbinic Judaism. Gurtner incorporates these elements into a compositional exegesis of the rending text in Matthew. He concludes that the rending of the veil is an apocalyptic assertion like the opening of heaven revealing, in part, end-time images drawn from Ezekiel 37. Moreover, when the veil is torn Matthew depicts the cessation of its function, articulating the atoning role of Christ's death which gives access to God not simply in the sense of entering the Holy of Holies (as in Hebrews), but in trademark Matthean Emmanuel Christology: 'God with us'. This underscores the significance of Jesus' atoning death in the first gospel.

Gustaf Aulen's classic work, 'Christus Victor', has long been a standard text on the atonement. Aulen applies history of ideas' methodology to historical theology in tracing the development of three views of the atonement. Aulen asserts that in traditional histories of the doctrine of the atonement only two views have usually been presented, the objective/Anselmian and the subjective/Aberlardian views. According to Aulen, however, there is another type of atonement doctrine in which Christ overcomes the hostile powers that hold humanity in subjection, at the same time that God in Christ reconciles the world to Himself. This view he calls the "classic" idea of the atonement. Because of its predominance in the New Testament, in patristic writings, and in the theology of Luther, Aulen holds that the classic type may be called the distinctively Christian idea of the atonement.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.