Feeding the Vampire Through good luck and healthy cowardice, Misty has survived the earthquakes that have torn the world apart, but has no skills to speak of. Or so she thinks. She does have blood, and someone must feed the vampire who has offered his protection and strength in exchange for sustenance. Feeding Ivan is a priority, and Misty finally serves a purpose. But when she awakens tied to his bed, an unwilling gift to Ivan from the townspeople, she discovers he has hungers other than blood. Hungers he expects her to satisfy in the most carnal manner. Under his seductive persuasion Misty discovers she has the power to sustain Ivan in all ways, while experiencing unspeakable pleasure herself. Hunting the Siren A vampire queen grown powerful with age, Imogen has protected her band of nightriders through the centuries. When refugee vampires from earthquake-shattered Europe seek shelter and sustenance, she’s honor-bound to feed them, by any means necessary. When her lieutenants dump the vengeful human man Kasar at her feet, Imogen succumbs to his masculine vitality and her overwhelming hunger for his blood—and his body.Kasar has survived the breaking of the world, only to discover the vampire queen has slaughtered his sister and her unborn child. With the last of his bloodline dead, only his desire for vengeance keeps Kasar alive. He imagines he can pretend to succumb to Imogen’s seduction—not that he has much of a choice, chained as he is to the foot of her bed—and bide his time until he has an opportunity to kill her. The passion he finds in her arms is unexpected, and impossible to resist. But this haven of desire and satiation could easily destroy them both.

Set in the 1930's, Blood Money is mesmerizing historical suspense confronting hard truth on international finance, politics, persecution and espionage. Readers walk the line between free enterprise and genocide with Gordon Fraser, an ambitious yet idealistic correspondent for "the man of the century," William Randolph Hearst. Gordon's charge was to pitch restoration of U.S. prosperity through foreign trade. But America's new trading partner was to become the butcher of the century, Adolf Hitler. Soon Gordon dangled as a puppet on devils' strings. The devils were the elite of American business, a cartel named "New Jerusalem." They would finance, supply and provoke a war, even holocaust to leverage depression into global market dominance. Deadline: Berlin is a disturbing account of the causes of World War II, based on world press coverage of Nazi Germany, private corporate records and declassified documents from FDR's cabinet and the FBI. War-for-profit remains front-page news today: Cloaked in the mantle of free trade, U.S. corporations are the largest arms dealers in the world, and trade with violent, tyrannical regimes who persecute their own citizens for their religious and political beliefs.

An investigative reporter pens an explosive indictment of how the Bush Administration wasted billions in Iraq through sweetheart deals to G.O.P. supporters, outrageous contracts to corrupt companies, and absurdly naive assumptions.

It is convenient to think that bad guys are drumming up money for their activities far away and in shady back alleys, but the violent non-state actors (VNSAs) of the world are hiding in plain sight. They peddle knockoff sneakers, pass the hat at ethnic festivals, take a cut of untaxed booze sales, swindle senior citizens with bogus phone calls about needing bail in Mexico, and run money through mainstream banks to buy up rental properties (just to name a few). On a grand scale, their behavior erodes rule of law, creates moral injuries from corruption, and emboldens bad actors to steal and back violent tactics with impunity. Blood Money analyzes the ways in which VNSAs find money for their operations and sustainment, from controlling a valuable commodity to harnessing the grievances of a networked diaspora, and it looks at the channels through which they can flip the positives of globalization into flat, fast, and frictionless movement of people, funds, and materials needed to terrorize and coerce their opponents. Author Margaret Sankey highlights the mundane and everyday nature of these tactics, occurring under our noses online, in legitimate marketplaces, and with the aegis of intelligence services and national governments. While reforms attempt to curtail these options, their utility and efficacy as tools of finance have proved inadequate for sovereign states. VNSAs' defiance of rules and their capable adaptation and innovation make them extremely difficult to pin down or prosecute. Many security publications stress legislation and enforcement or frame illicit finance as a military or police problem. With Blood Money, Sankey points out the many ways VNSAs evade law enforcement, and she offers options for involving consumers and activists in exercising agency and choices in how they apply their money and where it goes. Blood Money also provides context for whole-of-government approaches to attacking underlying supports for illicit financing channels. How these groups finance themselves is key to understanding how they function and what actions might be taken to derail their plans or dismantle their structure.

"Future historians of the horror genre who ignore Nowell's insights into a major transitional period in the relationship between independent producers and the major studios will do so at their own peril." Kevin Heffernan, author of Ghouls, Gimmicks and Gold: Horror Films and the American Movie Business, 1953-1968 "Challenging numerous myths along the way, this impeccably researched study sheds new light not only on slasher films and cycles, but on the nature, structure and practices of independent production in North America in the 1970s and 1980s. Highly recommended." Professor Steve Neale, University of Exeten "Meticulously researched and forcefully argued... Offers new insights into how films, filmmaking and film marketing operated in the North American film industry of the 1970s and early 1980s." Peter Kramer, University of East Anglia, UK, author of The New Hollywood (2005) Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films in order to claim that these were formulaic. excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US. Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits---including Love Story and Saturday Night Fever. Richard Nowell is a film scholar who has lectured at leading universities in the UK and Germany. His work can also be seen in Cinema Journal the Journal of Film and Video, and Post Script.

Written en route across the US and Europe, BLOOD MONEY - TALES FROM TWO CONTINENTS captures the English language in a number of locales, showcasing the expressive expansiveness of a written language as it wanderlust-rambles the land, settling its prose on occasion in distinct and exact locations.

The history of money and its violent and oppressive origins from slavery to war—by the author of Global Slump. In most accounts of the origins of money we are offered pleasant tales in which it arises to the mutual benefit of all parties as a result of barter. But in this groundbreaking study, David McNally reveals the true story of money’s origins and development as one of violence and human bondage. Money’s emergence and its transformation are shown to be intimately connected to the buying and selling of slaves and the waging of war. Blood and Money demonstrates the ways that money has “internalized” its violent origins, making clear that it has become a concentrated force of social power and domination. Where Adam Smith observed that monetary wealth represents “command over labor,” this paradigm shifting book amends his view to define money as comprising the command over persons and their bodies. “This fascinating and informative study, rich in novel insights, treats money not as an abstraction from its social base but as deeply embedded in its essential functions and origins in brutal violence and harsh oppression.” —Noam Chomsky “A fine-grained historical analysis of the interconnection between war, enslavement, finance, and money from classical times to present.” —Jeff Noonan, author of The Troubles of Democracy “McNally casts an unsparing light on the origins of money—and capitalism itself—in this scathing, Marxist-informed account . . . . McNally builds a powerful, richly documented argument that unchecked capitalism prioritizes greed and violence over compassion . . . . [T]his searing academic treatise makes a convincing case.” —Publishers Weekly

In "Blood, Money, & Greed," author Cliff Ford draws upon his extensive background in international finance to document how this group's plan to control the world's monetary system has progressed and how near they are to achieving their diabolical objective.

In this twisted dark cartel romance, revenge and hate collide with the past... Ten years after a devastating betrayal, revenge has come back to bite Ada Pavalos. Literally. Once her family’s trusted bodyguard, Domino Valenciaga is out for blood. Or her heart. Whichever goal takes more violence to achieve...

We are currently in a period of recuperation from sexual abuse scandals throughout the country. Although the media tends to focus on the Catholic Church’s role in these situations, it is actually a worldwide issue involving protagonists from many different organizations; it’s just that Catholicism is much larger than any other organization, so the offenses seem more prolific than in other agencies. The Catholic Church is attempting to create procedures so that these situations never happen again, and to provide financial recompense to victims. Abusers misused their religious authority to perform these vile deeds; however, it now has become a fad to falsely accuse priests of sexual molestation in an attempt to get money, by playing on the sympathies of diocese authorities. Even after statute of limitations is passed, diocese protocol allows for such payments. Falsely accused priests are the new victims in this crisis. Abuse by high-level clergy in Catholicism has really brought disaster on the Church. Jesus told his future disciples, “I will make you fishers of men.” The current false allegations in search of blood money are starting to smell more like rotten fish, and I don’t think that was what Jesus wanted for the end result of his priests’ efforts. Blood Money parallels the story of the Passion of Jesus with the current betrayals faced by ordained Catholic priests, as well as similar situations faced by other people in secular circumstances.