An essential guide to linoleum block printing techniques, with seventeen step-by-step projects and insights from some of today’s most talented printmakers. Block Print Magic is the perfect reference for a wide range of printmaking enthusiasts. The easy-to-follow illustrated instruction takes you through every step of the process, beginning with choosing and caring for tools and setting up a studio, through design essentials, carving techniques, and printing techniques. Those techniques include multi-block printing, reduction cuts, puzzle blocks, and rainbow-roll printing. Advanced carving techniques for creating textures, crosshatching, and three-dimensional shading will give you the opportunity to expand and strengthen your expertise. Among the visually stunning projects you’ll learn to create: Colorful, multi-block hex sign Reduction cut sunflowers print One-page pocket zine from a single block Fabric wall hanging embellished with embroidery Along with author Emily Howard’s own work, artist spotlights feature interviews with and examples of work by five other contemporary artists—Lili Arnold, Jen Hewett, Kelli MacConnell, Derrick Riley, and Aftyn Shah—as a means of clarifying how each technique can be used in different ways.

Block Print Magic is an essential guide to the techniques of linoleum block printing, including 17 captivating step-by-step projects and the works and insights of talented printmakers for inspiration and visual demonstration. Block Print Magic is the perfect reference for a wide range of printmaking enthusiasts. The easy-to-follow illustrated instruction takes you through every step of the process, beginning with choosing and caring for tools and setting up a studio, through design essentials, carving techniques, and printing techniques. Those techniques include multi-block printing, reduction cuts, puzzle blocks, and rainbow-roll printing. Advanced carving techniques for creating textures, crosshatching, and three-dimensional shading will give you the opportunity to expand and strengthen your expertise. Among the visually stunning projects you'll learn to create: Colorful, multi-block hex sign Reduction cut sunflowers print One-page pocket zine from a single block Fabric wall hanging embellished with embroidery Along with author Emily Howard's own work, artist spotlights feature interviews with and examples of work by five other contemporary artists—Lili Arnold, Jen Hewett, Kelli MacConnell, Derrick Riley, and Aftyn Shah—as a means of clarifying how each technique can be used in different ways. Block Print Magic is a must-have addition to any printmaker's bookshelf.

Inspired Artist: Block Print for Beginners teaches beginners how to design and carve their own lino blocks and create a variety of unique, customisable art prints.

Easy to follow instructions will teach beginners and initiated artists alike how to craft their own printing blocks and patterns.

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

The real history of man is the history of religion. The truth of the famous dictum of Max Muller, the father of the History of Religions, is nowhere so obvious as in Tibet. Western students have observed that religion and magic pervade not only the forms of Tibetan art, politics, and society but also every detail of ordinary human existence. And what is the all-pervading religion of Tibet? Buddhism of that country has been described to us, of course, but that does not mean the question has been answered. The unique importance of Stephan BeyerÍs work is that it presents the vital material ignored or slighted by others: the living ritual of Tibetan Buddhists. The reader is made a witness to cultic proceedings through which the author guides him carefully. He does not force one to accept easy explanations nor does he direct one's attention only to aspects that can be counted on to please. He leads one step by step, without omitting anything, through entire rituals, and interprets whenever necessary without being unduly obtrusive. Oftentimes, as in the case of the many hymns to the goddess Tara, the superb translations speak directly to the reader, and it is indeed as if the reader himself were present at the ritual.

Conflict in a Buddhist Society presents a new way of looking at Tibet under the rule of the Dalai Lamas (1642–1959). Although this era can be clearly delineated as a distinct period in the history of Tibet, many questions remain concerning the specific form of rule established. Author Peter Schwieger attempts to make transparent the complexity and dynamics of the Dalai Lamas’ domination using the work of sociologist Niklas Luhman (1927–1998) as his theoretical starting point. Luhman’s systems theory allows Schwieger to approach Tibetan history and culture as a remarkable effort to create—under times of great conflict and stress and using uncommon means—a stable social and political order. Such a methodology provides the distance needed to move beyond event-based narrative history and understand the structures that made social action possible in Tibet and the operations by which its society as a whole distinguished itself from its environment. Schwieger begins by asking the crucial question of how Tibet’s society dealt with conflict. The chapters that follow answer this question from various perspectives: history and memory; domination; hierarchy; center and periphery; semantics; morality and ethics; ritual; law; and war. Each reveals a different avenue for cross-cutting discourses in the historical and social sciences. Together, they provide a comprehensive picture of how conflicts were portrayed in Tibet society and how the manner in which they were handled stabilized the country for a considerable time but were ultimately unsuccessful in the face of radical upheavals in its environment. Situated at the intersection of systems theory, conflict theory, and Tibetan/Inner Asian history and society, Conflict in a Buddhist Society will be of considerable interest to students and scholars in these areas. Its theoretical rather than narrative-descriptive approach to the history of the three centuries of Dalai Lama rule will be welcomed as wide-ranging and insightful.