Bliss and Other Stories is a 1920 collection of short stories by the New Zealand writer Katherine Mansfield.

Winner of the Prairie Schooner Book Prize in Fiction, this daring collection of nine stories introduces readers to an edgy vision and a world in which certainties are tested and found wanting. A Cambodian refugee negotiates the icy waters of American social and sexual life. A young couple seeks "peak experiences" to escape grief, only to discover that they've brought it along with them. A teenage girl, unable to face the imminent end of her grandfather's life, risks her own life in an impulsive act. A man's fragile hold on reality becomes the key to his finding, albeit through a terrifying labyrinth, his heart's desire. The characters inBliss and Other Short Storiesmust find their way to a truth that, though less than perfect, is one they can live with. Finding bliss, it seems, is as much about pain as about pleasure, and in Ted Gilley's writing the discovery is always exquisite.

Fiction. Asian & Asian American Studies. From fragmented ransom notes to hanging footnotes, contemporary fairy tales to coded text, interconnecting pieces of modal flash fiction to backwards fractal narratives about gradual blindness, transgressive listicles to how-to guides for performative wokeness, variable destinies in downtown Chicago to impossible dating applications, counterfactual relationships to the French translation of adolescence, the conceptual, language-driven short stories in COUNTERFACTUAL LOVE STORIES AND OTHER EXPERIMENTS are an exploration of not just mixed-race/hapa identity in Michigan (and the American Midwest), but also of the infinite ways in which stories can be told, challenged, celebrated, and subverted.

Celebrates the centennial of Katherine Mansfield's BlissThis book celebrates the centennial of Bliss's publication by offering new readings of some of Mansfield's most well-known stories, revealing not only the depth and innovation of her work but also the extent to which she was instrumental in revisioning the potential of the short story form. It includes the publication of a newly discovered short story potentially by Mansfield, with an explanatory essay. It also presents a selection of new poetry and a new short story by acclaimed New Zealand author Paula Morris, all inspired by Mansfield.

Winner of the Prairie Schooner Book Prize in Fiction, this daring collection of nine stories introduces readers to an edgy vision and a world in which certainties are tested and found wanting. A Cambodian refugee negotiates the icy waters of American social and sexual life. A young couple seeks ?peak experiences? to escape grief, only to discover that they?ve brought it along with them. A teenage girl, unable to face the imminent end of her grandfather?s life, risks her own life in an impulsive act. A man?s fragile hold on reality becomes the key to his finding, albeit through a terrifying labyrinth, his heart?s desire. The characters in Bliss and Other Short Stories must find their way to a truth that, though less than perfect, is one they can live with. Finding bliss, it seems, is as much about pain as about pleasure, and in Ted Gilley?s writing the discovery is always exquisite.

"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett “Improbably charming...will have you chortling and reading lines aloud.” — PEOPLE The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine. Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out. Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.

In this acclaimed memoir, Bliss Broyard, daughter of the literary critic Anatole Broyard, examines her father's choice to hide his racial identity, and the impact of this revelation on her own life. Two months before he died, renowned literary critic Anatole Broyard called his grown son and daughter to his side to impart a secret he had kept all their lives and most of his own: he was black. Born in the French Quarter in 1920, Anatole had begun to conceal his racial identity after his family moved to Brooklyn and his parents resorted to "passing" in order to get work. As he grew older and entered the ranks of the New York literary elite, he maintained the favßade. Now his daughter Bliss tries to make sense of his choices. Seeking out unknown relatives in New York, Los Angeles, and New Orleans, Bliss uncovers the 250-year history of her family in America and chronicles her own evolution from privilged WASP to a woman of mixed-race ancestry.

This collection allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years.

"There was not an inch of room for Lottie and Kezia in the buggy. When Pat swung them on top of the luggage they wobbled; the grandmother’s lap was full and Linda Burnell could not possibly have held a lump of a child on hers for any distance." The seemingly perfect Burnell family is moving from one house to another, and on the surface, everything appears idyllic. But as the story develops, the tension grows, threating to explode and expose their true nature. ‘Prelude’ (1922) is evidence of Katherine Mansfield’s short fiction genius, and it was the first short story that Virginia Wolf commissioned for her publishing house. Katherine Mansfield (1888-1923) was short story writer and poet from New Zealand, who settled in England at the age of 19. Virginia Woolf and D.H. Lawrence were among her literary friends and admirers. She died of tuberculosis at the age of 34.

For thirty-nine years Harry Joy has been the quintessential good guy. But one morning Harry has a heart attack on his suburban front lawn, and, for the space of nine minutes, he becomes a dead guy. And although he is resuscitated, he will never be the same. For, as Peter Carey makes abundantly clear in this darkly funny novel, death is sometimes a necessary prelude to real life. Part The Wizard of Oz, part Dante's Inferno, and part Australian Book of the Dead, Bliss is a triumph of uninhibited storytelling from a writer of extravagan gifts.