Chris Wright’s pioneering 2006 book, The Mission of God, revealed that the typical Christian understanding of “missions” encompasses only a small part of God’s overarching mission for the world. God is relentlessly reclaiming the entire world for himself. In The Mission of God’s People, Wright shows how God’s big-picture plan directs the purpose of God’s people, the church. Wright emphasizes what the Old Testament teaches Christians about being the people of God. He addresses questions of both ecclesiology and missiology with topics like “called to care for creation,” “called to bless the nations,” “sending and being sent,” and “rejecting false gods.” As part of the Biblical Theology for Life Series, this book provides pastors, teachers, and lay learners with first-rate biblical study while at the same time addressing the practical concerns of contemporary ministry. The Mission of God’s People promises to enliven and refocus the study, teaching, and ministry of those truly committed to joining God’s work in the world.

The year is 1665. England is in the midst of the Restoration, and John Milton, a blind, politically and religiously marginalized writer associated with Oliver Cromwell's failed attempt to form a republic, has not yet published Paradise Lost. When one of the worst plagues in history descends upon London, he and his much younger wife are forced to flee to the countryside. There Milton is befriended by the local curate, Rev. Theodore Wesson, who knows nothing about Milton's controversial past or the dangers of associating with him. Soon their fates become intertwined when the curate's hopes for advancement are threatened by his relationship to the notorious traitor and "king-killer," John Milton. The situation tests Wesson's loyalty--to the monarchy, to friendship, to a church career--while complicating his already blurry sense of God's involvement in human affairs. For Milton, the cost is potentially even greater: the target of assassination attempts since the restoration of the monarchy five years earlier, he has real reason to fear for his life. A riveting and briskly paced novel that transports the reader to a very particular place and time even as its themes resonate with our own time, Thom Satterlee's God's Liar will take its place next to works as varied as Hilary Mantel's Wolf Hall and Colm Toibin's The Master.

The news that the gods of infidelity has struck Mama Titi to death for committing adultery brought the social life of women in Afon community to a halt. The women were aggressive and despondent. “How about the man, her lover? Sharia has come to the South!” Cried the women. Mama Koko, an ambitious good-looking women leader whose gorgeous figure could intimidate the most confident of the men, finds this male chauvinism deeply repugnant. She is poised to liberate the women of Afon from the tutelage of a traditional deity, Ekpo Nkagwo, the god of infidelity, which has been instituted by men to punish adulterous women only. But Ikwo, a sharp-tongued woman who sees men’s dominance as godly and invincible disassociates herself. She sheepishly discloses the plans by women to destroy the Craft Image of the god of infidelity to her husband, Chief Anwana -- a betrayal of the worst kind, which temporarily paralyses the women’s liberation moves. “Our problem is in ourselves”, regretted Inim, the virgin. Chief Anwana is unhappy. He summons the elders in Afon who consider the women’s suggestion to destroy the deity as a threat to their dominance of the women folks. The elders, in a unanimous decision, send the women’s leaders -- Mama Koko and Ntiense-- on exile. Yet Afon community was without excitement as Adiaha denied her husband, Akpan-utere, romance. Akpan-Utere, now drunk is forced to reveal the secrets on how to demystify the power of the god of infidelity. Mama Koko, who is on exile, is unrelenting in her bid to free the women. There is more to learn from the intrigue in the destruction of the blind gods to free Afon women.

DigiCat Publishing presents to you this special edition of "Heralds of Empire" (Being the Story of One Ramsay Stanhope, Lieutenant to Pierre Radisson in the Northern Fur Trade) by Agnes C. Laut. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

On the heels of his widely successful trilogy of works honoring H. P. Lovecraft, Donald Tyson now unveils a true grimoire of ritual magic inspired by the Cthulhu Mythos. The Grimoire of the Necronomicon is a practical system of ritual magic based on Lovecraft's mythology of the alien gods known as the Old Ones. Fans of Lovecraft now have the opportunity to reliably and safely get in touch with the Old Ones and draw upon their power for spiritual and material advancement. Tyson expands upon the Old Ones' mythology and reintroduces these "monsters" in a new, magical context—explaining their true purpose for our planet. As a disciple, you choose one of the seven lords as a spiritual mentor, who will guide you toward personal transformation. Grimoire of the Necronomicon features ritual forms and invocations for the daily and yearly rites of the Old Ones, individual rituals devoted to each of the seven major figures of the mythos, and most importantly, a grand ritual for personal attainment. The daily rituals provide an excellent system of esoteric training for individual practitioners. This grimoire also provides structure for an esoteric society—Order of the Old Ones—devoted to the group practice of this unique system of magic.

This is a remarkable study of how Western culture has represented blindness, especially in that most visual of arts, painting. Moshe Barasch draws upon not only the span of art history from antiquity to the eighteenth century but also the classical and biblical traditions that underpin so much of artistic representation: Blind Homer, the healing of the blind, blind musicians, blindness as punishment, blindness as a special mark. The book discusses blindness in antiquity, in the Early Christian world, in the Middle Ages, and in the Renaissance, with a final consideration of Diderot.

"I see him yet - swarthy, straight as a lance, keen as steel, in his eyes the restless fire that leaps to red when sword cuts sword. I see him yet - beating about the high seas, a lone adven turer, tracking forest wastes where no man else dare go, pitting his wit against the intrigue Of king and court and empire. Prince of path finders, prince Of pioneers, prince of gamesters, he played the game for love Of the game, caring never a rush for the gold which pawns other men's souls. How much of good was in his ill, how much Of ill in his good, let his life de clare! He played fast and loose with truth, I know, till all the world played fast and loose with him. He juggled with empires as with puppets, but he died not a groat the richer."--forgottenbooks.com.