History. Philip V. Cannistraro is Distinguished Professor of Italian American Studies at Queens College and the Graduate Center of the City University of New York. Philip Cannistraro is the leading American historian of Italian Fascism. He uses his profound knowledge of Italian and American archival sources to examine the ways Mussolini and the Fascist movement used and were used by Italian-American sympathizers during the 1920's and how these connections reached new levels of complexity at the beginning of the 1930's. Cannistraro's work is a model study which successfully brings together Italian American and Italian history in ways that enrich both fields --Alexander De Grand.

This book documents the experiences of the Italian armed Fascist militia, the Camicie Nere (Blackshirts), from the Italian–Ethiopian war of 1935–36, through the Spanish Civil War to the end of World War II. It explores their origins, development, recruitment, training, conditions of service, uniforms and equipment, battle experience, political and ideological motivation. The Blackshirt legions were raised under army control from 1928, and were employed in 1933 in Libya in counterinsurgency operations against the Senussi tribes; from 1935 in Italy's war against Ethiopia; and during the Spanish Civil War. Following the outbreak of World War II, the Blackshirts fought in North Africa, Greece, Croatia, on the Eastern Front and finally in Italy itself following the Allied invasion.

Winner of the 2006 Pietro Di Donato and John Fante Literary Award from The Grand Lodge of the Sons of Italy, New York State Robert Viscusi takes a comprehensive look at Italian American writing by exploring the connections between language and culture in Italian American experience and major literary texts. Italian immigrants, Viscusi argues, considered even their English to be a dialect of Italian, and therefore attempted to create an American English fully reflective of their historical, social, and cultural positions. This approach allows us to see Italian American purposes as profoundly situated in relation not only to American language and culture but also to Italian nationalist narratives in literary history as well as linguistic practice. Viscusi also situates Italian American writing within the "eccentric design" of American literature, and uses a multidisciplinary approach to read not only novels and poems, but also houses, maps, processions, videos, and other artifacts as texts.

This book documents the experiences of the Italian armed Fascist militia, the Camicie Nere (Blackshirts), from the Italian–Ethiopian war of 1935–36, through the Spanish Civil War to the end of World War II. It explores their origins, development, recruitment, training, conditions of service, uniforms and equipment, battle experience, political and ideological motivation. The Blackshirt legions were raised under army control from 1928, and were employed in 1933 in Libya in counterinsurgency operations against the Senussi tribes; from 1935 in Italy's war against Ethiopia; and during the Spanish Civil War. Following the outbreak of World War II, the Blackshirts fought in North Africa, Greece, Croatia, on the Eastern Front and finally in Italy itself following the Allied invasion.

Nunzio Pernicone’s biography uses Carlo Tresca’s (1879-1943) storied life?as newspaper editor, labor agitator, anarchist, anti-communist, street fighter, and opponent of fascism?as a springboard to investigate Italian immigrant and radical communities in the United States. From his work on behalf of the Industrial Workers of the World (IWW), the Sacco and Vanzetti Defense Committee, and his assassination on the streets of New York City, Tresca’s passion left a permanent mark on the American map. This edition, both revised and expanded, provides new insight into the American labor movement and a unique perspective on the immigrant experience.

The Cultures of Italian Migration allows the adjective "Italian" to qualify people's movements along diverse trajectories and temporal dimensions. Discussions on migrations to and from Italy meet in that discursive space where critical concepts like"home," "identity," "subjectivity," and "otherness" eschew stereotyping. This volume demonstrates that interpretations of old migrations are necessary in order to talk about contemporary Italy. New migrations trace new non linear paths in the definitionof a multicultural Italy whose roots are unmistakably present throughout the centuries. Some of these essays concentrate on topics that are historically long-term, such as emigration from Italy to the Americas and southern Pacific Ocean. Others focus on the more contemporary phenomena of immigration to Italy from other parts of the world, including Africa. This collection ultimately offers an invitation to seek out new and different modes of analyzing the migratory act.

The intrigue and subterfuge revealed in this revisionist study add a fascinating new dimension to our understanding of transpacific and transatlantic politics following World War I.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.