Blackfunk III completes the Blackfunk trilogy. In this final installment, the characters are playing for the jackpot. With an assortment of peripheral characters and the introduction of some new ones, including a priest with a sordid past, Blackfunk III promises to take you over the edge.

In the spirit of Blackgentlemen.com come five sensual novellas about the excitement—and danger—of meeting someone online. Welcome to Sistergirls.com, where men can meet the women of their dreams. Making a selection is just a beginning—these ladies are more than mere images, and getting to know them is the really fun part. But just like most things, looks can be deceiving. And while the guys who take this plunge think they're in for the adventure of a lifetime, some of them are headed for the worst nightmare. Gathering five dramatically different voices between two covers, these stories travel the tantalizing crossroads between romance and cyberspace. As today's world of dating expands beyond the traditional dinner-and-movie to the vast realm of internet, this collection offers a timely and exciting glimpse into the adventures of online relationships. Novellas include: "You Are Making Me Wet" by Earl Sewell; "Life Happens" by Rique Johnson; "The Wanting" by Michael Presley; "Somewhere Between Love and Sarcasm" by V. Anthony Rivers; and "Legal Days, Lonely Nights" by William Fredrick Cooper.

Contemporary popular music provides the soundtrack for a host of recent novels, but little critical attention has been paid to the intersection of these important art forms. Write in Tune addresses this gap by offering the first full-length study of the relationship between recent music and fiction. With essays from an array of international scholars, the collection focuses on how writers weave rock, punk, and jazz into their narratives, both to develop characters and themes and to investigate various fan and celebrity cultures surrounding contemporary music. Write in Tune covers major writers from America and England, including Don DeLillo, Jonathan Franzen, Zadie Smith, and Jim Crace. But it also explores how popular music culture is reflected in postcolonial, Latino, and Australian fiction. Ultimately, the book brings critical awareness to the power of music in shaping contemporary culture, and offers new perspectives on central issues of gender, race, and national identity.

This book offers a unique understanding of African American populations and their articulation of sexuality and race by introducing a comprehensive sexological model, Black Sexual Epistemology. Tracie Q. Gilbert draws from theoretical perspectives of anti-Blackness, ethno-sexuality, Performative Blackness and African-centered epistemology to implicate race as an inextricable factor in the sexual structures and schema of African American people. Chapters identify and introduce a sex-positive and comprehensive sexological model, Black Sexual Epistemology, through which Black sexuality can be understood and navigated in the contemporary era. This model presents empirical data for effectively applying previous critical race perspectives and uniquely demonstrates how Black sexual experience can be better understood and reimagined for greater community development and healing. This book is essential reading for practicing sex therapists, marriage and family therapists and clinical social workers working with these populations as well as for academics and students of sexology, sex education, sex therapy, social work, marriage and family therapy, public health, Black/African American studies and LGBTQ studies. It will also be of interest to general audiences who appreciate culturally centered sexological scholarship.

Who better to tell the story of the gentrification of a musical genre than the man who started out as Jungle's most streetwise ambassador and went on to collect an MBE from Buckingham Palace? But Goldie's uncensored, hard-hitting memoir is far more than just the story of the house-training of drum 'n' bass. As one of Britain's most influential DJs, producers, promoters, and record-label owners - whose contributions to the UK rave scene in the 1990s defined the genres jungle and urban rave, Goldie is an iconic figure. Hugely addictive, this gonzo memoir is a vertiginous thrill-ride from the darkest depths of the West Midlands care-home system to the snowiest uplands of coke-crazed international celebrity. It is an explosive story of abuse, revenge, graffiti, gold teeth, sawn-off shotguns, car crashes, hot yoga, absent fatherhood, and redemption through reality TV.

"This collection of writings, drawn from a wide variety of sources, reveals the intellectual depth and breadth of the author. The articles include political commentary, cultural critique, literary analysis, extended book reviews, and even a short story by West. All of these are held together by a prophetic Afro-American Christian perspective. The value of this book is that it provides easy access to a significant selection of the author's corpus." --Religious Studies Review (October 1989) "This volume collects over 50 articles, book reviews, and addresses by a Union Seminary theologian . . . . The most eloquent pieces are those in which West explains and interprets his more personally felt tradition of Afro-American Protestantism." -- Library Journal

The Cambridge Companion to African American Women's Literature covers a period dating back to the eighteenth century. These specially commissioned essays highlight the artistry, complexity and diversity of a literary tradition that ranges from Lucy Terry to Toni Morrison. A wide range of topics are addressed, from the Harlem Renaissance to the Black Arts Movement, and from the performing arts to popular fiction. Together, the essays provide an invaluable guide to a rich, complex tradition of women writers in conversation with each other as they critique American society and influence American letters. Accessible and vibrant, with the needs of undergraduate students in mind, this Companion will be of great interest to anybody who wishes to gain a deeper understanding of this important and vital area of American literature.