Originally published: Gold Medal Books, New York, 1953.

The first novel of the Black Wings urban fantasy series, by Christina Henry, author of Alice and Lost Boy. As an Agent of Death, Madeline Black is responsible for escorting the souls of the dearly departed to the afterlife. It’s a 24/7 job with a lousy benefits package. Maddy’s position may come with magical abilities and an impressive wingspan, but it doesn’t pay the bills. And then, there are her infuriating boss, tenant woes, and a cranky, popcorn-loving gargoyle to contend with. Things starts looking up, though, when tall, dark, and handsome Gabriel Angeloscuro agrees to rent the empty apartment in Maddy’s building. It’s probably just a coincidence that as soon as he moves in, demons appear on the front lawn. But when an unholy monster is unleashed upon the streets of Chicago, Maddy discovers powers she never knew she possessed. Powers linked to a family legacy of tarnished halos. Powers that place her directly between the light of Heaven, and the fires of Hell…

Something is wrong with the souls of Chicago's dead. Ghosts are walking the streets, and Agent of Death Madeline Black's exasperating boss wants her to figure out why. And while work is bad enough, Maddy has a plethora of personal problems too. Now that Gabriel has been assigned as her thrall, their relationship has hit an impasse. At least her sleazy ex-fiance Nathaniel is out of the picture--or so she thinks...

Madeline Black is an Agent of death, meaning she escorts the souls of people who have died to the afterlife. Of course, not everyone is happy to see her... If obstinate dead people were all that Maddy had to worry about, life would be much easier. But the best-laid plans of Agents and fallen angels often go awry. Deaths are occurring contrary to the natural order, Maddy's being stalked by foes inside and outside of her family, and her two loves-her bodyguard, Gabriel, and her doughnut-loving gargoyle, Beezle-have disappeared. But because Maddy is Lucifer's granddaughter, things are expected of her, things like delicate diplomatic missions to other realms.

As an Agent of Death, Madeline Black deals with loss every day. But when tragedy touches her own life, Maddy will have to find the strength within to carry on… Devastated and grieving, Maddy unexpectedly finds hope with the discovery that she is pregnant. But Maddy’s joy is short lived when Lucifer informs her that he wants the baby, hoping to draw on the combined power of two of his bloodlines. Maddy is determined that her grandfather will never have her child, but she’s not sure what she can do to stop him. Being pregnant is stressful enough, but Maddy suddenly finds herself at odds with the Agency—forbidden from meddling in the affairs of the supernatural courts. When a few of her soul collections go awry, Maddy begins to suspect that the Agency wants to terminate her employment. They should know by now that she isn’t the sort to give up without a fight…

A piercing, unforgettable love story set in Greenwood, Oklahoma, also known as the “Black Wall Street,” and against the Tulsa Race Massacre of 1921. Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil. Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon. But life changes on May 31, 1921 when a vicious white mob storms the Black community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.

USA Today Best-Selling Author 1978 San Francisco—a cult leader in Ecuador—one woman's struggle to reconnect with her lost daughter before it is too late When PI and ex-con, Colleen Hayes, learns that a local neo-Nazi group is talking about shooting the mayor, she thinks it's just another rumor—until her source, a humble street newspaper vendor, winds up in SF General, beaten to a pulp. To add to her grief, she discovers that her runaway daughter, Pamela, might have joined a shadowy religious group, building a church in South America near a volcano that is about to erupt. Death is the path to perfection according to the charismatic young preacher—and the date is fast approaching. Colleen is desperate to find a way to stop her daughter from making the ultimate mistake before she—along with hundreds of others—lose their lives. Perfect for fans of Harlan Coben's gritty noir suspense While all of the novels in the Colleen Hayes Mystery Series stand on their own and can be read in any order, the publication sequence is: Vanishing in the Haight Tie Die Bad Scene Line of Darkness

“It was surprising what old experiences remembered could do to a presumably educated, civilized man.” And Hugh Denismore, a young doctor driving his mother’s Cadillac from Los Angeles to Phoenix, is eminently educated and civilized. He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later? Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

The Poetry and Music of Joaquín Sabina: An Angel with Black Wings is a thoroughly researched exploration of the life, music, and song lyrics of the celebrated Spanish singer-songwriter Joaquín Sabina. Often called "the Spanish Dylan," Sabina has established his own highly poetic space over the course of his forty-plus years as a recording artist. Using selected song lyrics from his fifteen studio and three major live albums, Daniel J. Nappo analyzes Sabina's use of antithesis, simile, metaphor, synesthesia, rhyme, and other rhetorical and poetic devices. Nappo also devotes a chapter to Sabina's ability as a narrator and concludes the book with a comparison of Sabina's best work with that of the American singer-songwriter and Nobel laureate, Bob Dylan.