Stranded on an alien planet, two astronauts must battle deadly elements and each other to recover a reserve shuttle built for one Black Star is a debut graphic novel by Eric Anthony Glover, based on his original unproduced screenplay, and illustrated by Arielle Jovellanos. In the future, interstellar travel is past its prime and sending shuttles beyond our solar system—even for vital scientific research—is a life-threatening gamble. However, in order to retrieve samples of an alien flower that may hold the key to saving countless lives, Harper North and her crew of scientists must journey to Eleos, a dangerous planet in deep space. But as they approach Eleos, their ship is caught in an asteroid storm and as it hurtles towards the surface, its reserve shuttle detaches, landing over 100 kilometers away. When the rest of the crew perishes in the burning wreckage of the ship, North races towards the rescue shuttle built for one, hoping to fulfill their mission and survive. But North isn’t alone: The team’s wilderness expert is still alive and hell-bent on hunting North down and claiming the shuttle for herself. Now, North has no choice but to reach the shuttle first—and fast. The fuel is leaking. Her GPS battery is dying. And the planet’s deadly seasonal change is coming. As she battles the flora and fauna and tries to elude her ruthless former crew mate, North will find the cost of survival is dear . . . Will she be willing to pay that price?

Linking discontent and unrest in Harlem and Los Angeles to anticolonial revolution in Algeria, Egypt, and elsewhere, Black leaders in the United States have frequently looked to the anti-imperialist movements and antiracist rhetoric of the Muslim Third World for inspiration. Daulatzai maps the shared history between Black Muslims, Black radicals, and the Muslim Third World, showing how Black artists and activists imagined themselves not as national minorities but as part of a global majority, connected to larger communities of resistance. From publisher description.

In the tradition of Star Wars, a galaxy-hopping space adventure about a galactic kingdom bent on control and the young misfit who must find the power within before it’s too late. SyFy Wire—January Sci-Fi and Fantasy Books to Pick Up as soon as Possible The Verge—18 Science Fiction and Fantasy Books to Read in January Chicago Review of Books—Best New Books of January Cade Sura holds the future of the galaxy in his hands: the ultimate weapon that will bring total peace. He didn’t ask for it, he doesn’t want it, and there’s no worse choice to wield it in all of space, but if he doesn’t, everyone’s totally screwed. The evil Praxis kingdom is on the cusp of having every star system under its control, and if that happens, there’ll be no contesting their cruel reign. Especially if its fanatical overlord, Ga Halle, manages to capture Cade and snag the all-powerful weapon for herself. Cade can’t hide from Praxis, and he can’t run from the destiny that’s been shoved into his hands. So he only has one option: He has to fight. Cade’s not going to let destiny send him on a suicide run, though. With some help from his friends—rebels and scoundrels alike—Cade’s going to use this weapon to chart a new destiny for the galaxy, and for himself. He just has to do so before everyone around him discovers that he’s a complete and total fraud. Blending the space operatics of Star Wars and the swagger of Guardians of the Galaxy, Black Star Renegades is a galaxy-hopping adventure that blasts its way from seedy spacer bars to sacred temples guarded by deadly creatures—all with a cast of misfit characters who have nowhere to go and nothing to lose.

Bright Dawn must face the challenge of the Iditarod dog sled race alone when her father is injured. Soon she realizes that the race and her life depend on how much she can rely on her lead dog, Black Star.

Black Star documents the Asian Youth Movements that emerged in 1970s and 1980s Britain. These organizations, established by the children of early migrants, were determined to struggle against both the racism of the street and the state. Anandi Ramamurthy shows how they drew inspiration from black power movements as well as anti-imperialist and workers struggles across the globe. Ramamurthy traces how they saw themselves as part of a wider collective of people struggling for social justice and national liberation. In their struggle to make Britain their home they identified with a broad-based black unity where black was a political color inspiring unity amongst all those struggling against racism. The book documents how by the late 1980s this broad based black identity disintegrated as Islamophobia became a new form of racism. In the process the legacy of the Asian Youth Movements has been largely hidden. Black Star retrieves this history and assesses it's importance for political struggles in Britain today.

Shortlisted for the Scotiabank Giller Prize: With striking originality and precision, Eden Robinson, the author of the classic Monkey Beach and winner of the Writers’ Trust of Canada Fellowship, blends humour with heartbreak in this compelling coming-of-age novel. Everyday teen existence meets indigenous beliefs, crazy family dynamics, and cannibalistic river otters . . . The exciting first novel in her trickster trilogy. Everyone knows a guy like Jared: the burnout kid in high school who sells weed cookies and has a scary mom who's often wasted and wielding some kind of weapon. Jared does smoke and drink too much, and he does make the best cookies in town, and his mom is a mess, but he's also a kid who has an immense capacity for compassion and an impulse to watch over people more than twice his age, and he can't rely on anyone for consistent love and support, except for his flatulent pit bull, Baby Killer (he calls her Baby)--and now she's dead. Jared can't count on his mom to stay sober and stick around to take care of him. He can't rely on his dad to pay the bills and support his new wife and step-daughter. Jared is only sixteen but feels like he is the one who must stabilize his family's life, even look out for his elderly neighbours. But he struggles to keep everything afloat...and sometimes he blacks out. And he puzzles over why his maternal grandmother has never liked him, why she says he's the son of a trickster, that he isn't human. Mind you, ravens speak to him--even when he's not stoned. You think you know Jared, but you don't.

In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as the "most feared U.S. marshal in the Indian country." That Reeves was also an African American who had spent his early life enslaved in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America--and perhaps the greatest lawman of the Wild West era. Bucking the odds ("I'm sorry, we didn't keep Black people's history," a clerk at one of Oklahoma's local historical societies answered one query), Art T. Burton traces Reeves from his days of slavery to his Civil War soldiering to his career as a deputy U.S. marshal out of Fort Smith, Arkansas, when he worked under "Hanging Judge" Isaac C. Parker. Fluent in Creek and other regional Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws and his exploits were legendary in Oklahoma and Arkansas. In this new edition Burton traces Reeves's presence in the national media of his day as well as his growing modern presence in popular media such as television, movies, comics, and video games.

Blackstar Theory takes a close look at David Bowie's ambitious last works: his surprise 'comeback' project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist's death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon. These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.