Leading biblical scholars tell the story of how Samson, a controversial biblical character, became a celebrated icon in African American literature and how Black Samson was used to address race in America.

Since its publication in 1977 to acclaim as a pioneering work, this has remained the first and only book to detail all aspects of a unique era in the history of motion pictures--the only time in the U.S. when films featuring an all-Black cast, produced and directed by Blacks, were shown primarily to Black audiences, in theatres many of which were owned and managed by Blacks. Sampson traces the history of the Black film industry from its beginnings around 1910 to its demise in 1950, chronicling the activities of pioneer Black filmmakers and performers who have been virtually ignored by film historians. Significantly more information on Oscar Micheaux and other Black producers of the period and descriptions of many more Black films are included in the second edition. A new chapter discusses the first black images in American film as portrayed by Whites in blackface. The list of film titles from both the sound and the silent periods, including members of the cast, has been greatly expanded. With an extensive list of Black musical "soundies;" full index; and many new and rare photographs.

While many of the most significant black intellectual movements of the second half of the twentieth century have been perceived as secular, Josef Sorett demonstrates in this book that religion was actually a fertile, fluid and formidable force within these movements. Spirit in the Dark examines how African American literary visions were animated and organized by religion and spirituality, from the New Negro Renaissance of the 1920s to the Black Arts movement of the 1960s.

From the highly acclaimed author of "The Preservationist" and "Fallen" comes another unique and astonishing biblical retelling.

Comprehensive collection of one of the beloved African-American poet's works includes "Ode to Ethiopia," "Not They Who Soar," "When Malindy Sings," "We Wear the Mask, "Dinah Kneading Dough," "The Haunted Oak," more.

The Harlem Renaissance, the period associated with the flowering of the arts in Harlem, inaugurated a tradition of African American children's literature, for the movement's central writers made youth both their subject and audience. W.E.B. Du Bois, Carter G. Woodson, Langston Hughes, Alice Dunbar-Nelson, and other Harlem Renaissance figures took an impassioned interest in the literary models offered to children, believing that the "New Negro" would ultimately arise from black youth. As a result, African American children's literature became a crucial medium through which a disparate community forged bonds of cultural, economic, and aesthetic solidarity. Kate Capshaw Smith explores the period's vigorous exchange about the nature and identity of black childhood and uncovers the networks of African American philosophers, community activists, schoolteachers, and literary artists who worked together to transmit black history and culture to the next generation.

The historic election of Barack Obama to the presidency of the United States had a significant impact on both America and the world at large. By voting an African American into the highest office, those who elected Obama did not necessarily look past race, but rather didn’t let race prevent them for casting their ballots in his favor. In addition to reflecting the changing political climate, Obama’s presidency also spurred a cultural shift, notably in music, television, and film. In Movies in the Age of Obama: The Era of Post-Racial and Neo-Racist Cinema, David Garrett Izzo presents a varied collection of essays that examine films produced since the 2008 election. The contributors to these essays comment on a number of films in which race and “otherness” are pivotal elements. In addition to discussing such films as Beasts of the Southern Wild, Black Dynamite, The Blind Side, The Butler, Django Unchained, The Help, and Invictus, this collection also includes essays that probe racial elements in The Great Gatsby, The Hunger Games, and The Mist. The volume concludes with several essays that examine the 2013 Academy Award winner for best picture, 12 Years a Slave. Though Obama’s election may have been the main impetus for a resurgence of black films, this development is a bit more complicated. Moviemakers have long responded to the changing times, so it is inevitable that the Obama presidency would spark an increase in films that comment, either subtly or overtly, on the current cultural climate. By looking at the issue these films address, Movies in the Age of Obama will be of value to film scholars, of course, but also to those interested in other disciplines, including history, politics, and cultural studies.

"This book provides a historical reconstruction of a famous trial in the antebellum American South in which the Bible was invoked alternatively by the prosecution and the defense as both a pro- and antislavery text"--

Pax Samson: The Cookout is the first volume in a new action-packed, fantasy trilogy that depicts a world struggling to find peace in the midst of threats, and a young superhero chef torn between following his passion and following in his family’s footsteps. When it comes to the kitchen, no one knows cooking better than twelve-year-old Pax Samson. He’s a hero when it comes to testing recipes and supplying copious amounts of Dragon Noodle Soup at his family’s cookouts. It’s tough being a master chef, though, when the rest of his family are world-famous superheroes, and they expect Pax to take up the beacon to keep the world safe with his telekinetic powers. Pax's home planet of Soltellus is home to all walks of life, including humans, gods, as well as elves, orcs, dragons, sprites and other fantasy races known as the “Enchanted” all living in a modern society similar to our own. Among them is the Samson family, led by the fearless and mighty Grandma Samson, the greatest superhero to ever live and the person responsible for always saving Soltellus when trouble strikes. She’s been doing it for hundreds of years, but she’s ready for the younger generation of Samsons, including Pax, to step up. When the mad god Odin, long-time enemy to the Enchanted race and arch-rival to Grandma, resurfaces in another attempt to regain power, Pax will attempt to put his training into practice, but ends up just making things worse. Tempted to hang up the superhero cape and stick to the kitchen, Pax faces the toughest decision yet when a legendary savior of the Enchanted people arrives, along with a startling discovery that there might be parts of the Soltellus history that are wrong. Pax, determined to protect his family and friends, will do everything he can to stop the new threats set on disrupting the peace between humans and the Enchanted.