DIVProvides new insight into the development of black nationalism by examining the intersection of African-American and West Indian nationalist literatures./div

In Modern Black Nationalism, William L. Van Deburg has collected the most influential speeches, pamphlets, and articles that trace the development of black nationalism in the twentieth century. This documentary anthology seeks to chart a course between hazardous pedagogical alternatives - neither ignoring nor overstating the case for any one of the various manifestations of black nationalism. Modern Black Nationalism begins with Marcus Garvey, the acknowledged father of the twentieth-century movement, and showcases the work of more than forty prominent thinkers including Louis Farrakhan, Elijah Muhammad, Maulana Karenga, the founder of Kwanzaa, Amiri Baraka, and Molefi Asante. Rare pamphlets distributed by organizations such as the Black Panther Party, articles from underground magazines, and memos from governmental officials offer a fresh look at the roots and the manifestations of this movement. Van Deburg contextualizes each of the essays, providing the reader with in-depth historical background.

"[This book] examine[s] how black nationalist women engaged in national and global politics from the early twentieth century to the 1960's"--Amazon.com.

Nationalism in the New World brings together work by scholars from the United States, Canada, Latin America, and Europe to discuss the common problem of how the nations of the Americas grappled with the basic questions of nationalism: Who are we? How do we imagine ourselves as a nation? Debates over the origins and meanings of nationalism have emerged at the forefront of the humanities and social sciences over the past two decades. However, these discussions have been mostly about nations in Europe, the Middle East, Asia, or Africa. In addition, their focus is usually on the violence spawned by ethnic and religious strains of nationalism, which have been largely absent in the Americas. The contributors to this volume "Americanize" the conversation on nationalism. They ask how the countries of the Americas fit into the larger world of nations and in what ways they present distinctive forms of nationhood. Such questions are particularly important because, as the editors write, "the American nations that came into being in the wake of revolutions that shook the Atlantic world beginning in 1776 provided models of what the modern world might become." American nations were among the first nation-states to emerge on the world stage. As former colonies with multiethnic populations, American nations could not logically rest their claim to nationhood on ancient bonds of blood and history. Out of a world of empires and colonies the independent states of the Americas forged new nations based on a varied mix of modern civic ideals instead of primordial myths, on ethnic and religious diversity instead of common descent, and on future hopes rather than ancient roots.

Classical Black Nationalism traces the evolution of black nationalist thought through several phases, from its "proto-nationalistic" phase in the late 1700s through a hiatus in the 1830s, through its flourishing in the 1850s, its eventual eclipse in the 1870s, and its resurgence in the Garvey movement of the 1920s. Moses incorporates a wide range of black nationalist perspectives, including African American capitalists Paul Cuffe and James Forten, Robert Alexander Young from his "Ethiopian Manifesto", and more well-known voices such as those of Marcus Garvey, W. E. B. Du Bois, and others.

Revisits the arguments supporting separate black statehood from the mid-nineteenth century to the present.

During the late 1960s and early 1970s, the Black Power movement provided the dominant ideological framework through which many young, poor, and middle-class blacks made sense of their lives and articulated a political vision for their futures. The legacy of the movement is still very much with us today in the various strands of black nationalism that originated from it; we witnessed its power in the 1995 Million Man March, and we see its more ambiguous effects in the persistent antagonisms among former participants in the civil rights coalition. Yet despite the importance of the Black Power movement, very few in-depth, balanced treatments of it exist. Is It Nation Time? gathers new and classic essays on the Black Power movement and its legacy by renowned thinkers who deal rigorously and unsentimentally with such issues as the commodification of blackness, the piety of cultural recovery, and class tensions within the movement. For anyone who wants to understand the roots of the complex political and cultural desires of contemporary black America, this will be an essential collection. Contributors: Eddie S. Glaude Jr. Farah Jasmine Griffin Phillip Brian Harper Gerald Horne Robin D. G. Kelley Wahneema Lubiano Adolph Reed Jr. Jeffrey Stout Will Walker S. Craig Watkins Cornel West E. Francis White

From nineteenth-century black nationalist writer Martin Delany through the rise of Jim Crow, the 1937 riots in Trinidad, and the achievement of Independence in the West Indies, up to the present era of globalization, Black Nationalism in the New World explores the paths taken by black nationalism in the United States and the Caribbean. Bringing to bear a comparative, diasporic perspective, Robert Carr examines the complex roles race, gender, sexuality, and history have played in the formation of black national identities in the U. S. and Caribbean—particularly in Jamaica, Trinidad, and Guyana—over the past two centuries. He shows how nationalism begins as an impulse emanating "upwards" from the bottom of the social and economic spectrum and discusses the implications of this phenomenon for understanding democracy and nationalism. Black Nationalism in the New World combines geography, political economy, and subaltern studies in readings of noncanonical literary works, which in turn illuminate debates over African-American and West Indian culture, identity, and politics. In addition to Martin Delany’s Blake, or the Huts of America, Carr focuses on Pauline Hopkins’s Contending Forces; Crown Jewel, R. A. C. de Boissière’s novel of the Trinidadian revolt against British rule; Wilson Harris’s Guyana Quartet; the writings of the Oakland Black Panthers—particularly Huey Newton, Bobby Seale, and Eldridge Cleaver; the gay novella Just Being Guys Together; and Lionheart Gal, a collection of patois testimonials assembled by Sistren, a radical Jamaican women’s theater group active in the ‘80s. With its comparative approach, broad historical sweep, and use of texts not well known in the United States, Black Nationalism in the New World extends the work of such theorists as Homi Bhabha, Paul Gilroy, and Nell Irwin Painter. It will be necessary reading for those interested in African American studies, Caribbean studies, cultural studies, women’s studies, and American studies.