"Black Mutiny" is the historical retelling of one of our nation's most dramatic national crises. It is one among many historical sources used in the development of the new motion picture "Amistad." Written as a novel in 1953 by William A. Owens, this is one historian's view of the Amistad mutiny. Based on U.S. government documents, court records, official and personal correspondence, diaries, and newspaper accounts, it tells the true story of 53 illegally enslaved Africans who revolted against their captors. After the Amistad was intercepted and seized by the United States Navy, the imprisoned Africans were forced to stand trial for mutiny and murder in a case that reached the Supreme Court. With its impassioned plea for freedom for all people, "Black Mutiny" brilliantly recreates a critical moment in America's racial history more than twenty years before the Civil War and the Emancipation Proclamation. It is a rousing and unforgettable story of oppression, justice, and the precious cost of human dignity.

The dramatic story of a mutiny aboard an eighteenth-century British ship and how its owners effectively rallied the power of the British Crown to protect their investment and expand their wealth and political power across multiple generations. In 1768, the British slave ship Black Prince, departed the port of Bristol, bound for West Africa. It never arrived. Before reaching Old Calabar, the crew mutinied, murdering the captain and his officers. The mutineers renamed the ship Liberty, elected new officers, and set out for Brazil. By the time the ship arrived there, the crew had disintegrated into a violent mob and fired into the port city. After the Black Prince wrecked off the coast of Hispaniola, the rebels fled to outposts around the Atlantic world. An eight-year manhunt ensued. This book follows the crew's turn to piracy and the merchant-owners' response to the uprising. At the very moment that the American Revolution unfolded in North America, the Black Prince's owners conducted a "shadow" revolution, mobilizing the power of the British Crown to seek justice and restitution on their behalf. These private merchants used state surveillance, policing, extradition, capital punishment, international diplomacy, and even warfare in order to protect their wealth. During an era of professed liberty and freedom, the privatization of state power was already emerging, replacing monarchies with corporate oligarchies, presaging a new kind of political power in the Atlantic world. The eighteenth-century Bristol slave merchants and subsequent generations of their families accrued great fortunes from the trade and invested it in early British banks, railroads, insurance companies, industrial manufacturing, and even the Anglican Church. Mutiny on the Black Prince narrates the dramatic story of the events onboard and the merchant owners' efforts to capture the rebels from around the Atlantic world, as well as the way that British slavery shaped the industrializing Atlantic economy and the evolution of the modern corporate state.

Salado Creek, Texas, 1918: Thirteen black soldiers stood at attention in front of gallows erected specifically for their hanging. They had been convicted of participating in one of America’s most infamous black uprisings, the Camp Logan Mutiny, otherwise known as the 1917 Houston Riots. The revolt and ensuing riots were carried out by men of the 3rd Battalion of the all-black 24th U.S. Infantry Regiment—the famed Buffalo Soldiers—after members of the Houston Police Department violently menaced them and citizens of the local black community. It all took place over one single bloody night. In the wake of the uprising, scores lay dead, including bystanders, police, and soldiers. This incident remains one of Texas’ most complicated and misrepresented historical events. It shook race relations in Houston and created conditions that sparked a nationwide surge of racial activism. In the aftermath of the carnage, what was considered the “trial of the century” ensued. Even for its time, its profundity and racial significance rivals that of the O.J. Simpson trial eight decades later. The courts-martial resulted in the hanging of over a dozen black soldiers, eliciting memories of slave rebellions. But was justice served? New evidence from declassified historical archives indicates that the courts-martial were rushed in an attempt to placate an angered white population as well as military brass. Mutiny of Rage sheds new light on a suppressed chapter in U.S. history. It also sets the legal record straight on what really happened, all while situating events in the larger context of race relations in America, from Nat Turner to George Floyd.

This volume presents the first full-scale treatment of the only instance in history where African blacks, seized by slave dealers, won their freedom and returned home. Jones describes how, in 1839, Joseph Cinqué led a revolt on the Spanish slave ship, the Amistad, in the Caribbean. The seizure of the ship by an American naval vessel near Montauk, Long Island, the arrest of the Africans in Connecticut, and the Spanish protest against the violation of their property rights created an international controversy. The Amistad affair united Lewis Tappan and other abolitionists who put the "law of nature" on trial in the United States by their refusal to accept a legal system that claimed to dispense justice while permitting artificial distinctions based on race or color. The mutiny resulted in a trial before the U.S. Supreme Court that pitted former President John Quincy Adams against the federal government. Jones vividly recaptures this compelling drama--the most famous slavery case before Dred Scott--that climaxed in the court's ruling to free the captives and allow them to return to Africa.

Describes the fifty black sailors who refused to work in unsafe and unfair conditions after an explosion in Port Chicago killed 320 servicemen, and how the incident influenced civil rights.

During World War II, Port Chicago was a segregated naval munitions base on the outer shores of San Francisco Bay. Black seamen were required to load ammunition onto ships bound for the South Pacific under the watch of their white officers--an incredibly dangerous and physically challenging task. On July 17, 1944, an explosion rocked the base, killing 320 men--202 of whom were black ammunition loaders. In the ensuing weeks, white officers were given leave time and commended for heroic efforts, whereas 328 of the surviving black enlistees were sent to load ammunition on another ship. When they refused, fifty men were singled out and charged--and convicted--of mutiny. It was the largest mutiny trial in U.S. naval history. First published in 1989, The Port Chicago Mutiny is a thorough and riveting work of civil rights literature, and with a new preface and epilogue by the author emphasize the event's relevance today.

Winner of the 2022 American Book Award Finalist for the PEN/Voelcker Award for Poetry Longlisted for the PEN/Jean Stein Book Award Finalist for Publishing Triangle’s Thom Gunn Award for Gay Poetry Named one of the Best Books of 2021 by The Boston Globe and Lit Hub From the critically acclaimed author of Thief in the Interior who writes with "a lucid, unmitigated humanity" (Boston Review), a startling new collection about revolt and renewal Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy. With a ferocity that belies the tenderness and vulnerability at the heart of this remarkable collection, Williams honors the transformative power of anger, and the clarity that comes from allowing that anger to burn clean.

For several years, the armies of Napoleon III deployed some 450 Muslim Sudanese slave soldiers in Veracruz, the port of Mexico City. As in the other case of Western hemisphere military slavery (the West India Regiments, a British unit in existence 1795-1815), the Sudanese were imported from Africa in the hopes that they would better survive the tropical diseases that so terribly afflicted European soldiers. In both cases, the Africans did indeed fulfill these expectations. The mixture of cultures embodied by this event has piqued the interest of several historians, so it is by no means unknown. Hill and Hogg provide a particularly thorough account of this exotic interlude, explaining its background, looking in detail at the battle record in Mexico, and figuring out who exactly made up the battalion. Much in their account is odd and interesting, for example, the Sudanese superiority to Austrian troops and their festive nine-day spree in Paris on the emperor's tab. The authors also assess the episode's longer-term impact on the Sudan, showing that the veterans of Mexico, having learnt much from their extended exposure to French military practices, rose quickly in the ranks, then taught these methods to others.

"Finally, the most detailed research to date of the 1816 slave rebellion and its impact upon the emancipation debate is presented, which suggests that Barbadian slaves, like their counterparts in Demerara and Jamaica who rebelled in 1823 and 1831 respectively, were saying to their owners and the Imperial government, you will either grant us our freedom by law or force us to make it by war. This work is a polemical account of the changing relationships between maturing black radical consciousness and white power in Barbados during the slavery period. It goes a long way towards assisting the process of decolonising the island's general Eurocentric historiography"--Back cover

"Explores the mutiny aboard the Amistad, including the slave revolt onboard, the trial of the slaves in U.S. courts, the appeal to the Supreme Court, and the inspiration for the movie, Amistad"--Provided by publisher.