Brown Gold is a compelling history and analysis of African-American children's picturebooks from the mid-nineteenth century to the present. At the turn of the nineteenth century, good children's books about black life were hard to find — if, indeed, young black readers and their parents could even gain entry into the bookstores and libraries. But today, in the "Golden Age" of African-American children's picturebooks, one can find a wealth of titles ranging from Happy to be Nappy to Black is Brown is Tan. In this book, Michelle Martin explores how the genre has evolved from problematic early works such as Epaminondas that were rooted in minstrelsy and stereotype, through the civil rights movement, and onward to contemporary celebrations of blackness. She demonstrates the cultural importance of contemporary favorites through keen historical analysis — scrutinizing the longevity and proliferation of the Coontown series and Ten Little Niggers books, for example — that makes clear how few picturebooks existed in which black children could see themselves and their people positively represented even up until the 1960s. Martin also explores how children's authors and illustrators have addressed major issues in black life and history including racism, the civil rights movement, black feminism, major historical figures, religion, and slavery. Brown Gold adds new depth to the reader's understanding of African-American literature and culture, and illuminates how the round, dynamic characters in these children's novels, novellas, and picturebooks can put a face on the past, a face with which many contemporary readers can identify.

Brown-skinned momma, the color of chocolate milk and coffee pumpkin pie, whose face gets ginger red when she puffs and yells the children into bed. White-skinned daddy, not white like milk or snow, lighter than brown, With pinks and tiny tans, whose face gets tomato red when he puffs and yells their children into bed. Children who are all the colors of the race, growing up happy in a house full of love. This is the way it is for them; this is the way they are, but the joy they feel extends to every reader of this book. Black is brown is tan is a story poem about being, a beautiful true song about a family delighting in each other and in the good things of the earth.

A USA Today Hottest Book of the Summer for 2019! A Best Nonfiction Book for 2019 in Woman's Day! One of Hello Giggles's "Most Anticipated Books of 2019 to Add to Your Reading List"! “Just when I thought I knew everything about Tan, he hits me with this. His story is so heartwarming, and wickedly funny.” —Antoni Porowski In this heartfelt, funny, and touching memoir, one of the stars of Netflix’s Emmy Award-winning smash-hit Queer Eye reveals how an Englishman raised in a traditionally religious home became a fashion icon—and the first openly gay, South Asian man on television—simply by being Naturally Tan. In this heartfelt, funny, touching memoir, Tan France tells his origin story for the first time. With his trademark wit, humor, and radical compassion, Tan reveals what it was like to grow up gay in a traditional South Asian family, as one of the few people of color in South Yorkshire, England. He illuminates his winding journey of coming of age, finding his voice (and style!), and marrying the love of his life—a Mormon cowboy from Salt Lake City. From one of the stars of Netflix’s runaway hit show Queer Eye, Naturally Tan is so much more than fashion dos and don’ts—though of course Tan can’t resist steering everyone away from bootcut jeans! Full of candid observations about U.S. and U.K. cultural differences, what he sees when you slide into his DMs, celebrity encounters, and the behind-the-scenes realities of “reality TV,” Naturally Tan gives us Tan’s unique perspective on the happiness to be found in being yourself. In Tan's own words, “The book is meant to spread joy, personal acceptance, and most of all understanding. Each of us is living our own private journey, and the more we know about each other, the healthier and happier the world will be.”

Poems in celebration of brown skin color.

Creating the first truly global Bible for children of all nationalities, Desmond Tutu retells more than fifty of his most beloved Bible stories in Children of God Storybook Bible. Many of the finest artists from around the world—such as Jago, E.B. Lewis, Javaka Steptoe, and Xiao Xin—have illustrated these favorite Bible stories from Desmond Tutu, connecting Scripture with the multitude of ethnicities across the globe. The Children of God Storybook Bible: Is perfect for readers ages 4 to 8 Shows how God works through history, ending each biblical story with a short prayer, personalizing the message for each reader’s own life Features Archbishop Desmond Tutu retelling 50 of his most beloved Bible stories Is perfect for thoughtful gifting at birthdays, Christmas, baptisms, or anytime. Through the stunning illustrations and Tutu’s delightful words, readers will experience the Bible stories as if they were there, with Adam and Eve in the garden, with Noah on the ark, with Abraham in the desert, and with Jesus on the mountaintop.

The first handbook on navigating the exciting, tricky, and potentially disastrous terrain of interracial relationships, with testimony and expert tips on how to make the bumpy ride a bit smoother. The first handbook on navigating the exciting, tricky, and potentially disastrous terrain of interracial relationships, with testimony and expert tips on how to make the bumpy ride a bit smoother.

If we want to understand contemporary American culture wars, we must first come to grips with the culture wars of the nineteenth century. Many current social evils can be explained by our nation's failure to remove slavery in a biblical way. But who is qualified to talk about such things? What is a biblical view of racism? And why do the Christian answers to such questions so infuriate the radical left and the radical right? This collection of essays lays out some of the answers from a view unafraid of historic biblical orthodoxy.

Through poems and poetic prose pieces, acclaimed children's author Arnold Adoff celebrates that uniquely American form of music called the blues. In his signature “shaped speech” style, he creates a narrative of moments and joyous music, from the drums of the ancestors, the red dirt of the plantations, the current of the mighty Mississippi, and the shackles, blood, and tears of slavery. Each chop of the ax is a beat, each lash of the whip fashions another line on the musical staff. But each sound also creates the chords and harmonies that preserve the ancestors and their stories, and sustain life, faith, and hope into our own times.

"Adoff addresses his poetry to modern, urban teens in a gritty, hip-hop style. He manages to create poetry from the universal concerns of love and loneliness, the specific teen concerns of acne and braces, and unpleasant realities like selling and taking drugs."--Booklist. "Telling, recognizable, and readable....Intriguing."--Bulletin of the Center for Children's Books.

A Jar of Tiny Stars is one of the most popular poetry books from WordSong. This new edition is now expanded and includes the work of the latest five winners of the National Council of Teachers of English Award for Poetry for Children. By turns silly and wise, playful and thought-provoking, the poems in this collection were chosen by young readers as their favorites among those written by NCTE Award winners. New to this collection are works from Eloise Greenfield, Nikki Grimes, Mary Ann Hoberman, Lee Bennett Hopkins, and X. J. Kennedy. Rounding out the collection are poems by Arnold Adoff, John Ciardi, Barbara Esbensen, Aileen Fisher, Karla Kuskin, Myra Cohn Livingston, David McCord, Eve Merriam, Lilian Moore, and Valerie Worth.