FIRST IN A NEW SERIES! “There will be times, girl, when all your magic ain’t going to be enough, times when it will seem to dry up like mud under the noonday sun, or even make matters worse. . . .” Kallie Rivière, a fiery Cajun hoodoo apprentice with a talent for trouble, finds herself smack-dab in the middle of one of those times her mentor warned her about when she visits New Orleans to attend the Hecatean Alliance’s annual carnival: her hard-bodied conjurer hookup ends up dead in her blood-drenched bed. And he was killed by something that Kallie would never dream of touching—the darkest of dark juju, soul-eating juju—a black dust hex that may have been meant to kill her. Now Kallie has to use every bit of hoodoo knowledge and bayou-bred mojo she possesses to clear her own name and find the killer—even as that dark sorcerer hunts Kallie and her friends. But Kallie’s search for the truth soon leads her in a direction she never anticipated—back home to Bayou Cyprés Noir, and to Gabrielle LaRue, Kallie’s aunt, protector, and hoodoo mentor . . . who is looking more and more like she just might be the one who wants Kallie dead.

HIS NAME IS DANTE. Dark. Talented. Beautiful. Star of the rock band Inferno. Rumored owner of the hot New Orleans nightspot Club Hell. Born of the Blood, then broken by an evil beyond imagination. HIS PAST IS A MYSTERY. F.B.I. Special Agent Heather Wallace has been tracking a sadistic serial murderer known as the Cross Country Killer, and the trail has led her to New Orleans, Club Hell, and Dante. But the dangerously attractive musician not only resists her investigation, he claims to be "nightkind": in other words, a vampire. Digging into his past for answers reveals little. A juvenile record a mile long. No social security number. No known birth date. In and out of foster homes for most of his life before being taken in by a man named Lucien DeNoir, who appears to guard mysteries of his own. HIS FUTURE IS CHAOS. What Heather does know about Dante is that something links him to the killer -- and she's pretty sure that link makes him the CCK's next target. Heather must unravel the truth about this sensual, complicated, vulnerable young man -- who, she begins to believe, may indeed be a vampire -- in order to finally bring a killer to justice. But Dante's past holds a shocking, dangerous secret, and once it is revealed not even Heather will be able to protect him from his destiny....

CHAOS CONTROLS HIS FUTURE. ONE MORTAL WOMAN COULD BE HIS SALVATION. THE COUNTDOWN TO ANNIHILATION WILL BEGIN WITH DANTE'S CHOICE.... THE FATE OF THREE WORLDS... The dark pieces of vampire rock star Dante Baptiste's past are violently emerging, and it is only a matter of time before the Fallen discover he is the creawdwr they have sought for thousands of years. The destruction he left behind in Oregon threatens to reveal his identity as Fallen Maker and True Blood, exposing the young nightkind to shadowy predators -- mortal and supernatural -- who will do whatever it takes to win his favor...or destroy him. RESTS IN DANTE'S HANDS. When beautiful FBI special agent Heather Wallace went AWOL on assignment, she chose irresistible Dante over the shady government forces that now stalk them both. Heather has her own secrets of the past to uncover, but she is also the only one who can hold her nightkind lover together when his dangerous quest for the truth threatens to send him over the edge. And as she and Dante fi ght for their survival, she realizes they must work together to protect their future -- before his mysterious destiny tears them apart....

“An eye for an eye is never enough.” Kallie Rivière, a Cajun hoodoo apprentice with a bent for trouble, learned the meaning of those ominous words when hoodoo bogeyman Doctor Heron targeted her family for revenge. Now, while searching for her still-missing bayou pirate cousin, Kallie finds out the hard way that someone is undoing powerful gris gris, which means that working magic has become as unpredictable as rolling a handful of dice. The wards woven to protect the Gulf coast are unraveling, leaving New Orleans and the surrounding bayous vulnerable just as an unnatural storm—the deadliest in a century—is born. As the hurricane powers toward the heart of all she loves, Kallie desperately searches for the cause of the disturbing randomness, only to learn a deeply unsettling truth: the culprit may be herself. To protect her family and friends, including the sexy nomad Layne Vallin, Kallie steps into the jaws of danger . . . and finds a loup garou designed to steal her heart—literally.

Mucho Mojo is the basis for the second season of the new Sundance TV series Hap and Leonard. Hap and Leonard return in this incredible, mad-dash thriller, loaded with crack addicts, a serial killer, and a body count. Leonard is still nursing the injuries he sustained in the duo's last wild undertaking when he learns that his Uncle Chester has passed. Hap is of course going to be there for his best friend, and when the two are cleaning up Uncle Chester's dilapidated house, they uncover a dark little secret beneath the house's rotting floor boards—a small skeleton buried in a trunk. Hap wants to call the police. Leonard, being a black man in east Texas, persuades him this is not a good idea, and together they set out to clear Chester's name on their own. The only things standing in their way is a houseful of felons, a vicious killer, and possibly themselves.

In this groundbreaking book that places Rootwork in its rightful spot among other magickal traditions, Tayannah Lee McQuillar offers a fun and practical guide to improving your life with the help of African American folk magick. Rootwork begins with the basics, from explanations about the magickal powers of the four elements (air, earth, fire, and water) to instructions on creating talismans, charms, and mojo bags. Also included are spells to help you: find your soul mate spice up your sex life get a new job improve your health discover your inner muse Accessible and easy to use, Rootwork offers the insights of a time-honored tradition as a means of self-empowerment and spiritual growth.

In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.

The second novel in a unique and action-packed urban fantasy series from the acclaimed author of the Morgan Kingsley series! An ancient evil is unleashed in the modern world— unless one fearless P.I. can hunt it down. . . . Nikki Glass, Immortal Huntress, returns in this new novel in the acclaimed series by Jenna Black. As a living descendant of Artemis the Huntress, private investigator Nikki Glass knows how to track someone down. But when an Oracle shows up, warning the Descendants about wild dog attacks in Washington, D.C., Nikki is afraid it might be a trap. The Olympians believe the “dogs” are really jackals, controlled by a blood-crazed descendant of the Egyptian death-god Anubis. Whatever. . . . If Nikki hopes to muzzle Dogboy, she’s got to catch him in the act. But when she stakes out a local cemetery, she ends up face-to-snout with a snarling pack of shadow-jackals whose bite is worse than their bark. These hellhounds are deadly—even for an immortal like Nikki. “Dog” spelled backward may be “god,” but that won’t stop Nikki from teaching these old gods some new tricks. Like playing dead.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

New York City’s desegregated Palladium Ballroom springs to life with a diverse 1940s cast in this jazzy picture-book tribute to the history of mambo and Latin jazz. Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together . . . until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips. Then the Palladium Ballroom issued a bold challenge to segregation and threw open its doors to all. Illustrated with verve and told through real-life characters who feature in an afterword, ¡Mambo Mucho Mambo! portrays the power of music and dance to transcend racial, religious, and ethnic boundaries.