From the days of ancient Egypt into the times of classical Greece the black people of Africa have been seen as divine and endowed with supernatural gifts and powers that separate them from other peoples. Their system of cleanliness, worship, ritual, family, education and organization, even though still tribal, allowed for huge advances in science, art and mysticism. However, due to a long succession of invasions, manipulations, captivity, slavery and colonization many of their ancient customs have been lost or corrupted and their simplicity exploited and interpreted as primitive. Within the course of time many new Afro-centric groups and organizations in the West sought to recapture some of the authentic African spirit behind the ancient cultures in an attempt to piece together the ancient African system that was lost. Among these groups arose the ever influential Nation of Islam. To their already fringe opinions and outlook was added the Nation of Gods and Earths as a fringe of the fringe. Taking the process all the more further is the godbody, or the street section of the Nation of Gods and Earths. Their outlook, style and operation is completely centred on that which could be called the godhood of the black man, or black divinity. This work exposes the intricate beauty and complexity of their street culture to allow those outside to see that those in the United States street culture actually do have a very respectable, while yet Afro-centric doctrinal system (including a sociology, pneumatology, eschatology, ethnology, anthropology, soteriology and ecclesiology) and how to apply it to the real world. It is also an attempt to fulfil the mission of the early Afro-centric movements and resurrect an Afro-chic culture that connects black people the world over with the souls of our ancient ancestors.

"The introduction to this edition by Cornel West was originally published in Dwight N. Hopkins, ed., Black Faith and Public Talk: Critical Essays on James H. Cone's Black Theology & Black Power (Maryknoll, NY: Orbis Books, 1999; reprinted 2007 by Baylor University Press)."

A revealing look at the identity and mission of the Black church What is the true nature and mission of the church? Is its proper Christian purpose to save souls, or to transform the social order? This question is especially fraught when the church is one built by an enslaved people and formed, from its beginning, at the center of an oppressed community’s fight for personhood and freedom. Such is the central tension in the identity and mission of the Black church in the United States. For decades the Black church and Black theology have held each other at arm’s length. Black theology has emphasized the role of Christian faith in addressing racism and other forms of oppression, arguing that Jesus urged his disciples to seek the freedom of all peoples. Meanwhile, the Black church, even when focused on social concerns, has often emphasized personal piety rather than social protest. With the rising influence of white evangelicalism, biblical fundamentalism, and the prosperity gospel, the divide has become even more pronounced. In The Divided Mind of the Black Church, Raphael G. Warnock, Senior Pastor of the historic Ebenezer Baptist Church, the spiritual home of the Rev. Dr. Martin Luther King, Jr., traces the historical significance of the rise and development of Black theology as an important conversation partner for the Black church. Calling for honest dialogue between Black and womanist theologians and Black pastors, this fresh theological treatment demands a new look at the church’s essential mission.

Frederick L. Ware provides a classification and criticism of methodological perspectives in the academic study, interpretation, and construction of black theology in the U.S. from 1969 to the present, and establishes and recognizes three different schools of academic black theology: The Black Hermeneutical School The Black Philosophical School The Human Sciences School Similarities and differences are delineated in the identification of each school's representative thinkers and their views on the tasks, content, sources, norm, method, and goals of black theology.

When the beliefs of Barack Obama's former pastor, Rev. Jeremiah Wright, assumed the spotlight during the 2008 presidential campaign, the influence of black liberation theology became hotly debated not just within theological circles but across cultural lines. How many of today's African-American congregations-and how many Americans in general-have been shaped by its view of blacks as perpetual victims of white oppression? In this interdisciplinary, biblical critique of the black experience in America, Anthony Bradley introduces audiences to black liberation theology and its spiritual and social impact. He starts with James Cone's proposition that the "victim" mind-set is inherent within black consciousness. Bradley then explores how such biblical misinterpretation has historically hindered black churches in addressing the diverse issues of their communities and prevented adherents from experiencing the freedoms of the gospel. Yet Liberating Black Theology does more than consider the ramifications of this belief system; it suggests an alternate approach to the black experience that can truly liberate all Christ-followers.

Exploring the concept of church as refuge, offers a way to bridge the gap between black theology, with its social and political concerns, and black churches, with their emphases on pastoral care and piety.

—What is black theology? —What can black theology teach the evangelical church? —What is the future of black theology? These are the questions Bruce Fields addresses in Introducing Black Theology. Defining black theology as a theology of liberation offers insights into the history, future, and nature of black theology. Black theology developed in response to widespread racism and bigotry in the Christian church and seeks to understand the social and historical experiences of African Americans in light of their Christian confession. Fields discusses sources, hermeneutics, and implications of black theology and reflects upon the function and responsibilities of black theologians. This concise, accessible introduction to black theology draws upon history, hermeneutics, culture, and scripture and will create a dialogue of respect and reconciliation between blacks and whites within the evangelical church.

A book that reviews the principles of modern Black Theology, its roots and contributions to the Christian world. It also discusses what challenges Black theologians face in their minister and their religious communities.

Kornegay's brilliant and insightful use of James Baldwin's literary genius offers a way forward that promises to overcome the divide between religion and sexuality that is of crucial importance not only for black church and theology but for socio-political-religious and theological discourse generally.

A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.