The culmination of a four year project documenting everyday life in the region known as the 'Black Country'.

When members of a prominent coal-mining family go missing, Scotland Yard's Murder Squad teammates Inspector Walter Day and Sergeant Nevil Hammersmith investigate dark secrets and realize that the family's village is slowly sinking into underground mines.

The tension of Gone Girl crossed with the weird darkness of The Cement Garden

David Marr is the rarest of breeds: one of Australia’s most unflinching, forensic reporters of political controversy, and one of its most subtle and eloquent biographers. In Marr’s hands, those things we call reportage and commentary are elevated to artful and illuminating chronicles of our time. My Country collects his powerful reflections on religion, sex, censorship and the law; striking accounts of leaders, moralists and scandalmongers; elegant ruminations on the arts and the lives of artists. And some memorable new pieces. ‘My country is the subject that interests me most and I have spent my career trying to untangle it’s mysteries.’ –David Marr.

An illustrated history of one of Britain's most fascinating regions - the Black Country in the West Midlands. Using photographs taken from the unique Historic England Archive.

Did You Know? Butcher Keith Boxley of Wombourne made the longest continuous sausage in 1988. It was 21.12km in length! The first general strike in the Black Country took place in 1842. The widespread public unrest was regarded nationally as the first ever general strike. Hell Lane in Sedgley was described as the 'most unruly place' in the Black Country. A woman who lived in the lane was said to have been a witch and could turn herself into a white rabbit to spy on her neighbours. The Little Book of the Black Country is a funny, fact-packed compendium of frivolous, fantastic, and simply strange information. Here we find out about the region's most unusual crimes and punishments, eccentric inhabitants, quirky history, famous figures and literally hundreds of wacky facts. From royal visits and local celebrities, to the riotous Wednesbury protests and a particularly notorious reverend, this is a myriad of data on the Black Country, gathered together by author and local historian Michael Pearson. A handy reference and quirky guide, this engaging little book can be dipped into time and again to reveal something you never knew, making it essential reading for visitors and locals alike.

From Banks’s brewery’s yeasty stink to groaty pudding to spicy curry, Sebastian Groes and R. M. Francis have assembled a new literary history of the smells and (childhood) memories that belong to the Black Country. This often overlooked region of the United Kingdom at the frontlines of post-industrial upheaval is a veritable treasure trove for studying the relationship between olfaction and place-specific memory. Smell, Memory, and Literature in the Black Country is an interdisciplinary exploration of the relationship between smell and memory in which the contributions consider both personal and communal memory. Drawing on psychology, neuroscience, memory studies, literary studies and philosophy, the critical essays reconsider psychogeography through cutting-edge sensory and philosophical engagements with physical space, smell, language and human behaviour. The creative contributions from writers including Liz Berry, Narinder Dhami, Anthony Cartwright, and Kerry Hadley-Pryce meditate on the senses, place, and identity. Not only does this book illustrate the rich cultural heritage of the Black Country, it will also appeal to those interested in place writing. The book is prefaced by Will Self.

An unforgettable collection of fairy tales for grownups—from the Booker Prize-winning author of Possession. • “A delight.... provoking and alarming, richly yet tautly rendered.... [She] has the sheer narrative skill to raise the hairs on the back of your neck and make your pulse race.” —The New York Times Book Review Like Hans Christian Andersen and the Brothers Grimm, Isak Dinesen and Angela Carter, A. S. Byatt knows that fairy tales are for adults. And in this ravishing collection she breathes new life into the form. Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft.