For the first time, the remarkable story that inspired Robert Louis Stevenson's "Kidnapped." Award-winning author Ekrich recounts an extraordinary family drama of betrayal and loss--but also of resilience, survival, and redemption.

The astonishing story that inspired Robert Louis Stevenson’s classic novel Kidnapped. In 1728, in the wake of his father’s death, the twelve-year-old heir to five aristocratic titles and the scion of Ireland’s mighty house of Annesley was kidnapped by his uncle and shipped to America as an indentured servant. Only after twelve more years did “Jemmy” Annesley at last escape, returning to Ireland to bring his blood rival, the Earl of Anglesea, to justice in one of the most captivating trials of the century. Hundreds of years later, historian A. Roger Ekirch delves into the court transcripts and rarely seen legal depositions that chronicle Jemmy’s attempt to reclaim his birthright, in the process vividly evoking the volatile world of Georgian Ireland—complete with its violence, debauchery, ancient rituals, and tenacious loyalties.

In 1797 the bloodiest mutiny ever suffered by the Royal Navy took place on the British frigate HMS Hermione off the coast of Puerto Rico. Jonathan Robbins, a reputed American sailor who had been impressed into service, made his way to American shores. President John Adams bowed to Britain’s request for his extradition. Convicted of murder and piracy by a court-martial in Jamaica, Robbins was hanged. Adams’s catastrophic miscalculation ignited a political firestorm, only to be fanned by Robbins’s failure to receive his constitutional rights of due process and trial by jury by an American court. American Sanctuary brilliantly lays out in riveting detail the story of how the Robbins affair, amid the turbulent presidential campaign of 1800, inflamed the new nation and set in motion a constitutional crisis, resulting in Adams’s defeat and Thomas Jefferson’s election as the third president of the United States. Robbins’s martyrdom led directly to the country’s historic decision to grant political asylum to foreign refugees—a major achievement in fulfilling the promise of American independence.

Classic fiction. Readers will love reading their favourite classics in this new Oxford world's classics series.

With Fadó, long forgotten about episodes from Irish history are presented in easy to follow short chapters. Who was Crom Cruach and what are Holy Wells? Who were the priest catchers and why were corpses stolen? How did a Cork woman become a feared pirate of the Caribbean and why is William Melville not loved by all in his native county? For such a small island, Ireland has history and archaeology in abundance and much of this is often only known to people in the locality. The author has travelled the island extensively and researched long forgotten characters and events, some of whom are stranger than fiction. Irish men and women of all hues and generations are examined here as the reader is guided through a land of heroes and villains, saints and scholars, pestilence and prosperity. Fadó is a book that can be read with ease and the author’s passion for his subject is infectious. It is a must read for anyone interested in Irish history.

Brokering Culture in Britain's Empire and the Historical Novel examines the relationship between the historical sensibilities of nineteenth-century British and American “romancers” and the conceptual frameworks that eighteenth-century imperial interlocutors used to imagine and critique their own experiences of Britain’s diffused, tenuous, and often accidental authority. Salyer argues that this cultural experience, more than what Lukács had in mind when he wrote of a mass historical consciousness after Napoleon, gave rise to the Romantic historiographical approach of writers such as Walter Scott, James Fenimore Cooper, Charles Brockden Brown and Frederick Marryat. This book traces the conversion of the eighteenth-century imperial speaker into the nineteenth-century “romance” hero through a number of proto-novelistic responses to the problem of Imperial history, including Edmund Burke in the Annual Register and the celebrated court case of James Annesley, among others. The author argues that popular Romantic novels such as Scott’s Waverley and Cooper’s The Pioneers convert the problem of narrating the political geographies of eighteenth-century Empire into a discourse of history, placing the historical realities of negotiating Imperial authority at the heart of a nineteenth-century project that fictionalized the possibilities and limits of political historical agency in the modern nation state.

This book recovers a major nineteenth-century literary figure, the American Claimant. For over a century, claimants offered a compelling way to understand cultural difference across the Anglophone Atlantic, especially between Britain and the United States. They also formed a political talisman, invoked against slavery and segregation, or privileges of gender and class. Later, claimants were exported to South Africa, becoming the fictional form for explaining black students who acquired American degrees. American Claimants traces the figure back to lost-heir romance, and explores its uses. These encompassed real, imagined, and textual ideas of inheritance, for writers and editors, and also for missionaries, artists, and students. The claimant dramatized tensions between tradition and change, or questions of exclusion and power: it offered ways of seeing activism, education, sculpture, and dress. The premise for dozens of novels and plays, a trope, a joke, even the basis for real claims: claimants matter in theatre history and periodical studies, they touch on literary marketing and reprinting, and they illuminate some unexpected texts. These range from Our American Cousin to Bleak House, Little Lord Fauntleroy to Frederick Douglass' Paper; writers discussed include Frances Trollope, Julia Griffiths, Alexander Crummell, John Dube, James McCune Smith, Nathaniel Hawthorne, and Mark Twain. The focus on claimants yields remarkable finds: new faces, fresh angles, a lost column, and a forgotten theatrical genre. It reveals the pervasiveness of this form, and its centrality in imagining cultural contact and exchange.

Inheriting a beautiful old hotel on the Outer Banks could be a dream come for Libby.

The first full examination of the English trade in indentured servants, who paid for their transportation and keep, and continued to work unpaid for years on their arrival. Often these people were deceived and coerced, despite half-hearted government efforts to curtail the activities of what was, after all, a useful crime for the English state.