“Wonderful . . . and full of life. This is a book for discovery, for pleasure and delight.” – George Szirtes, author of The Photographer at Sixteen A revelatory volume of 2 of the 20th century’s great poetic innovators, Guillaume Apollinaire and Velimir Khlebnikov, in vibrant new translations by Robert Chandler Offering a fresh angle on two of the most innovative poets of the 20th century, and grouping poems by theme, celebrated translator and poet Robert Chandler finds surprising connections between Apollinaire and Khlebnikov, from their interest in animal poems and bestiaries to their distinctive approaches to war poetry. Although Apollinaire and Khlebnikov never met, their restless innovations in poetic form shared much in common. Both pushed poetry to its limit, and their experiments proved fertile for generations of poets to come. Khlebnikov became associated with Futurism, though his inventiveness with language moved him far beyond it, while Apollinaire influenced a dizzying array of avant-garde movements, including Surrealism, Dadaism and Cubism. Chandler offers a stimulating selection from both poets’ work in beautifully vivid new translations. Showcasing these poets’ exhilarating capacity for innovation as well as their more direct, heartfelt verse, this work offers a surprising journey into the world of two great Modernist poets. Part of the Pushkin Press Classics series: outstanding classic storytelling from around the world, in a stylishly original series design. From newly rediscovered gems to fresh translations of the world’s greatest authors, this series includes such authors as Stefan Zweig, Hermann Hesse, Ryūnosuke Akutagawa and Gaito Gazdanov.

Dubbed by his fellow Futurists the "King of Time," Velimir Khlebnikov (1885-1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the "language of the stars." The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured. This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication. The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.

A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.

In a comic case of mistaken identity; wildlife photographers Krupakar and Senani were kidnapped one night from their home at the edge of the Bandipur National Park by Veerappan; India’s ‘most dreaded bandit’. He thought they were important government officials; and his plan was to hold them hostage in return for clemency and a substantial ransom. The bandit and his gang kept the hostages on the move in the forest; and their only contact with the outside world was via an old transistor radio. While Veerappan;who had already killed some 250 people; formulated strategies to force the government to agree to his demands; his hostages not only got a close look at the plant and animal diversity in the forests of Karnataka and Tamil Nadu; but the intimacy of their life on the run gave them an insight into Veerappan’s strange mix of cruelty and humanity. Though Krupakar and Senani came from a world that was completely different from that of Veerappan’s gang; the kidnapped and the kidnappers became closely involved in each other’s concerns. Birds; Beasts and Bandits is a witty and poignant account of an extraordinary adventure with the notorious poacher and his companions.

The follow-up to My Family and Other Animals and the inspiration for The Durrells in Corfu: A naturalist’s memoir of his family’s time on a Greek island. In the years before World War II, Gerald Durrell’s family left the gloomy shores of England for the sun-drenched island of Corfu. Against this picturesque backdrop, Durrell fondly recalls his family’s disorderly household and outrageous antics, including their interactions with locals of both human and animal varieties. After a boyhood spent studying zoology and acquiring the island’s exotic insects, reptiles, birds, mammals, and sea creatures as pets, Durrell’s budding naturalism would later bloom into a passion for conservation that would last a lifetime. Filled with clever observations, amusing anecdotes, and childlike wonder, Birds, Beasts and Relatives is half nature guide, half coming-of-age tale, and all charmingly funny memoir. This ebook features an illustrated biography of Gerald Durrell including rare photos from the author’s estate.

Velimir Khlebnikov is one of the great Russian poets of the 20th century. Hailed by contemporaries and by later scholars as the creative genius behind the Russian Futurist movement, Khlebnikov is famous for his inaccessibility. Now, in a powerful American rendition, we are given access to his strange and beautiful world.

Meet the ladies: a flock of smart, affectionate, highly individualistic chickens who visit their favorite neighbors, devise different ways to hide from foxes, and mob the author like she's a rock star. In these pages you'll also meet Maya and Zuni, two orphaned baby hummingbirds who hatched from eggs the size of navy beans, and who are little more than air bubbles fringed with feathers. Their lives hang precariously in the balance-but with human help, they may one day conquer the sky. Snowball is a cockatoo whose dance video went viral on YouTube and who's now teaching schoolchildren how to dance. You'll meet Harris's hawks named Fire and Smoke. And you'll come to know and love a host of other avian characters who will change your mind forever about who birds really are. Each of these birds shows a different and utterly surprising aspect of what makes a bird a bird-and these are the lessons of Birdology: that birds are far stranger, more wondrous, and at the same time more like us than we might have dared to imagine. In Birdology, beloved author of The Good Good Pig Sy Montgomery explores the essence of the otherworldly creatures we see every day. By way of her adventures with seven birds-wild, tame, exotic, and common-she weaves new scientific insights and narrative to reveal seven kernels of bird wisdom. The first lesson of Birdology is that, no matter how common they are, Birds Are Individuals, as each of Montgomery's distinctive Ladies clearly shows. In the leech-infested rain forest of Queensland, you'll come face to face with a cassowary-a 150-pound, man-tall, flightless bird with a helmet of bone on its head and a slashing razor-like toenail with which it (occasionally) eviscerates people-proof that Birds Are Dinosaurs. You'll learn from hawks that Birds Are Fierce; from pigeons, how Birds Find Their Way Home; from parrots, what it means that Birds Can Talk; and from 50,000 crows who moved into a small city's downtown, that Birds Are Everywhere. They are the winged aliens who surround us. Birdology explains just how very "other" birds are: Their hearts look like those of crocodiles. They are covered with modified scales, which are called feathers. Their bones are hollow. Their bodies are permeated with extensive air sacs. They have no hands. They give birth to eggs. Yet despite birds' and humans' disparate evolutionary paths, we share emotional and intellectual abilities that allow us to communicate and even form deep bonds. When we begin to comprehend who birds really are, we deepen our capacity to approach, understand, and love these otherworldly creatures. And this, ultimately, is the priceless lesson of Birdology: it communicates a heartfelt fascination and awe for birds and restores our connection to these complex, mysterious fellow creatures

Take a deep look inside the "Belly of the Beast," and uncover how the animals lived inside Noah's remarkable Ark. Children and parents, alike, will have endless fun flipping through 40 pages of beautifully hand-drawn illustrations, all while taking a look at one of the Bible's oldest tales.

A fascinating investigation into the miraculous world of birds and the powerful—and surprising—ways they enrich our lives and sustain the planet Our relationship to birds is different from our relationship to any other wild creatures. They are everywhere and we love to watch them, listen to them, keep them as pets, wear their feathers, even converse with them. Birds, Jim Robbins posits, are our most vital connection to nature. They compel us to look to the skies, literally and metaphorically; draw us out into nature to seek their beauty; and let us experience vicariously what it is like to be weightless. Birds have helped us in many of our endeavors: learning to fly, providing clothing and food, and helping us better understand the human brain and body. And they even have much to teach us about being human. A natural storyteller, Robbins illuminates how qualities unique to birds make them invaluable to humankind—from the Australian brush turkey, which helped scientists discover how dinosaurs first flew, to the eagles in Washington D.C. that rehabilitated the troubled teenagers placed in charge of their care. From the “good luck” ravens in England to the superb lyrebird, whose song is so sophisticated it can mimic koalas, crying babies and chainsaws, Robbins shows our close relationship with birds, the ways in which they are imperiled and how we must fight to save them for the sake of both the planet and humankind. Jim Robbins has written for the New York Times for more than thirty-five years, as well as numerous other magazines including Audubon, Condé Nast Traveler, BBC Future, Smithsonian and Vanity Fair. He is the author of several books including The Man Who Planted Trees and Last Refuge: The Environmental Showdown in the American West. ‘Fittingly for a work about birds and what they can teach us, The Wonder of Birds soars beyond its putative subject into realms once regarded as mystical.’ —Fiona Capp, The Sydney Morning Herald ‘A must-read, conveying much necessary information in easily accessible form and awakening one’s consciousness to what might otherwise be taken for granted ... The Wonder of Birds reads like the story of a kid let loose in a candy store and given free rein to sample. That is one of its strengths: the convert’s view gives wide appeal to those who might never have known birds well.’ —Bernd Heinrich, Wall Street Journal