Shows how archaeologists gain knowledge about past ontologies, and explores the role that birds played in Bronze Age economy, ritual and religion.

Warfare in Bronze Age Society takes a fresh look at warfare and its role in reshaping Bronze Age society. The Bronze Age represents the global emergence of a militarized society with a martial culture, materialized in a package of new efficient weapons that remained in use for millennia to come. Warfare became institutionalized and professionalized during the Bronze Age, and a new class of warriors made their appearance. Evidence for this development is reflected in the ostentatious display of weapons in burials and hoards, and in iconography, from rock art to palace frescoes. These new manifestations of martial culture constructed the warrior as a 'Hero' and warfare as 'Heroic'. The case studies, written by an international team of scholars, discuss these and other new aspects of Bronze Age warfare. Moreover, the essays show that warriors also facilitated mobility and innovation as new weapons would have quickly spread from the Mediterranean to northern Europe.

The Oxford Handbook of the European Bronze Age is a wide-ranging survey of a crucial period in prehistory during which many social, economic, and technological changes took place. Written by expert specialists in the field, the book provides coverage both of the themes that characterize the period, and of the specific developments that took place in the various countries of Europe. After an introduction and a discussion of chronology, successive chapters deal with settlement studies, burial analysis, hoards and hoarding, monumentality, rock art, cosmology, gender, and trade, as well as a series of articles on specific technologies and crafts (such as transport, metals, glass, salt, textiles, and weighing). The second half of the book covers each country in turn. From Ireland to Russia, Scandinavia to Sicily, every area is considered, and up to date information on important recent finds is discussed in detail. The book is the first to consider the whole of the European Bronze Age in both geographical and thematic terms, and will be the standard book on the subject for the foreseeable future.

This book is a cohesive overview of Central European prehistory from the introduction of agriculture around 6000 BC to the state-forming processes that began to emerge during the first millennium BC. A complex mosaic of culture, society and processes is mirrored in the material world and in certain periods involves a large part of the Eurasian continent. Culture and change must be understood as both localised and macro-regional: the book is a cultural-historical tale - inspired by, for example, the attempts of French historians to integrate different levels of history. Emphasis is laid on the eventful boom periods where innovations and cross-cultural interaction intensified in such a way that history's mainly reproductive pattern was broken. Important turning points are attached, among other things, to the first production of food, copper- and bronze metallurgy, and the sword as a weapon and symbol. These technical innovations were part of a complicated interaction with social and cultural processes, which in many cases are connected in a pattern that can be followed in time and space.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal’s Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Nominated for Current Archaeology Book of the Year 2016.

Of all avian groups, birds of prey in particular have long been a prominent subject of fascination in many human societies. This book demonstrates that the art and materiality of human engagements with raptors has been significant through deep time and across the world, from earliest prehistory to Indigenous thinking in the present day. Drawing on a wide range of global case studies and a plurality of complementary perspectives, it explores the varied and fluid dynamics between humans and birds of prey as evidenced in this diverse art-historical and archaeological record. From their depictions as powerful beings in visual art and their important roles in Indigenous mythologies, to the significance of their body parts as active agents in religious rituals, the intentional deposition of their faunal remains and the display of their preserved bodies in museums, there is no doubt that birds of prey have been figures of great import for the shaping of human society and culture. However, several of the chapters in this volume are particularly concerned with looking beyond the culture–nature dichotomy and human-centred accounts to explore perspectival and other post-humanist thinking on human–raptor ontologies and epistemologies. The contributors recognize that human–raptor relationships are not driven exclusively by human intentionality, and that when these species meet they relate-to and become-with one another. This 'raptor-with-human'-focused approach allows for a productive re-framing of questions about human–raptor interstices, enables fresh thinking about established evidence and offers signposts for present and future intra-actions with birds of prey.

Papers focus on Croatia’s particular interconnectedness in terms of social and cultural relationships with the wider region as the starting point for exploring issues across a broad chronological range, from human origins to modernity.

Imagine the forest. As darkness falls, the somber beeches disappear in misty twilight and shadows seem to gather under their branches. Far away, the blackbird's call tells of the coming of the night. The birds cease their singing, silence descends, soon the beasts of the night will make their appearance. Between tangled roots, hidden by nettles and brambles, the earth seems to ripple. A few humps of earth seem to emerge from the ground. They are the last traces of burial mounds, of mounds, which were tall and high 2500 years ago. Many of them have disappeared, hidden by tangled roots of beech and oak, ploughed flat by careless farmers, others again show caved-in tops where grave robbers have looted the central chamber. The locals shun these hills. There are tales that strange fires can be seen glowing on the mounds, and that on spooky nights, great armed warriors arise from their resting places. Then the doors to the deep are thrown open and unwary travelers have to beware of being invited into the halls of the dead and unborn. Here the kings of the deep feast and celebrate, time passes differently and strange treasures may be found. Who knows the nights when the gates are open? Who carries the primrose, the wish-flower, the strange blossom that opens the doors to the hollow hills?

The Encyclopedia of Indo-European Culture is a major new reference work that provides full, inclusive coverage of the major Indo-European language stocks, their origins, and the range of the reconstructed Proto-Indo-European language. The Encyclopedia also includes numerous entries on archaeological cultures having some relationship to the origin and dispersal of Indo-European groups -- as well as entries on some of the major issues in Indo-European cultural studies.There are two kinds of entries in the Encyclopedia of Indo-European Culture: a) those that are devoted to archaeology, culture, or the various Indo -European languages; and b) those that are devoted to the reconstruction of Proto-Indo-European words.Entries may be accessed either via the General Index or the List of Topics: Entries by Category where all individual reconstructed head-forms can also be found. Reference may also be made to the Language Indices.In order to make the book as accessible as possible to the non-specialist, the Editors have provided a list of Abbreviations and Definitions, which includes a number of definitions of specialist terms (primarily linguistic) with which readers may not be acquainted. As the writing systems of many Indo-European groups vary considerably in terms of phonological representation, there is also included a list of Phonetic Definitions.With more than 700 entries, written by specialists from around the world, the Encyclopedia of Indo-European Culture has become an essential reference text in this field.