Biography of a Hacienda is a book that will last for generations. It looks at the real lives of real people pushed to the brink of revolution, and its conclusions compel us to rethink the social and economic factors involved in the Mexican Revolution.

Mexican Gothic meets Rebecca in this debut supernatural suspense novel, set in the aftermath of the Mexican War of Independence, about a remote house, a sinister haunting, and the woman pulled into their clutches... During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost. But Hacienda San Isidro is not the sanctuary she imagined. When Rodolfo returns to work in the capital, visions and voices invade Beatriz’s sleep. The weight of invisible eyes follows her every move. Rodolfo’s sister, Juana, scoffs at Beatriz’s fears—but why does she refuse to enter the house at night? Why does the cook burn copal incense at the edge of the kitchen and mark the doorway with strange symbols? What really happened to the first Doña Solórzano? Beatriz only knows two things for certain: Something is wrong with the hacienda. And no one there will save her. Desperate for help, she clings to the young priest, Padre Andrés, as an ally. No ordinary priest, Andrés will have to rely on his skills as a witch to fight off the malevolent presence haunting the hacienda and protect the woman for whom he feels a powerful, forbidden attraction. But even he might not be enough to battle the darkness. Far from a refuge, San Isidro may be Beatriz’s doom.

Describes the author's teenage marriage to a South American aristocrat twenty years her senior, her disillusionment, and her struggle to find the strength to build a new life in the heart of the Andean wilderness

Legendary musician Peter Hook tells the whole story - the fun, the music, the vast loss of money, the legacy - of Manchester's most iconic nightclub Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid £20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.

Haciendas features traditional and modern hacienda architecture in Mexico and southwestern United States. Sumptuous photography portrays the increasing fascination with hacienda architecture today, as evidenced by the movement to renovate classic adobe homes, the abundance of new hacienda designs, and the inspiration Spanish colonial architecture provides to homeowners, designers, and architects worldwide. The estate hacienda was traditionally the family home for Spanish nobles in the newly settled Mexican territories and included farmed land, orchards, stables, livestock, and servants. These extraordinary homes, many of which are owned by descendants of the original owners, are being meticulously preserved, or carefully transformed, into popular inns and tourist attractions. Today, the style is influencing residences throughout North America.With more than 250 photographs, Linda Leigh Paul presents the best haciendas, representing past and present designs: From large country estates to small adobe hideaways, the rugged beauty, rich color palette, and natural materials of the hacienda are brought to life in a book that is as delightful as a walk through the adobe arches and cool, tiled rooms of a Spanish colonial casa.

What the plantation has been to the history and literature of the American South, the hacienda has been to Mexico and the American Southwest. In Remembering the Hacienda, Vincent Perez makes the case that the hacienda offers the emblem of an antebellum, agrarian social order that predates the United States. It is the site in which the Mexican American community's heroic, genteel forebears lived in dignity and pride, and it is the heritage from which they were cast out as orphans, both in mother Mexico by the Revolution and in the American Southwest when the wars of 1836 and 1846-48 and capitalist land grabs dispossessed the Mexican hacendados. The hacienda, Perez argues, had its own orphans, too: Indians, mestizos, women, and peons. American culture, Perez examines five novels and autobiographies: Jovita Gonzalez and Eve Raleigh's Caballero: A Historical Novel (written in the 1930s and 1940s and later published by Texas A&M University Press), Maria Maparo Ruiz de Burton's The Squatter and the Don (1885), Mariano Guadalupe Vallejo's Historical and Personal Memoirs Relating to Alta, California (1874), Leo Carrillo's The California I Love (1961), and Francisco Robles Perez's immigrant autobiography Memorias. The last work is Perez's own grandfather's life narrative.

Cursum Perficio is the name of Marilyn Monroe's last home. Cursum Perficio, the book, is author Gary Vitacco-Robles' exploration of Marilyn's last home as a touchstone to her brief and extraordinary life. A definitive testament of Marilyn Monroe's modest nature, simple tastes and spirituality was her selection of a house in which to settle at age 35. The Spanish Colonial hacienda symbolizes Marilyn's unfulfilled dreams and unfinished life. The Latin inscription on the tiles adorning the front doorstep, Cursum Perficio (translating to "My journey ends"), prophesied the screen goddess' death in the home in 1962. Cursum Perficio invites us inside Marilyn's private life through 120 illustrations and previously unpublished photos of her hacienda and its contents. See the interior, Marilyn's art and decorations purchased on a shopping spree in Mexico, and the furniture delivered days before her death. Vitacco-Robles reveals the events during Marilyn's last months, her daily routine, and her random acts of kindness. Cursum Perficio is not a sensational exploitation of Marilyn Monroe but a celebration of the human being behind the legend. It is a rare and refreshing exploration for the most devout fan and an insightful introduction for those just discovering this enduring icon of the Twentieth Century. This expanded second edition contains added chapters and new images by Brandon Heidrick.

Buena Vista: Life and Work on a Puerto Rican Hacienda, 1833-1904

Jim Ottewill’s exploration of UK club culture and the urban landscapes that have housed it returns in a newly remixed form. Out of Space plots a course through the different UK towns and cities where club culture has found a home. From Glasgow to Margate via Manchester, Sheffield and unlikely dance music meccas such as Coalville and Todmorden, this book maps where electronic music has thrived, and where it might be headed next. This extended version features a new chapter exploring hidden histories and untold stories within Birmingham’s nocturnal scene to provide more insights into the past, present and future of electronic music culture.