Billy Cotton’s hand is deft and light, weaving together bold color palettes, custom-designed furniture and lighting, and striking artifacts and works of art to achieve livable and easy interiors for today. Cotton presents rooms that mix historical and modern influences, resulting in luxuriously sleek interiors for casual, yet sophisticated, living. The glam-orous spaces—many designed for art-world clients, including Cindy Sherman and Lisa Yuskavage—are anchored in tradition but reflect the relaxed sensibili-ties of our time. Cotton shares his multiscaled approach to design—successful turns with his varied collections, which are often included in his interior projects. Furniture, lighting, wallpaper, tableware, and terra-cotta planters are part of his repertoire. Cotton’s industrial designs—like his interiors—embody an intelligence and under-standing of design history. This book, the designer’s first, documents the groundbreaking work of a rising and notable talent and should be in the libraries of designers and connoisseurs of fine living.

‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

The bestselling masters of the American West add a deadly new twist to the epic saga of U.S. Marshal Will Tanner. The hunter becomes the hunted . . . He’s the most notorious cattle rustler in all of Texas. His name—Jebediah Cotton—strikes fear into the hearts of every rancher in the territory. So it’s more than a little strange that someone would shoot Cotton’s youngest son in the back. Whoever did it is either a coward, a fool, or a crazy man. Whoever did it must die. Even if he’s a U.S. deputy marshal named Will Tanner . . . So begins not one, but two of the deadliest manhunts in frontier history. As Will Tanner sets off into Oklahoma Territory in pursuit of godless bank robber, Jebediah Cotton sends his five remaining sons and cold-blooded brother-in-law after him. Will has no idea he’s being stalked. But when there are this many players in the game, a U.S. deputy marshal has two choices: kill them all or die trying . . . Praise for the novels of William W. Johnstone “For most fans of the Western genre, there isn’t a bet much surer than a book bearing the name Johnstone.”—True West “[A] rousing, two-fisted saga of the growing American frontier.”—Publishers Weekly on Eyes of Eagles “There’s plenty of gunplay and fast-paced action as this old-time hero proves again that a steady eye and quick reflexes are the keys to survival on the Western frontier.”—Curled Up with a Good Book on Dead Before Sundown

A Guide to British television programmes shown at Christmas time, throughout the years.

Founded in 1922, the British Broadcasting Corporation is probably the most well-known national radio corporation in the world, but the BBC is just part of the British radio picture. There are 'pirate' radio stations, community radio, commercial radio, and more recently, experimentation and development in the digital arena. All aspects of the 85 years of UK radio, from issues of regulation to the role played by commercial operators prior to World War II, are covered in this new book by SeOn Street. The A to Z of British Radio relates the history of this medium through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on the BBC and other companies, many of the specific stations, the more memorable programs and those who wrote for or appeared on them, and the administrative and technical aspects. This quick reference tool's structure and ease of navigation will have scholars, students, radio industry professionals, journalists, and critics turning to it again and again.

"Go read Andy Davidson’s lush nightmare, The Boatman’s Daughter. It put an arrow through my head and heart.” —Paul Tremblay, author of Growing Things "Ample bloodshed is offset by beautiful prose . . . A stunning supernatural Southern Gothic." —Kirkus (starred) Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm. But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe. With the heady mythmaking of Neil Gaiman and the heartrending pacing of Joe Hill, Andy Davidson spins a thrilling tale of love and duty, of loss and discovery. The Boatman's Daughter is a gorgeous, horrifying novel, a journey into the dark corners of human nature, drawing our worst fears and temptations out into the light.

Dramatic Comedy / 2m, 1f / Interior An eccentric widower, Mack has been a stay-at-home dad for twenty years, his daily existence revolving around his son Billy. Not only can't he let go, Mack's convinced he's more needed than ever. First up is pulling Billy from a dead-end copy shop job and enrollment in culinary school-after all, he was a finalist in the Pillsbury Bake-off. Then Mack discovers that Billy, adopted from infancy, has contacted his birthmother, a Washington, DC secretary about to make a first trip to New York City. Panicky Mack spends a sleepless three days coaching his son, determined to impress Adela with Billy's upbringing-and their indestructible father-son bond. Over a snowy Easter weekend, these three square off. Confronting timid Adela, Billy's romanticized ideas about his identity are turned inside out, as Mack's deepest insecurities surface. Mack is convinced the woman will psychologically lay claim to the child she gave up two decades earlier. Yet for Adela, a lasting reconnection with the boy couldn't be further from her mind. With abundant humor, Easter Monday addresses what it means to be a parent, and to be parented, illuminating both the pain and joy in finally saying goodbye to childhood. "....An interesting examination of an unusual father-son relationship... The Sondheim lyrics 'stay a child while you can be a child' are embodied in Mack, the overprotective father. In his eagerness to keep his adopted son Billy with him, Mack has in essence tried to keep him a child. He creates a wonderful world of nostalgia that is very moving... Easter Monday holds our interest, and Corley has written some beautifully evocative lines ... " -Connie Meng, NPR Radio Character Descriptions: MACK: 55-ish; a radically sentimental, unapologetic Pollyanna; unselfconscious, devoid of vanity, he's alternately tender, prickly, impatient, cuddly, bullying, at times fiercely defensive and aggressively paternal. BILLY: Mack's son, 20; attractively boyish, yet preternaturally world-weary; gentle, introspective and cautious, he has developed a short fuse, and though desperate to avoid confrontation, he can turn combative. ADELA: Billy's birthmother; 35; unprepossessing, plain-spoken and intensely focused on whatever meager task is at hand; though decidedly meek, she's capable of standing up for the truth - and herself. Please contact Samuel French, Inc. (www.samuelfrench.com) for performance licensing inquiries.