Travis Hugh Culley came to Chicago to work and live as an artist. He knew he'd have to struggle, but he found that his struggle meant more than hard work and a taste for poverty. In becoming a bike messenger, he found a sense of community and fulfillment and a brotherhood of like-minded individualists. He rode like a postmodern cowboy across the city's landscape; he passed like a shadow through its soaring office towers; he soared like a falcon through the roaring chaos of the multilayered streets of Chicago. He became an invisible man in society, yet at the same time its most intimate observer. In one of the most dangerous jobs on dry land, he found freedom. In The Immortal Class, Culley takes us in-side the heart and soul of an urban icon the bicycle messenger. In describing his own history and those of his peers, he evokes a classic American maverick, deeply woven into the fabric of society from the pits of squalor to the highest reaches of power and privilege yet always resolutely, exuberantly outside. And he celebrates a culture that eschews the motorized vehicle: the cult of human power. The Immortal Class, Culley's vivid evocation of a bicycle messenger's experience and philosophy, sheds a compelling light on the way human beings relate to one another and to the cities we inhabit. Travis Hugh Culley's voice is at once earthy and soaringly poetic a Gen-X Tom Joad at hyperspeed. The Immortal Class is a unique personal and political narrative of a cyclist's life on the street.

Guide to bikes and cycling in sport, culture, history and leisure.

Combines every topic related to human-powered vehicles, including technology, physiology, transport, sociology, amusement and creativity.

An Alternative History of Bicycles and Motorcycles: Two-Wheeled Transportation and Material Culture accounts for the nineteenth-century creation and development of two-wheeled vehicles, both human-powered and motorized. Specifically, the book focuses on the period from 1885 (which saw the appearance, simultaneously, of the Safety bicycle and the Einspur, the first motorcycle) to 1920, while exploring implications for later bicycling and motorcycling. We argue that invention of these vehicles, rather than the product of gifted individuals, should be seen as the consequence of a number of historical, economic, cultural and political forces that intersect so unpredictably that the notion of a genius inventor is reductive. The common evolutionary model of development from the bicycle to the motorcycle oversimplifies both the technology and its origins. Stripping the vehicles of all their material and cultural associations, such a model fails to advance our understanding of the devices, their creators, and their riders. Taking a contemporary vehicle and tracing its lineage creates a false sense of evolutionary necessity in its creation, and fails to account for the many possible developmental paths that were, for whatever reason, abandoned. By contrast, our book adopts a material culture approach, a form of inquiry that stresses the connections between artifacts and social relations. We consider not simply the bicycle and motorcycle as material objects but focus also on the complex socio-political and economic convergences that produced the materials, materials that in turn themselves shaped the vehicles’ appearance, function, and adoption by riders.

The nineteenth century's "mechanical horse" offered an exciting new world of transportation for all and ushered in an era of changes that resonates to the present day, changes cataloged and described in a fascinating history of an engineering marvel.

American Motorcyclist magazine, the official journal of the American Motorcyclist Associaton, tells the stories of the people who make motorcycling the sport that it is. It's available monthly to AMA members. Become a part of the largest, most diverse and most enthusiastic group of riders in the country by visiting our website or calling 800-AMA-JOIN.

Bicycling advocates envision a future in which bikes are a widespread daily form of transportation, but this reality is still far away. Will we ever witness a true "bike boom" in cities? What can we learn from past successes and failures to make cycling safer, easier, and more accessible? In Bike Boom, journalist Carlton Reid uses history to shine a spotlight on the present and demonstrates how bicycling has the potential to grow even further, if the right measures are put in place by the politicians and planners of today and tomorrow. He explores the benefits and challenges of cycling, the roles of infrastructure and advocacy, and what we can learn from cities that have successfully supported and encouraged bike booms. In this entertaining and thought-provoking book, Reid sets out to discover what we can learn from the history of bike "booms."

So Just who is the Fixie rider? It's the buzz question that a lot of people want to know right now. If we're to believe some, then the Fixie rider is a horribly spoilt late twenty something male of affluent background. He's never been required to grow up and spends all of his pocket money on cool toys and fads in a never ending effort to be trendy. Cynics would say that the Fixie rider is a myth in the process of being invented by those people who want to sell stuff to rich kids; ie the brands. Through contemporary observation and the collaboration of those on the inside from Taiwan to New York, Brick Lane to Tokyo, 42x12 gives a unique insight into whats going on at ground level.

Get Lost! is back. The new, 11th edition sizzles with the freshest and most exciting things to do in Amsterdam. Opinionated, but never irreverent, Get Lost! remains the only guide to cover Amsterdam's underground culture accurately and extensively. Get Lost! leads travelers to the cheapest, funkiest and most delicious spots in town: Inexpensive organic restaurants, cool bars and clubs, an array of alternative museums and galleries, mind-expanding cafes, one- of- a-kind shops, theme hotels--even the kinkiest Red-Light-District corners. Readers trust the Cool Guide for practical information that every visitor needs--accommodation, transport, weather, etc. But they also read it for the lowdown on more obscure topics, like local pirate radio, fair trade cannabis and the Amsterdam squat scene. As always, Get Lost! is printed on post consumer paper and uses soy-based ink. With this legendary guide, every traveler has a cool friend in Amsterdam.