This volume is a collection of more than 7000 full titles of books and papers related to chaotic behaviour in nonlinear dynamics. Emphasis has been made on recent publications, but many publications which appeared before 1980 are also included. Many titles have been checked with the authors. The scope of the Bibliography is not restricted to physics and mathematics of chaos only. Applications of chaotic dynamics to other branches of natural and social sciences are also considered. Works related to chaotic dynamics, e.g., papers on turbulence dynamical systems theory and fractal geometry, are listed at the discretion of the author or the compiler. This Bibliography is expected to be an important reference book for libraries and individual researchers.

Describes the chaos apparent in simple mechanical systems with the goal of elucidating the connections between classical and quantum mechanics. It develops the relevant ideas of the last two decades via geometric intuition rather than algebraic manipulation. The historical and cultural background against which these scientific developments have occurred is depicted, and realistic examples are discussed in detail. This book enables entry-level graduate students to tackle fresh problems in this rich field.

Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios - with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.

If a butterfly flaps its wings in Brazil, does it cause a tornado in Texas? Chaos theory attempts to answer such baffling questions. The discovery of randomness in apparently predictable physical systems has evolved into a science that declares the universe to be far more unpredictable than we have ever imagined. Introducing Chaos explains how chaos makes its presence felt in events from the fluctuation of animal populations to the ups and downs of the stock market. It also examines the roots of chaos in modern maths and physics, and explores the relationship between chaos and complexity, the unifying theory which suggests that all complex systems evolve from a few simple rules. This is an accessible introduction to an astonishing and controversial theory.

The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.

It is commonly believed that chaos is linked to non-linearity, however many (even quite natural) linear dynamical systems exhibit chaotic behavior. The study of these systems is a young and remarkably active field of research, which has seen many landmark results over the past two decades. Linear dynamics lies at the crossroads of several areas of mathematics including operator theory, complex analysis, ergodic theory and partial differential equations. At the same time its basic ideas can be easily understood by a wide audience. Written by two renowned specialists, Linear Chaos provides a welcome introduction to this theory. Split into two parts, part I presents a self-contained introduction to the dynamics of linear operators, while part II covers selected, largely independent topics from linear dynamics. More than 350 exercises and many illustrations are included, and each chapter contains a further ‘Sources and Comments’ section. The only prerequisites are a familiarity with metric spaces, the basic theory of Hilbert and Banach spaces and fundamentals of complex analysis. More advanced tools, only needed occasionally, are provided in two appendices. A self-contained exposition, this book will be suitable for self-study and will appeal to advanced undergraduate or beginning graduate students. It will also be of use to researchers in other areas of mathematics such as partial differential equations, dynamical systems and ergodic theory.

Hayles’s point is that the almost simultaneous appearance of interest in complex systems across many disciplines―physics, mathematics, biology, information theory, literature, literary theory―signals a profound paradigm and epistemological shift. She calls the new paradigm ‘orderly disorder.’ This is a timely, informative, and enormously thought-provoking book. — Nancy Craig Simmons ― American Literature N. Katherine Hayles here investigates parallels between contemporary literature and critical theory and the science of chaos. She finds in both scientific and literary discourse new interpretations of chaos, which is seen no longer as disorder but as a locus of maximum information and complexity. She examines structures and themes of disorder in The Education of Henry Adams, Doris Lessing’s Golden Notebook, and works by Stanislaw Lem. Hayles shows how the writings of poststructuralist theorists including Barthes, Lyotard, Derrida, Serres, and de Man incorporate central features of chaos theory.

This is the first book-length study of William James' style, arguing that the manner in which James writes The Principles of Psychology and The Varieties of Religious Experience serves to construct a chaotic world for his readers. The book examines the uses of chaos in western literature and philosophy and reaches two conclusions: that chaos may be "utter confusion and disorder," but, paradoxically, that disorder is communicated through some particular order -- in Joyce's term, all chaos is "chaosmos." Secondly, what is essential about chaos is what it does: nothing is inherently chaotic, rather chaos is used to contrast with or challenge something that is more structured or formed. Finally, the author presents an examination of the religious function of James' chaotic worldview as a disorientation which orients.

The study of chaotic systems has become a major scientific pursuit in recent years, shedding light on the apparently random behaviour observed in fields as diverse as climatology and mechanics. InThe Essence of Chaos Edward Lorenz, one of the founding fathers of Chaos and the originator of its seminal concept of the Butterfly Effect, presents his own landscape of our current understanding of the field. Lorenz presents everyday examples of chaotic behaviour, such as the toss of a coin, the pinball's path, the fall of a leaf, and explains in elementary mathematical strms how their essentially chaotic nature can be understood. His principal example involved the construction of a model of a board sliding down a ski slope. Through this model Lorenz illustrates chaotic phenomena and the related concepts of bifurcation and strange attractors. He also provides the context in which chaos can be related to the similarly emergent fields of nonlinearity, complexity and fractals. As an early pioneer of chaos, Lorenz also provides his own story of the human endeavour in developing this new field. He describes his initial encounters with chaos through his study of climate and introduces many of the personalities who contributed early breakthroughs. His seminal paper, "Does the Flap of a Butterfly's Wing in Brazil Set Off a Tornado in Texas?" is published for the first time.