In a detailed examination of the ways in which Blake's use of biblical tradition gives form and meaning to his early prophetic books, Leslie Tannenbaum shows what Blake meant when he called the Bible the Great Code of Art." Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This monograph reorients discussion of Blake’s prophetic mode, revealing it to be not a system in any formal sense, but a dynamic, human response to an era of momentous historical change when the future Blake had foreseen and the reality he was faced with could not be reconciled. At every stage, Blake’s writing confronts the central problem of all politically minded literature: how texts can become action. Yet he presents us with no single or, indeed, conclusive answer to this question and in this sense it can be said that he fails. Blake, however, never stopped searching for a way that prophecy might be made to live up to its promise in the present. The twentieth-century hermeneuticist Paul Ricoeur shared with Blake a preoccupation with the relationship between time, text and action. Ricoeur’s hermeneutics thus provide a fresh theoretical framework through which to analyse Blake’s attempts to fulfil his prophetic purpose.

The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities

With each passing day, our world seems to drift further and further away from the God of the Bible, divine creation, and Christian belief. This societal shift toward postmodernism and secularism is not a new development, however; the expanding and intensifying revolt against the biblical God and Christianity traces its roots back to the modern philosophies of the Enlightenment and Romanticism, which have given rise to many divergent views during the past three centuries, and become even more extreme in recent postmodernism. The Greatness of God: How God Is the Foundation of All Reality, Truth, Love, Goodness, Beauty, and Purpose stands as an intellectual counterweight to the prevailing winds of a secular postmodern world. Author Charles Frank Thompson argues that the consequences of this rejection of God and divine creation have not been benign. He traces the modern revolution in detail and describes its deleterious consequences, including the loss of the ultimate basis for universal truth, knowledge, meaning, and purpose. In The Greatness of God, Thompson explores a wide range of topics, including Christian theology, metaphysical philosophy, and an analysis of modern thought and art. He examines the rich history of Christian poetry, prose, and art and takes a look at recent scientific discoveries that help us understand Christian teachings about God’s creation. He concludes with an exploration of the millennium, the eternal kingdom of God, and the spiritual state of America and Europe today.

Contributing greatly to the ongoing revaluation of the Victorians, these six essays capture fresh perspectives in presenting among the subjects a fuller grounding for Browning's poetry, a clearer awareness of the role of comedy in Arnold's prose, and a look at Trollope as a crucial addition to his era's exhaustive studies of symbolic parent-child relationships.

Yosefa Raz reveals surprising entanglements between scholarly and poetic traditions in the project of reinventing prophecy. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Examines the idea of 'gift-giving' to reassess a wide range of issues in the thought and work of William Blake.

Explores Blake's esoteric and religious influences

Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.