"[Sets] the stage for a rewriting of nearly a thousand years of history to create new understandings of the nature of cultural encounters. . . . The volume breaks free from the polemics of present-day politics and historicist distortions that have seeped into most standard texts."--David Lelyveld, Cornell University This collection challenges the popular presumption that Muslims and Hindus are irreconcilably different groups, inevitably conflicting with each other. Invoking a new vocabulary that depicts a neglected substratum of Muslim-Hindu commonality, the contributors demonstrate how Indic and Islamicate world views overlap and often converge in the premodern history of South Asia. Contents Part 1: Literary Genres, Architectural Forms, and Identities 1. Alternate Structures of Authority: Satya Pir on the Frontiers of Bengal, by Tony K. Stewart 2. Beyond Turk and Hindu: Crossing the Boundaries in Indo-Muslim Romance, by Christopher Shackle 3. Religious Vocabulary and Regional Identity: A Study of the Tamil Cirappuranam, by Vasudha Narayanan 4. Admiring the Works of the Ancients: The Ellora Temples as Viewed by Indo-Muslim Authors, by Carl W. Ernst 5. Mapping Hindu-Muslim Identities through the Architecture of Shahjahanabad and Jaipur, by Catherine B. Asher Part 2: Sufism, Biographies, and Religious Dissent 6. Indo-Persian Tazkiras as Memorative Communications, by Marcia K. Hermansen and Bruce B. Lawrence 7. The "Naqshbandi Reaction" Reconsidered, by David W. Damrel 8. Real Men and False Men at the Court of Akbar: The Majalis of Shaykh Mustafa Gujarati, by Derryl N. MacLean Part 3: The State, Patronage, and Political Order 9. Sharia and Governance in Indo-Islamic Context, by Muzaffar Alam 10. Temple Desecration and Indo-Muslim States, by Richard M. Eaton 11. The Story of Prataparudra: Hindu Historiography on the Deccan Frontier, by Cynthia Talbot 12. Harihara, Bukka, and the Sultan: The Delhi Sultanate in the Political Imagination of Vijayanagara, by Phillip B. Wagoner 13. Maratha Patronage of Muslim Institutions in Burhanpur and Khandesh, by Stewart Gordon David Gilmartin, professor of history at North Carolina State University, is the author of Empire and Islam: Punjab and the Making of Pakistan. Bruce B. Lawrence, Nancy and Jeffrey Marcus Professor of Religion at Duke University, is the author of Shattering the Myth: Islam Beyond Violence and Defenders of God: The Fundamentalist Revolt against the Modern Age, which received the 1990 prize for excellence in religious studies awarded by the American Academy of Religion.

Questioning the conventional depiction of India as a nation divided between religious communities, Gottschalk shows that individuals living in India have multiple identities, some of which cut across religious boundaries. The stories narrated by villagers living in the northern state of Bihar depict everyday social interactions that transcend the simple divide of Hindu and Muslim.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. During the height of Muslim power in Mughal South Asia, Hindu and Muslim scholars worked collaboratively to translate a large body of Hindu Sanskrit texts into the Persian language. Translating Wisdom reconstructs the intellectual processes and exchanges that underlay these translations. Using as a case study the 1597 Persian rendition of the Yoga-Vasistha—an influential Sanskrit philosophical tale whose popularity stretched across the subcontinent—Shankar Nair illustrates how these early modern Muslim and Hindu scholars drew upon their respective religious, philosophical, and literary traditions to forge a common vocabulary through which to understand one another. These scholars thus achieved, Nair argues, a nuanced cultural exchange and interreligious and cross-philosophical dialogue significant not only to South Asia’s past but also its present.

Imagining Religious Communities tells the story of the Gupta family through the personal and religious narratives they tell as they create and maintain their extended family and community across national borders. Based on ethnographic research, the book demonstrates the ways that transnational communities are involved in shaping their experiences through narrative performances. Jennifer B. Saunders demonstrates that narrative performances shape participants' social realities in multiple ways: they define identities, they create connections between community members living on opposite sides of national borders, and they help create new homes amidst increasing mobility. The narratives are religious and include epic narratives such as excerpts from the Ramayana as well as personal narratives with dharmic implications. Saunders' analysis combines scholarly understandings of the ways in which performances shape the contexts in which they are told, indigenous comprehension of the power that reciting certain narratives can have on those who hear them, and the theory that social imaginaries define new social realities through expressing the aspirations of communities. Imagining Religious Communities argues that this Hindu community's religious narrative performances significantly contribute to shaping their transnational lives.

Dr. Momen offers an introduction to the Baha'i faith from the perspective of the Hindu tradition.

This examination of Hinduism in the context of modernity will be of interest to all students of Hinduism, as well as to those interested in the sociology and history of religion. Shows Hinduism to be a highly dynamic world-view which challenges western notions of modernity. Considers a broad range of topics including women, the caste system, the self, divinities and gurus. Contains up-to-date discussions of modern Hindu culture and beliefs.

Why do people attack monuments and other public objects charged with authority by the societies that produced them? What do open assaults on images and artworks mean? Iconoclasm, the principled destruction of images, has recurred throughout human history as theory and practice. This book contains seven historical studies of the changing causes and meanings of iconoclasm and the radical transformations in the function of images it has brought about in societies around the world, from Ancient Egypt to Islamic India and Revolutionary Mexico, as well as Medieval and Reformation Europe. Scholars of art history, history and archaeology explore shifting definitions of art and the forms of representation in delineating varied forms of 'iconoclasm'.