In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.

An Eric Banyon fantasy.

Perfect for fans of Brandon Sanderson and Laini Taylor, this much-anticipated sequel to New York Times bestselling authors Amie Kaufman and Meagan Spooner’s The Other Side of the Sky is a thrilling race against time—with a tantalizing star-crossed love and an electric conclusion. Time to find a way between worlds. Time to find each other again. Time to do the impossible. Above, in the cloudlands, Nimh has no memory of her past, only an aching, undying certainty that she has left something—someone—behind. But while she struggles to recall her identity, an imposter wields her name with deadly purpose. Below, on the surface, North looks to the sky, desperate to join the person he loves and return to his world. But with only a traitor willing to help him, and others clamoring for him to take Nimh’s place, his home seems more unreachable than ever. Tragedy looms as the cloudland engines falter and mist rains terror on the surface, and in their desperation to reunite and save their people, Nimh and North face one ultimate question: can they defy their love and their destiny to save their homes? Or will the spark between them ignite their worlds, and consume them all together? Praise for The Other Side of the Sky: "Amie Kaufman and Meagan Spooner prove they are two living goddesses of writing, creating two compelling worlds with high stakes and gripping emotions." —Sarah Rees Brennan, New York Times bestselling author of the Demons Lexicon trilogy and the Lynburn Legacy series “A vivid and compulsive thriller set in a beautiful, perilous world of myths and treachery. You won’t want to put it down.” —Laini Taylor, New York Times bestselling author of the Daughter of Smoke and Bone series “I was left breathless by the book’s twists and turns, and was unprepared for the ending—it blew me away. Stop everything and read it!” —C. S. Pacat, bestselling author of Dark Rise “A book that absolutely shimmers with beauty.” —Buzzfeed

A groundbreaking fantasy novel, The Wood Beyond the World tells the story of a young man, Golden Walter, who finds himself in a strange and frightening world after being abandoned by his wife and lost at sea. The novel takes the form of Walter’s quest for the visionary Maid that he sees at the beginning of his journey, and takes him from his failed marriage through temptation to emotional fulfillment. Set in Morris’s imaginative recreation of a medieval world, the novel is full of vivid imagery and surprising emotional realism. This edition collates for the first time the three early texts of the work. The introduction discusses the place of the book among Morris’s other prose romances, the events of his life, and his activities as a visual artist and a socialist. The appendices provide excerpts from Morris’s translation of Beowulf, other medieval texts read by Morris, and writings by his contemporaries on politics and aesthetics.

Throughout his phenomenal career, photographer Peter Beard has documented the danger of annihilation that threatens both the nature and cultures of Africa. This remarkable visual volume chronicles that world in a series of Beard's fashion shoots--works of unparalleled beauty that depict Africa as a vibrant, pulsating panorama of contemporary cultures.

'Wry and droll, fascinating and funny, by bringing us Alexander's nether parts this novel gives momentous matters unforgettable life' - Ross Leckie 'Witty, ironic ... and achieves a deeply felt authenticity' - NEW YORK TIMES When his father dies, and he is reduced at a stroke from prosperity to penury, Euxenus decides to leave Athens and seek his fortune elsewhere. As a philosopher and intellectual of some note, he has no difficulty getting a job as tutor to a young prince in the wealthy but utterly provincial court of King Philip of Macedon. The young prince is called Alexander, and the rest is history. Or is it? Alexander conquered Greece, Egypt and the Persian Empire in the course of eight years, amassing a huge army along the way, and leaving behind him the foundations of countless new cities named after him. He proclaimed himself a deity, and died at the age of 33. In ALEXANDER AT THE WORLD'S END, Tom Holt tells the story of two remarkable men, one of whom conquered empires and one of whom struggled to overcome the drainage problems of a small village. It is a story of two men whose paths crossed only briefly, but whose encounter changed both their lives for ever. And it is a story which throws an extraordinary new light on the man who became Alexander the Great. Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling Sideways Little People Song for Nero Meadowland Barking Blonde Bombshell The Management Style of the Supreme Beings An Orc on the Wild Side

The pleasant little American city of Middletown is the first target in an atomic war - but instead of blowing Middletown to smithereens, the super-hydrogen bomb blows it right off the map - to somewhere else! First there is the new thin coldness of the air, the blazing corona and dullness of the sun, the visibility of the stars in high daylight. Then comes the inhabitant's terrifying discovery that Middletown is a twentieth-century oasis of paved streets and houses in a desolate brown world without trees, without water, apparently without life, in the unimaginably far-distant future.

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

In this sequel The Unexpected Life of Oliver Cromwell Pitts by Newbery Medalist Avi, Oliver’s adventures take him to the 18th century American colonies, where he is forced to fend for himself in the harsh wilderness, live as an indentured servant, and come face to face with the brutality of enslavement.

Worlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art and the artists who created these extraordinary images. In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race–fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. In Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that 1970s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences. With deep dives into the subject matter that commonly appeared on these covers—spaceships, alien landscapes, fantasy realms, cryptozoology, and heavy machinery—this book is a loving tribute to a unique and robust art form whose legacy lives on both in nostalgic appreciation as well as the retro-chic design of mainstream sci-fi films such as Guardians of the Galaxy, Alien: Covenant, and Thor: Ragnarok. Includes Color Illustrations