'The definitive look at dance music and club culture - a must read' - Paul Oakenfold 'Brilliantly woven collection of aural histories ... a damn fine read' - DJ MAG In 1987, four friends from London, Paul Oakenfold, Danny Rampling, Nicky Holloway and Johnny Walker, took a week-long holiday to Ibiza. What they saw there, and brought back home, would give rise to a new global music and counterculture movement. As the eighties drew to their close, with Thatcherism holding the nation tight in its grip, something funny was happening right across the jungle of Britain's nightlife scene. People were dressing down, not up, to go to clubs. And they were dancing right through the night armed seemingly with only bottles of water. Ecstasy and acid house music had arrived on British shores, and a tribal battle between for the moral future of the nation, between the youth and the establishment, had begun. In The Second Summer of Love, author and dance music promoter Alon Shulman uses exclusive contributions from the world's biggest DJs, including Paul Oakenfold, Carl Cox, Fatboy Slim, Moby, Faithless, Mr C, Farley & Heller, Danny Rampling and many others to faithfully recreate the story of the summers of 1988 and 1989, and chart the birth and rise of Acid House, dance music and club culture right through to the modern day where dance music has become a culturally dominant global industry. Complete with stunning unseen photographs, this is the first authentic account of what really happened in that glorious period - from the politics and the people to the music, the drugs, the fashion and the culture - told by people who were there, as they bring to life the creation of an underground scene which inadvertently altered the course of modern global youth culture forever. 'It's as if house music and rave culture tapped into this ancient predilection of humans to stay up all night dancing and staring into the fire, and just supercharged it with electricity and MDMA' -Moby 'What I was experiencing was right in front of my eyes, it was happening right now and I loved it' -Carl Cox 'It opened my eyes and ears to a different spirit in music' - Fatboy Slim

It?s summer and nothing much is happening in Rathmoye. So it doesn?t go unnoticed when a dark-haired stranger appears on his bicycle and begins photographing the mourners at Mrs. Connulty?s funeral. Florian Kilderry couldn?t know that the Connultys are said to own half the town: he has only come to Rathmoye to photograph the scorched remains of its burnt- out cinema. A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm. Florian is planning to leave Ireland and start over. Ellie is settled in her new role as Dillahan?s wife. But Florian?s visit to Rathmoye introduces him to Ellie, and a dangerously reckless attachment begins. In a characteristically masterly way Trevor evokes the passions and frustrations felt by Ellie and Florian, and by the people of a small Irish town during one long summer.

What a wonderful Summer it is. I wash, spit and drink love. From the rising of the sun to the going down of the same. Perfect! If there is ever an adjective for the sunny days and moonlights. I could find beauty in anything and everything. The nights; left hope for a morning of reunion. The afternoons for rendezvous, and evenings for long walks in gardens. Tell me what else is held back from love? Aiyeko-ooto observes a summer of lovers. 50 poems in 5 movements, greens are luxuriant, when you are happy. The colors of flowers radiant and shimmering. Even though a few spots of rain interrupt our rituals. We justify it; with a need to cool the heat. OK; so maybe it's not perfect. Soft as sandy shores are, don't you get few grains; blown into your eyes? Since when has that stopped anyone; going to the beach? If Summer comes again, I'll be there!

"Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'"—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music "While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work."—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records "Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop."—Eric Weisbard, author of Use Your Illusion I & II

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

2020 J. ANTHONY LUKAS PRIZE WINNER From the bestselling author of There Are No Children Here, a richly textured, heartrending portrait of love and death in Chicago's most turbulent neighborhoods. The numbers are staggering: over the past twenty years in Chicago, 14,033 people have been killed and another roughly 60,000 wounded by gunfire. What does that do to the spirit of individuals and community? Drawing on his decades of experience, Alex Kotlowitz set out to chronicle one summer in the city, writing about individuals who have emerged from the violence and whose stories capture the capacity--and the breaking point--of the human heart and soul. The result is a spellbinding collection of deeply intimate profiles that upend what we think we know about gun violence in America. Among others, we meet a man who as a teenager killed a rival gang member and twenty years later is still trying to come to terms with what he's done; a devoted school social worker struggling with her favorite student, who refuses to give evidence in the shooting death of his best friend; the witness to a wrongful police shooting who can't shake what he has seen; and an aging former gang leader who builds a place of refuge for himself and his friends. Applying the close-up, empathic reporting that made There Are No Children Here a modern classic, Kotlowitz offers a piercingly honest portrait of a city in turmoil. These sketches of those left standing will get into your bones. This one summer will stay with you.

When a cheery STEM nerd and a no-nonsense CFO work together, opposites definitely attract! Only in the next Valentine Vineyards book from Reese Ryan. She’s beautiful, competent…and wreaking havoc on his self-control! Brains and beauty? Scientist Delaney Carlisle challenges all of CFO Nolan Valentine’s professional boundaries—and inspires a passion unlike any other. Their chemistry is as intoxicating as the wine they’re creating. But she’s an employee. She’s off-limits. Not to mention, the determined single mom is only in town for the summer to help turn Valentine Vineyards into a success. Then she’s off to a full-time job and stability. Yet when Nolan finally rebels thanks to Delaney’s irresistible charms, he’ll have to choose between listening to his head and following his heart… Harlequin Desire transports you to the luxurious worlds of American tycoons, ranchers and family dynasties. Get ready for bold encounters and sizzling chemistry. You’ll be swept away by this bold, sizzling romance, part of the Valentine Vineyards series: Book 1: A Valentine for Christmas Book 2: One Summer of Love Book 3: Snowbound Second Chance

Though more than a generation has passed since the revolutionary fervor of the Summer of Love of 1967, the 1960s in many ways seem with us still. From recurring debates over the war in Vietnam to the perpetually appealing music of the Beatles and the Rolling Stone to the concern about youth drug use, the legacy of the 1960s is ubiquitous in contemporary life. The Summer of Love brings together an impressive group of historians, artists, and cultural critics to present a rich and varied interpretation of this seminal decade and its continuing influence on politics, society, and culture. The Summer of Love, which accompanies an exhibition at Tate Liverpool, pays particular attention to the wildly creative psychedelic art of the era. Perceptive essays on psychedelic comics, graphic design and typography, light shows, and film successfully rescue psychedelic art from the fog of nostalgia and unjust critical neglect. Distinguished contributors also explore the role of 1960s fashion and architecture, and they consider anew the central influence of hallucinogenic drugs on the art of the era. Running throughout the essays are the elements of epochal change—from sexual liberation to student revolutions—that still form the backdrop of our collective consciousness of the 1960s. An incisive collection of writings on all aspects of 1960s art and culture, tempered by time and critical distance, The Summer of Love will be indispensable for those who wish they had been there—or for those who were, but can't remember it.

She doesn't trust him. Zoe Costas is a security specialist. Her rather dubious family runs an Atlantic City spa that’s just this side of legit. When charming Ryan Baldwin shows up claiming to be related to Sam, the girl Zoe’s family is about to adopt, Zoe isn’t inclined to trust his handsome face. But he’s here to stay. Ryan’s search for his missing sister has led him to news of her death, and to a niece he’s never met. He’s from the famously rich and snooty Boston Baldwins — nothing like Zoe’s eccentric family from Jersey. But someone else has also tracked Sam down — someone who never wanted his niece to be found. Ryan is determined to protect Sam and find out what really happened to his sister. And Zoe is just the woman to help him do it. Neither expects they might find love in the process. *Previously titled Summer Lovin’ REISSUE

The dark days of the war are over, but the family secrets they held are only just dawning. In the hot summer of 1949, a group of family and friends gather at Harry Denholm's country house in Kent. Meg and Dan Ranscombe, emerging from a scandal of their own making; Dan's godmother, Sonia; and her two young girls, Laura and Avril, only one of whom is Sonia's biological daughter. Amongst the heat, memories, and infatuations, a secret is revealed to Meg's son, Max, and soon a terrible tragedy unfolds that will have consequences for them all. Afterwards, Avril, Laura and Max must come of age in a society still reeling from the war, haunted by the choices of that fateful summer. Cold, entitled Avril will go to any lengths to take what is hers. Beautiful, naive Laura finds refuge and love in the London jazz clubs, but Max, with wealth and unrequited love, has the capacity to undo it all.